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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
Simply Red
Non classifié
193
Piano & claviers
Piano, Voix
102
Piano seul
59
Piano, Voix et Guitare
16
Orgue
10
Accompagnement Piano
7
Piano Facile
3
Instruments en Do
3
2 Pianos, 4 mains
1
1 Piano, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 5 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
3
Guitare
3
Ukulele
2
3 Guitares (trio)
1
2 Guitares (duo)
1
Piano, Guitare (duo)
1
Guitare notes et tablatures
1
+ 3 instrumentations
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Voix
Chorale SATB
36
Chorale 3 parties
7
Chorale SSAA
5
Chorale TTBB
4
Chorale 2 parties
2
Voix haute
1
+ 1 instrumentations
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Vents
2 Saxophones (duo)
76
Saxophone, Clarinette (duo)
43
2 Clarinettes (duo)
40
Clarinette, Violon (duo)
30
2 Flûtes traversières (duo)
28
Clarinette, Trompette (duo)
25
Hautbois, Piano (duo)
20
Flûte traversière et Piano
19
Flûte, Clarinette (duo)
17
Clarinette et Alto
17
Hautbois, Basson (duo)
17
2 Hautbois (duo)
16
Hautbois, Clarinette (duo)
15
Flûte, Saxophone (duo)
14
Flûte, Violon
13
Flûte, Alto (duo)
13
Clarinette et Piano
12
Quintette de Saxophone: 5 saxophones
12
Hautbois, Flûte
12
Quatuor de Saxophones: 4 saxophones
12
Flûte, Trompette (duo)
11
Flûte traversière
10
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone Alto et Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Ensemble de Clarinettes
8
Hautbois (partie séparée)
7
Saxophone Tenor et Piano
7
Quatuor de Flûtes : 4 flûtes
7
Ensemble de Flûtes
6
Clarinette
5
3 Saxophones (trio)
5
Saxophone Alto
5
Quintette de Flûte : 5 flûtes
5
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Tenor
3
Ensemble de saxophones
3
Saxophone Soprano et Piano
3
Trio de Flûtes: 3 flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
2 Flûte à bec (duo)
2
Flûte, Violon et Violoncelle
2
Flûte, Alto et Piano
2
Flûte, Violon, Violoncelle et Piano
2
Flute (partie séparée)
2
Saxophone (partie séparée)
1
Saxophone Baryton, Piano
1
Flûte, Basson et Piano
1
3 Clarinettes (trio)
1
Flute, harpe et violon
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle
1
Flûte, Violon, Piano
1
Clarinette, Harpe (duo)
1
Clarinette Basse, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Trombone (duo)
1
2 Clarinettes, Piano
1
Flûte, trombone et piano
1
Flûte, Hautbois, Basson
1
Cor anglais, Piano
1
Clarinette, Guitare (duo)
1
Flûte et Guitare
1
+ 59 instrumentations
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Cuivres
Trompette, Saxophone (duo)
31
Trompette, Trombone (duo)
19
2 Trombones (duo)
17
2 Trompettes (duo)
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trombone et Piano
9
Trompette
8
Trompette, Piano
8
Cor et Piano
4
Trombone
3
Ensemble de Trombones
3
Ensemble de Trompettes
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium, Piano (duo)
3
Tuba et Piano
2
Quatuor de Cuivres
2
Cor
2
2 Cors (duo)
1
Tuba
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trio de Cuivres
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 trombones
1
+ 20 instrumentations
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Cordes
Violon, Violoncelle (duo)
19
2 Violoncelles (duo)
18
2 Altos (duo)
17
Violon, Alto (duo)
16
Violoncelle, Piano
14
2 Violons (duo)
13
Violon et Piano
13
Alto, Piano
10
Harpe
9
Violon
9
Violoncelle
5
Quatuor à cordes: 2 violons, alto, violoncelle
5
Trio à Cordes: 2 violons, violoncelle
5
Ensemble de Violons
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: violon, alto, violoncelle
2
Alto seul
2
4 Violoncelles
2
Contrebasse, Piano (duo)
1
Alto, Violoncelle (duo)
1
Flûte, Contrebasse (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Violoncelle, Contrebasse (duo)
1
+ 19 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
8
Ensemble de cuivres
6
Orchestre
4
Orchestre à Cordes
3
Jazz combo
2
Orchestre de chambre
2
Cloches
1
Batterie
1
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--INSTRUMENTS--
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Violoncelle
Partitions à imprimer
5 partitions trouvées
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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Violoncelle
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Cello - Level 3 - SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published ...
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Cello - Level 3 - SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Faded
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Violoncelle
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INTERMÉDIAIRE
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Alan Walker
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Benzaiten Editions
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Faded
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Benzaiten Editions
#
SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.1263585 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Benzaiten Editions. 21...
