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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
While It Is Day
Non classifié
388
Piano & claviers
Piano seul
191
Piano Facile
81
Accompagnement Piano
55
Piano, Voix
48
Piano, Voix et Guitare
24
Instruments en Do
22
Piano Trio: piano, violon, violoncelle
13
Orgue
12
1 Piano, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon
1
+ 10 instrumentations
Retracter
Guitares
Guitare
31
Guitare notes et tablatures
27
Ukulele
8
2 Guitares (duo)
3
2 Ukuleles
2
Basse electrique
2
Piano, Guitare (duo)
1
Mandoline
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
89
Chorale 3 parties
20
Chorale TTBB
18
Voix Tenor, Piano
17
Chorale 2 parties
12
Chorale SSAA
9
Voix Soprano, Piano
9
Voix Alto, Piano
6
Chorale Unison
5
Voix Tenor
4
Voix duo, Piano
2
Voix haute
2
Voix duo
2
Chorale SSATTB
2
Voix Baryton, Piano
2
Voix basse, Piano
1
Voix Soprano
1
+ 12 instrumentations
Retracter
Vents
2 Saxophones (duo)
98
Quatuor de Saxophones: 4 saxophones
53
Clarinette et Piano
41
Saxophone Alto et Piano
40
Flûte traversière et Piano
38
Saxophone Soprano et Piano
37
Hautbois, Piano (duo)
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
2 Clarinettes (duo)
29
2 Flûtes traversières (duo)
26
Flûte, Hautbois, Clarinette, Basson
24
Clarinette
22
Saxophone Tenor et Piano
21
Saxophone Baryton, Piano
21
Flûte traversière
20
2 Hautbois (duo)
19
Quintette de Saxophone: 5 saxophones
19
Saxophone Alto
17
2 Flûte à bec (duo)
17
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone Tenor
14
Saxophone, Clarinette (duo)
12
3 Saxophones (trio)
12
Saxophone (partie séparée)
11
Ensemble de saxophones
11
Hautbois (partie séparée)
9
Ensemble de Clarinettes
9
Saxophone Baryton
8
Ensemble de Flûtes
8
Saxophone Soprano
8
Quatuor de Flûtes : 4 flûtes
7
Flûte, Clarinette (duo)
7
Piccolo, Piano
6
Clarinette, Violon (duo)
6
Hautbois, Basson (duo)
6
Hautbois, Clarinette (duo)
6
Hautbois, Flûte
6
Cor anglais, Piano
6
Clarinette, Basson (duo)
6
Clarinette, Trompette (duo)
5
Hautbois
5
Quatuor de Flûtes à bec
5
3 Clarinettes (trio)
5
Ensemble De Flûte à bec
4
3 Flûtes à bec (trio)
4
Flûte, Clarinette et Basson
4
Trio de Flûtes: 3 flûtes
4
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Violon
3
Clarinette (partie séparée)
3
Flute (partie séparée)
3
5 Flûtes à bec
3
Flûte, Hautbois, Basson
3
2 Clarinettes, Piano
2
Flûte, Alto (duo)
2
Flûte à bec Alto, Piano
2
Clarinette et Alto
2
4 Hautbois
2
Flûte, Hautbois (duo)
2
Flûte à Bec
2
Clarinette Basse, Piano
2
Flûte, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Clarinette Basse
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Violoncelle
1
Flûte à bec Tenor
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec, Piano
1
Flûte et Guitare
1
Flûte, Saxophone (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Trompette (duo)
1
Ensemble à vent
1
Clarinette, Guitare (duo)
1
Saxophone et Orgue
1
Flûte, Violon, Piano
1
+ 72 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Trombone et Piano
26
Trompette, Piano
23
Cor et Piano
23
Tuba et Piano
22
2 Trombones (duo)
21
2 Trompettes (duo)
20
2 Cors (duo)
19
Trompette
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Tuba
13
Cor
11
Trombone
10
Trompette, Saxophone (duo)
8
Trompette, Trombone (duo)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
2 Tubas (duo)
7
Euphonium, Piano (duo)
7
Cor anglais, Piano
6
Trombone, Tuba (duo)
5
Trompette, Cor (duo)
4
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trombones
3
Ensemble de Trombones
2
Trompette (partie séparée)
2
Trombone, Cor (duo)
2
Ensemble de Trompettes
2
Trompette, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Trombones (trio)
2
Quatuor de Cuivres
2
Trombone (partie séparée)
1
3 Cors (trio)
1
Trombone basse
1
Ensemble de Cors
1
3 Tubas (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
Euphonium, Tuba (duo)
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
2 Euphoniums et 2 Tubas
1
Trompette, Basson (duo)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
79
Alto, Piano
47
Violon et Piano
46
Violoncelle, Piano
33
2 Violons (duo)
28
Violoncelle
24
Violon, Violoncelle (duo)
24
2 Altos (duo)
22
2 Violoncelles (duo)
22
Violon
20
Alto seul
20
Contrebasse, Piano (duo)
18
Trio à Cordes: violon, alto, violoncelle
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Contre Basse
11
Harpe
11
Violon, Alto (duo)
7
Alto, Violoncelle (duo)
6
Violoncelle, Contrebasse (duo)
5
Trio à Cordes: 3 violoncelles
5
Violon (partie séparée)
5
2 Harpes (duo)
5
2 Contrebasses (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
4 Violoncelles
4
Alto (partie séparée)
4
Trio à cordes: 3 altos
4
Trio à cordes: 3 violins
4
Quatuor à cordes : 4 altos
4
Piano Trio: Violon, Alto, Piano
4
Quatuor à cordes: 4 violons
3
Contrebasse (partie séparée)
2
Harpe, Voix
2
Flûte, Contrebasse (duo)
2
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle (partie séparée)
1
Harpe, Flûte (duo)
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
161
Orchestre
30
Orchestre à Cordes
26
Cloches
21
Ensemble de cuivres
13
Ensemble de Percussions
9
Ensemble Jazz
9
Orchestre de chambre
7
Fanfare
5
Batterie
4
Jazz combo
3
Percussion (partie séparée)
1
Piano et Orchestre
1
Xylophone, Piano
1
Percussion
1
+ 10 instrumentations
Retracter
Autres
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DOBRO - GUI…
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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While It Is Day
Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
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Jingle Bells for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Publishe...
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Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
Mozart: Romanze from K. 525 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
#
SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sac...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
The First Noel for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu...
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Piano Quartet - Level 1 - SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
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While It Is Day
