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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Work Song
Non classifié
2 369
Piano & claviers
Piano, Voix
2 074
Piano seul
1 214
Piano Facile
426
Piano, Voix et Guitare
290
Instruments en Do
281
Orgue
111
1 Piano, 4 mains
30
Piano Trio: piano, violon, violoncelle
22
Accompagnement Piano
18
Piano grosses notes
12
2 Pianos, 4 mains
8
Clavecin
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano (partie séparée)
3
Accordéon, Voix
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon
1
Orgue, Piano (duo)
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
138
Guitare
120
Piano, Guitare (duo)
99
Ligne De Mélodie, (Paroles) et Accords
39
Ukulele
29
Dulcimer
26
2 Guitares (duo)
19
Banjo
8
Paroles et Accords
8
Mandoline
7
4 Guitares (Quatuor)
6
Ensemble de guitares
5
Basse electrique
5
Guitare (partie séparée)
4
2 Dulcimers (duo)
2
Basse électrique (partie séparée)
1
3 Guitares (trio)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
829
Chorale 3 parties
388
Chorale 2 parties
264
Chorale TTBB
145
Chorale SSAA
114
Chorale Unison
109
Voix Baryton, Piano
55
Voix Soprano, Piano
50
Voix Alto, Piano
43
Voix Tenor, Piano
39
Voix haute
24
Voix moyenne, Piano
22
Voix basse, Piano
21
Voix seule
19
Voix duo, Piano
17
Voix duo
14
Voix Mezzo-Soprano, Piano
8
Chorale
3
Chorale SSATTB
3
Chorale SSAATTBB
3
Voix basse
2
Voix Tenor
2
Voix, Guitare
2
Voix Baryton
1
Chorale SSATB
1
Voix Soprano
1
Soli, choeur mixte et accompagnement
1
Chorale SATBB
1
+ 23 instrumentations
Retracter
Vents
Flûte traversière et Piano
335
Hautbois, Piano (duo)
330
Clarinette et Piano
322
Saxophone Alto et Piano
267
Saxophone Tenor et Piano
210
Quatuor de Saxophones: 4 saxophones
199
Quatuor de Clarinettes: 4 clarinettes
176
Flûte, Hautbois, Clarinette, Basson
155
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
126
Saxophone Soprano et Piano
102
Flûte traversière
99
Saxophone Baryton, Piano
96
Clarinette
92
2 Saxophones (duo)
81
Saxophone (partie séparée)
74
Saxophone Alto
73
Quintette de Saxophone: 5 saxophones
59
2 Flûtes traversières (duo)
55
Saxophone Tenor
52
2 Clarinettes (duo)
44
Quatuor de Flûtes : 4 flûtes
42
Hautbois (partie séparée)
35
3 Saxophones (trio)
33
Quintette de Clarinettes: 5 clarinettes
25
3 Clarinettes (trio)
25
Flûte et Guitare
20
Cor anglais, Piano
18
Ensemble de Clarinettes
18
2 Hautbois (duo)
17
Ensemble de saxophones
17
Flûte, Clarinette (duo)
15
Quatuor de Flûtes à bec
15
Hautbois
14
Flûte à Bec
13
Saxophone Soprano
13
Clarinette Basse, Piano
13
2 Flûte à bec (duo)
13
Clarinette (partie séparée)
11
Trio de Flûtes: 3 flûtes
11
Ensemble de Flûtes
11
Flûte, Hautbois, Clarinette (trio)
11
Quintette de Flûte : 5 flûtes
10
Hautbois, Basson (duo)
9
5 Flûtes à bec
9
Flûte, Violon, Piano
8
Clarinette, Guitare (duo)
7
Hautbois, Clarinette (duo)
7
Flûte à bec Alto
7
Hautbois, Guitare (duo)
7
Clarinette, Violon (duo)
7
Saxophone Baryton
7
Flûte, Violon
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Saxophone et Guitare
7
2 Flûtes traversières, Piano
6
Cor Anglais
6
Flûte, Hautbois (duo)
6
Piccolo
6
Clarinette, Basson (duo)
6
Flûte, Basson et Piano
5
Harmonica
5
Flûte à bec Soprano
5
Clarinette, Violoncelle (duo)
4
Flûte, Alto (duo)
3
Flûte, Hautbois, Piano (trio)
3
Piccolo, Piano
3
Ensemble De Flûte à bec
3
Saxophone, Clarinette (duo)
3
Hautbois, Violoncelle
3
3 Flûtes à bec (trio)
3
Flute (partie séparée)
3
Flûte, Violoncelle
3
Hautbois et alto (duo)
2
Ensemble de Hautbois
2
Hautbois, violon (duo)
2
Flûte à bec Alto, Piano
2
Clarinette et Alto
2
Cor anglais, Guitare (duo)
2
Flûte, Clarinette et Basson
2
Flûte, Violoncelle, Piano (trio)
2
4 Hautbois
2
Flûte, Hautbois, Basson
1
Flûte, Violon et Violoncelle
1
Flûte à bec Tenor
1
Flûte à bec Soprano, Piano
1
Flûte, Alto et Piano
1
3 Hautbois
1
Clarinette, Harpe (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Ensemble à vent
1
2 Clarinettes, Piano
1
Flûte, Clarinette, Violon (trio)
1
Saxophone et Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte et Quatuor à Cordes
1
Clarinette, Trompette (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Flûte
1
Flûte, Saxophone (duo)
1
Cor anglais et Harpe (duo)
1
Ocarina
1
+ 96 instrumentations
