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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
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TROMPETTE
TUBA
UKULELE
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We Are The Church
Non classifié
344
Piano & claviers
Piano seul
114
Piano, Voix
105
Piano, Voix et Guitare
59
Orgue
39
Piano Facile
21
Accompagnement Piano
11
1 Piano, 4 mains
7
Instruments en Do
7
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Orgue, Trompette (duo)
2
Piano (partie séparée)
1
Orgue, Piano (duo)
1
+ 10 instrumentations
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Guitares
Piano, Guitare (duo)
5
Guitare notes et tablatures
5
Guitare
2
2 Guitares (duo)
1
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Ligne De Mélodie, (Paroles) et Accords
1
Ukulele
1
+ 3 instrumentations
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Voix
Chorale SATB
171
Chorale 2 parties
98
Chorale 3 parties
59
Chorale Unison
40
Voix duo, Piano
40
Pack Instrumental pour Chorale
17
Voix duo
15
Chorale TTBB
4
Voix Soprano, Piano
2
Chorale
2
Voix haute
1
Voix Tenor, Piano
1
Chorale SSATTB
1
Voix seule
1
Chorale SSAA
1
+ 10 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Quintette de Saxophone: 5 saxophones
48
Saxophone Soprano et Piano
24
Saxophone Alto et Piano
24
Clarinette et Piano
23
Saxophone Tenor et Piano
22
Flûte traversière et Piano
20
Hautbois, Piano (duo)
18
2 Saxophones (duo)
16
Quatuor de Saxophones: 4 saxophones
14
Flûte, Hautbois, Clarinette, Basson
13
Saxophone Baryton, Piano
9
Flûte traversière
9
Ensemble de Clarinettes
8
Flûte, Clarinette (duo)
7
Clarinette
5
Saxophone Alto
4
Saxophone Tenor
4
Hautbois
4
Saxophone Baryton
4
Hautbois (partie séparée)
4
Quatuor de Clarinettes: 4 clarinettes
4
2 Hautbois (duo)
3
Quintette de Flûte : 5 flûtes
3
3 Saxophones (trio)
3
Saxophone Soprano
3
3 Clarinettes (trio)
3
Ensemble de Flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
2 Clarinettes (duo)
3
Clarinette (partie séparée)
3
2 Flûtes traversières (duo)
3
Saxophone (partie séparée)
3
Flûte, Violon et Violoncelle
2
Flûte, Alto et Piano
2
Trio de Flûtes: 3 flûtes
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette Basse, Piano
2
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle, Guitare
1
Flûte, trombone et piano
1
Flûte, Violon
1
Flute (partie séparée)
1
Cor anglais, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette Basse
1
Flûte, Basson et Piano
1
Harmonica
1
Hautbois, Basson (duo)
1
Clarinette, Violon (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone et Orgue
1
Clarinette, trompette et piano
1
Ensemble de saxophones
1
Flûte, Clarinette et Basson
1
Flûte à bec Soprano
1
Flûte à bec Tenor
1
Hautbois, Clarinette (duo)
1
+ 58 instrumentations
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Cuivres
Trombone et Piano
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Cor et Piano
20
Trompette, Piano
20
Trompette
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
2 Trompettes (duo)
8
Trombone
6
Trompette, Cor (duo)
6
2 Trombones (duo)
5
Tuba et Piano
5
Tuba
4
Ensemble de Trombones
4
Cor
4
Euphonium, Piano (duo)
4
Ensemble de Trompettes
4
Quatuor de cuivres: 4 trombones
4
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Quatuor de cuivres: 4 trompettes
2
Trombone (partie séparée)
2
Trompette, Trombone (duo)
2
2 Cors (duo)
2
Trompette (partie séparée)
1
Cor anglais, Piano
1
Cor (partie séparée)
1
Tuba et Orgue
1
+ 22 instrumentations
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Cordes
Violon et Piano
27
Quatuor à cordes: 2 violons, alto, violoncelle
25
Violoncelle, Piano
24
Alto, Piano
23
Violon, Violoncelle (duo)
8
Violoncelle
8
2 Violoncelles (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon
6
Contrebasse, Piano (duo)
6
Violon, Alto (duo)
5
Alto seul
5
Trio à Cordes: violon, alto, violoncelle
5
2 Violons (duo)
5
Ensemble d'Altos
4
Ensemble de Violons
4
Contre Basse
4
Piano Trio: Violon, Alto, Piano
4
Harpe
3
Quatuor à cordes: 4 violons
2
2 Harpes (duo)
2
4 Violoncelles
2
Violon (partie séparée)
2
Alto, Violoncelle (duo)
2
Alto (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
1
Harpe, Voix
1
Trio à Cordes: 2 violons, violoncelle
1
+ 26 instrumentations
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Orchestre & Percussions
Ensemble de cuivres
16
Cloches
13
Orchestre d'harmonie
11
Orchestre
9
Orchestre à Cordes
8
Jazz combo
4
Instrumentation Flexible
1
Xylophone, Piano
1
Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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DULCIMER
EUPHONIUM
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Vous avez sélectionné:
We Are The Church
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
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While of These Emblems We Partake
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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Public Domain
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Michael Hardey, Brigham WElch
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While of These Emblems We Part
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Hardey and Welch Music
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.864456 Composed by Public Domain. Arranged by Michael Hardey, Brigham WElch. ...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.864456 Composed by Public Domain. Arranged by Michael Hardey, Brigham WElch. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 6 pages. Hardey and Welch Music #4283807. Published by Hardey and Welch Music (A0.864456). Michael Hardey and Brigham Welch are excited once again to bring you another beloved arrangement from their 2010 album The Spirit of God. This arrangement, though simple and reverent, will bring strong and powerful spirit into your church or community congregation. Enjoy!
$9.99
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
We Three Kings (Piano Quartet): Violin, Viola, Cello and Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1104206 Composed by John Henry Hopkins, Jr. and Enrique Granados. Arranged by...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1104206 Composed by John Henry Hopkins, Jr. and Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 22 pages. John A. Dempsey #707422. Published by John A. Dempsey (A0.1104206). This piano quartet for violin, viola, cello and piano of the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for Christmas pageants, plays and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  18 pages of music (that includes separate two-page parts for violin, viola and cello).  Concert Key: A minor   We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$14.00
Jingle Bells for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Publishe...
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Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
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We Are The Church
