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209
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181
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66
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48
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Orgue
13
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3
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2
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2
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2
Piano Quatuor: piano, 2 violons, violoncelle
1
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11
Guitare
7
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4
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3
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3
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2
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1
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89
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25
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13
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11
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9
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7
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4
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3
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2
Voix duo, Piano
2
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1
Voix duo
1
Voix Tenor
1
Voix Baryton, Piano
1
Voix basse
1
Voix Tenor, Piano
1
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Flûte traversière et Piano
12
Saxophone Tenor et Piano
11
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10
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10
2 Saxophones (duo)
9
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9
Clarinette
8
Saxophone Alto et Piano
8
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8
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8
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8
Hautbois, Piano (duo)
8
Saxophone Alto
7
Saxophone Baryton, Piano
6
Clarinette (partie séparée)
5
2 Clarinettes (duo)
5
Saxophone Tenor
5
Quintette de Saxophone: 5 saxophones
4
Hautbois (partie séparée)
4
Saxophone, Clarinette (duo)
3
Saxophone Soprano et Piano
3
Flûte à Bec
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Alto et Piano
2
Saxophone Soprano
2
Saxophone Baryton
2
Hautbois
2
Clarinette, Trompette (duo)
2
Hautbois, Flûte
2
2 Flûtes traversières (duo)
2
Clarinette, Violon (duo)
2
Clarinette et Alto
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à bec Soprano
2
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1
Flûte, Hautbois, Clarinette, Basson
1
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1
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1
Flûte à bec Tenor
1
Clarinette, Guitare (duo)
1
2 Hautbois (duo)
1
Flûte, Saxophone (duo)
1
3 Clarinettes (trio)
1
Quintette de Flûte : 5 flûtes
1
Ensemble de Clarinettes
1
Ensemble de saxophones
1
Clarinette Basse, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
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1
Ocarina
1
Cor anglais et Harpe (duo)
1
Flûte, Alto (duo)
1
Flûte, Clarinette (duo)
1
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Trompette (partie séparée)
9
Trompette
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trombone
7
Trompette, Piano
7
Cor
7
Trombone et Piano
6
Tuba et Piano
5
Cor et Piano
5
Tuba
4
Trompette, Saxophone (duo)
4
2 Trombones (duo)
3
2 Trompettes (duo)
3
Quatuor de cuivres: 4 cors
3
Ensemble de Trompettes
2
Trombone (partie séparée)
2
Cor (partie séparée)
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de cuivres: 4 trombones
2
Tuba (partie séparée)
1
2 Tubas (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
4 Tubas
1
Euphonium, Piano (duo)
1
3 Trompettes (trio)
1
Cor anglais et Harpe (duo)
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
22
Alto, Piano
10
Violon et Piano
10
Violon
9
Violoncelle
8
Violoncelle, Piano
8
Alto seul
7
Contrebasse, Piano (duo)
5
2 Violons (duo)
4
Harpe, Voix
4
Violon, Violoncelle (duo)
4
Harpe
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
2
Contre Basse
2
2 Altos (duo)
2
2 Violoncelles (duo)
2
Alto (partie séparée)
2
Violon, Alto (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: violon, alto, violoncelle
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
Violon (partie séparée)
1
Ensemble de Violoncelles
1
Quatuor à cordes : 4 altos
1
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 violins
1
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75
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38
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13
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12
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6
Ensemble Jazz
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5
Ensemble de Percussions
4
Cloches
3
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2
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2
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Orchestre de chambre
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2 Marimbas
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Xylophone, Piano
1
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Pachelbel: Canon in D for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
Nocturne for Clarinet, Violin, Cello & Piano
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Piano Quatuor: piano, violon, alto, violoncelle
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AVANCÉ
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Eugene Astapov
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Nocturne for Clarinet, Violin,
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EAMUSIC
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SheetMusicPlus
Piano Quartet Cello,Piano,Violin - Level 5 - SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. P...
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Piano Quartet Cello,Piano,Violin - Level 5 - SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. Published by EAMUSIC (A0.1283409). Nocturne was inspired by a meteorological phenomenon that is known as “noctilucence†and refers to shining clouds at high altitudes only observable for a short period of time in the summer twilight sky. In Canada we don’t get many summer days, that is why this occurrence is particularly special and beautiful. From the first measures the music evokes the feelings of tranquility and ephemeral elegance. Structurally this piece is almost built after some of Chopin’s Nocturnes which were written in 3-part form and often featured emotional and moving musical material towards the end of the piece. Even though nocturnes are generally meant to depict peaceful night music and my piece certainly opens that way, it does not stay calm and quiet for the duration of the piece because the night, after all, can be full of surprises and mysteries. The music is meant to be played with flair and colour, in a light and improvisatory way. This piece was first premiered at the Intimacy of Creativity Festival in Hong Kong in May 2019 with the assistance from Bright Sheng. Following the Audience Choice vote at the festival, and further revised, the piece was brought to the audiences in Philadelphia at the Curtis Institute of Music featuring musicians from the Curtis 20/21 Ensemble in December 2019.The piece is scored for Clarinet, Violin, Cello and Piano. Duration is approximately 9 minutes.
$20.00
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