Retracter
Cuivres
Trombone et Piano
256
Trompette
181
Trompette, Piano
164
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
144
Cor et Piano
121
Tuba et Piano
77
Quatuor de Cuivres : 2 trompettes, trombone, tuba
72
Trombone
67
Cor
46
Quatuor de cuivres: 4 trombones
41
Trompette (partie séparée)
35
Euphonium, Piano (duo)
28
2 Trompettes (duo)
27
Trombone (partie séparée)
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
25
2 Trombones (duo)
22
Cor anglais, Piano
18
Tuba
18
Quatuor de Cuivres
18
2 Cors (duo)
17
Quatuor de cuivres: 4 cors
13
2 Tubas (duo)
9
Trompette, Trombone (duo)
9
Quatuor de cuivres: 4 trompettes
8
Ensemble de Trompettes
8
3 Trombones (trio)
7
Ensemble de Cors
7
Cor (partie séparée)
6
Cor Anglais
6
4 Tubas
6
Ensemble de Trombones
5
Trompette, Cor (duo)
4
Trompette, Saxophone (duo)
4
Tuba (partie séparée)
4
Tuba et Orgue
4
Euphonium
3
2 Euphoniums et 2 Tubas
3
Trombone basse
3
Cor anglais, Guitare (duo)
2
3 Trompettes (trio)
2
Trombone basse et Piano
2
Trio de Cuivres
2
Trompette et Guitare
2
2 Euphoniums (duo)
2
3 Tubas (trio)
1
3 Cors (trio)
1
Trombone, Cor (duo)
1
Trompette, Euphonium (duo)
1
Cor anglais et Harpe (duo)
1
Trompette, Violoncelle (duo)
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
476
Violon et Piano
367
Violoncelle, Piano
296
Alto, Piano
296
Violon
143
Violoncelle
89
Violon, Violoncelle (duo)
71
Contrebasse, Piano (duo)
71
Trio à Cordes: violon, alto, violoncelle
70
Harpe
69
Alto seul
55
2 Violons (duo)
45
2 Violoncelles (duo)
36
Alto (partie séparée)
26
2 Altos (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
4 Violoncelles
17
Violon, Alto (duo)
17
Contre Basse
17
Trio à Cordes: 2 violons, violoncelle
15
Violon, Guitare (duo)
15
Violon (partie séparée)
11
Contrebasse (partie séparée)
11
Violoncelle , Guitare (duo)
9
Trio à Cordes: 3 violoncelles
8
Alto, Violoncelle (duo)
7
Trio à cordes: 3 violins
7
Harpe, Flûte (duo)
6
Quatuor à cordes : 4 altos
5
Harpe, Voix
4
Trio à cordes: 3 altos
4
2 Harpes (duo)
4
Alto, Guitare (duo)
4
Piano Trio: Violon, Alto, Piano
4
Quatuor à cordes: 4 violons
4
Trio à Cordes: 2 violons, alto
2
Violon, Basson (duo)
2
Violoncelle, Orgue
2
Violoncelle (partie séparée)
2
Flûte, Contrebasse (duo)
1
2 Contrebasses (duo)
1
Violoncelle, Basse continue
1
Violon, Orgue
1
Ensemble de Violoncelles
1
4 Contrebasses
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
610
Orchestre à Cordes
145
Orchestre
127
Ensemble Jazz
116
Ensemble de cuivres
84
Orchestre de chambre
62
Cloches
50
Fanfare
48
Jazz combo
25
Ensemble de Percussions
21
Batterie
8
Batterie (partie séparée)
8
Percussion (partie séparée)
6
3 Marimbas
2
Marimba
2
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Marimba, Piano (duo)
1
2 Xylophones
1
Xylophone, Piano
1
+ 15 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Piano Quatuor: piano, violon, alto, violoncelle
Partitions à imprimer
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1
Pachelbel: Canon in D for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
O Holy Night for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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FACILE
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Noël
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Adam
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James M
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O Holy Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #341156...
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Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
O Come All Ye Faithful for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...
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Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
Fauré: Élégie Op. 24 for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...
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Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
Luther: Out of the Depths for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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Piano Quartet,String Ensemble - Level 1 - SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
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