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Cello Solo - Level 3 - SKU: A0.1263585 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Individual part. 1 pages. Benzaiten Editions #856547. Published by Benzaiten Editions (A0.1263585). Hey! Are you a violoncello player who wants to learn how to play Faded by Alan Walker? You're in the right place!Faded by Alan Walker - Intermediate Cello Sheet Music The Benzaiten Editions Arrangement Get ready to immerse yourself in the captivating world of Faded by Alan Walker! This hauntingly beautiful song has captured the hearts of millions with its mesmerizing melody and evocative lyrics. I have created an intermediate violoncello arrangement of Faded that allows you to play this iconic piece with depth and emotion. Whether you're a fan of the original track or simply love the melancholic atmosphere it creates, this arrangement will enable you to bring its magic to life through your cello. With this arrangement, you'll be able to replicate the captivating melody and harmonies of Faded while adding your own expressive touches. The arrangement strikes a balance between accessibility and musicality, making it perfect for intermediate musicians who want to master this popular song. Whether you're looking to expand your repertoire or simply enjoy playing beautiful music, our arrangement of Faded will undoubtedly inspire and captivate you. About the song Alan Walker's hit single Faded started as an instrumental track called Fade and gained attention on YouTube in 2014. With its captivating vocals by Iselin Solheim, the song topped charts worldwide and amassed billions of views. The distinctive melody, combined with Walker's signature production style, creates a captivating fusion of EDM and pop. Faded has become a universal anthem about feeling lost and finding solace in music, leaving a lasting impact on listeners worldwide.
$4.99
Faded
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Violoncelle
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INTERMÉDIAIRE
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Alan Walker
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Benzaiten Editions
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Faded
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Benzaiten Editions
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.1263587 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Benzaiten Editions. 21...
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Cello Solo - Level 3 - SKU: A0.1263587 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Individual part. 1 pages. Benzaiten Editions #856549. Published by Benzaiten Editions (A0.1263587). Hey! Are you a violoncello player who wants to learn how to play Faded by Alan Walker? You're in the right place!Faded by Alan Walker - Intermediate Cello Sheet Music with chords The Benzaiten Editions Arrangement Get ready to immerse yourself in the captivating world of Faded by Alan Walker! This hauntingly beautiful song has captured the hearts of millions with its mesmerizing melody and evocative lyrics. I have created an intermediate violoncello arrangement of Faded that allows you to play this iconic piece with depth and emotion. Whether you're a fan of the original track or simply love the melancholic atmosphere it creates, this arrangement will enable you to bring its magic to life through your cello. With this arrangement, you'll be able to replicate the captivating melody and harmonies of Faded while adding your own expressive touches. The arrangement strikes a balance between accessibility and musicality, making it perfect for intermediate musicians who want to master this popular song. Whether you're looking to expand your repertoire or simply enjoy playing beautiful music, our arrangement of Faded will undoubtedly inspire and captivate you. About the song Alan Walker's hit single Faded started as an instrumental track called Fade and gained attention on YouTube in 2014. With its captivating vocals by Iselin Solheim, the song topped charts worldwide and amassed billions of views. The distinctive melody, combined with Walker's signature production style, creates a captivating fusion of EDM and pop. Faded has become a universal anthem about feeling lost and finding solace in music, leaving a lasting impact on listeners worldwide.
$4.99
When I'm Sixty-four
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Violoncelle
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INTERMÉDIAIRE
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Rock
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The Beatles
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David McKeown
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When I'm Sixty-four
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David McKeown
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.588383 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David M...
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Cello Solo - Level 3 - SKU: A0.588383 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319411. Published by David McKeown (A0.588383). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Cello. Piano/Guitar chords are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
Saviour Like A Shepherd
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Violoncelle
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Dorothy A
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Marilyn Carlson
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Saviour Like A Shepherd
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Cello solo - Grade 3 - SKU: DX.165112 Composed by Dorothy A. Thrupp. Arranged by Marilyn Carlson. Traditional. Sacred instrumental music. Score and part...
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Cello solo - Grade 3 - SKU: DX.165112 Composed by Dorothy A. Thrupp. Arranged by Marilyn Carlson. Traditional. Sacred instrumental music. Score and parts. 5 pages. David E. Smith - Digital Sheet Music #165112. Published by David E. Smith - Digital Sheet Music (DX.165112). This cello solo begins with a simply stated introduction in the piano with the solo line presented verbatim, the original tune. The middle section melody is in the piano with the soloist giving a lilting countermelody making for a pleasing interaction of the two parts. The third section reverts back to the structure of the opening concluding with richer harmonies and settling with a solid statement in the solo while support with a motivic statement in the piano.
$4.50
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