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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time After Time - Vibes
Non classifié
424
Piano & claviers
Piano seul
217
Piano, Voix
31
Piano, Voix et Guitare
20
Orgue
8
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
4
Piano Facile
3
Instruments en Do
3
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
2 Pianos, 4 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare
28
Guitare notes et tablatures
18
Ligne De Mélodie, (Paroles) et Accords
8
Dulcimer
3
Ukulele
3
Paroles et Accords
2
Mandoline
2
2 Guitares (duo)
1
Basse electrique
1
Piano, Guitare (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
76
Chorale 3 parties
18
Voix Alto, Piano
10
Chorale TTBB
10
Chorale SSAA
9
Chorale 2 parties
3
Voix seule
2
Voix Tenor, Piano
1
Chorale Unison
1
Voix duo
1
Chorale
1
Voix Soprano, Piano
1
+ 7 instrumentations
Retracter
Vents
2 Saxophones (duo)
86
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
62
Quintette de Saxophone: 5 saxophones
52
2 Clarinettes (duo)
48
Saxophone, Clarinette (duo)
45
Flûte traversière et Piano
45
2 Flûtes traversières (duo)
33
Clarinette, Violon (duo)
30
Saxophone Alto et Piano
27
Clarinette, Trompette (duo)
24
Flûte, Clarinette (duo)
20
Quatuor de Clarinettes: 4 clarinettes
20
Flûte, Hautbois, Clarinette, Basson
20
Clarinette et Piano
18
Hautbois, Piano (duo)
18
Flûte, Saxophone (duo)
17
2 Hautbois (duo)
17
Hautbois, Flûte
17
Hautbois, Clarinette (duo)
15
Hautbois, Basson (duo)
15
Ensemble de saxophones
15
Flûte, Violon
15
Saxophone Soprano et Piano
14
Ensemble de Clarinettes
14
Saxophone Tenor et Piano
14
Clarinette et Alto
14
Clarinette
14
Ensemble de Flûtes
13
Quatuor de Saxophones: 4 saxophones
13
Flûte, Trompette (duo)
12
Quatuor de Flûtes : 4 flûtes
11
Flûte, Alto (duo)
11
Saxophone Baryton, Piano
10
Clarinette Basse, Piano
10
Cor anglais, Piano
7
2 Flûte à bec (duo)
6
Flûte traversière
6
Quintette de Flûte : 5 flûtes
5
Saxophone (partie séparée)
4
Saxophone Tenor
3
Saxophone Alto
3
Flûte et Guitare
2
2 Clarinettes, Piano
2
Hautbois (partie séparée)
2
Flûte à bec Soprano
2
Quintette de Clarinettes: 5 clarinettes
2
Quatuor de Flûtes à bec
2
2 Saxophones, Piano
1
Clarinette, Basson (duo)
1
Saxophone et Guitare
1
Flûte, Clarinette et Basson
1
Piccolo, Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Soprano, Piano
1
Flûte à bec Tenor
1
Clarinette Basse
1
Flûte, Violon et Violoncelle
1
Flûte, Violoncelle
1
Clarinette, Harpe (duo)
1
Flûte à Bec, Piano
1
5 Flûtes à bec
1
Saxophone
1
Hautbois, Harpe
1
Clarinette, Guitare (duo)
1
Flûte à Bec
1
+ 60 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
70
Ensemble de Trompettes
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Trompette, Saxophone (duo)
32
2 Trombones (duo)
15
2 Trompettes (duo)
15
Trompette, Trombone (duo)
14
Euphonium, Piano (duo)
11
Trompette
10
Cor et Piano
9
Trombone et Piano
9
Ensemble de Trombones
7
Cor anglais, Piano
7
Quatuor de Cuivres
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trombone (partie séparée)
4
Trompette (partie séparée)
4
Trombone
4
Trompette, Piano
3
Quatuor de cuivres: 4 trompettes
3
Tuba et Piano
3
4 Tubas
2
Tuba
2
3 Trompettes (trio)
2
Cor
2
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Quatuor de cuivres: 4 cors
2
2 Cors Anglais Et Pianoforte
1
2 Euphoniums et 2 Tubas
1
2 Cors (duo)
1
Ensemble de Tubas
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon et Piano
27
2 Violons (duo)
20
Alto, Piano
20
Violon, Violoncelle (duo)
19
2 Violoncelles (duo)
18
2 Altos (duo)
18
Violoncelle, Piano
16
Violon, Alto (duo)
15
Violon
11
Trio à Cordes: 2 violons, violoncelle
10
Violoncelle
9
Harpe
8
Trio à Cordes: violon, alto, violoncelle
8
Ensemble de Violons
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble d'Altos
5
Alto seul
4
Harpe, Voix
2
4 Contrebasses
1
Contrebasse, Piano (duo)
1
Harpe, Violon (duo)
1
Harpe, Flûte (duo)
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
35
Ensemble Jazz
18
Ensemble de cuivres
18
Orchestre
15
Orchestre à Cordes
12
Cloches
7
Orchestre de chambre
5
Batterie
5
Jazz combo
4
Fanfare
2
+ 5 instrumentations
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Autres
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ALTO
AUTRES INST…
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BANJO
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BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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OPERA
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Crtitères actifs :
Time After Time - Vibes
intermédiaire
Violoncelle
Partitions à imprimer
9 partitions trouvées
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1
Time After Time
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Violoncelle
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INTERMÉDIAIRE
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Javier Colon
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Fernando Britto
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Time After Time
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Minhas Partituras
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.685545 By Javier Colon. By Cyndi Lauper and Rob Hyman. Arranged by Fernando Britto. 20th Century,Pop,Wedding. Individual ...
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Cello Solo - Level 3 - SKU: A0.685545 By Javier Colon. By Cyndi Lauper and Rob Hyman. Arranged by Fernando Britto. 20th Century,Pop,Wedding. Individual part. 2 pages. Minhas Partituras #6372971. Published by Minhas Partituras (A0.685545). Arrangement of the song Time After Time (Cyndi Lauper) for Cello Solo with Chords.
$4.99
Cyndi Lauper: Time After Time - cello solo
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Violoncelle
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INTERMÉDIAIRE
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Mariage/Ballade
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Pop musique
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Cyndi Lauper
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Virtualsheetmusic
Instantly printable sheet music by Cyndi Lauper for cello solo of MEDIUM skill level. / love,pop
Instantly printable sheet music by Cyndi Lauper for cello solo of MEDIUM skill level. / love,pop
$3.97
Guthrie: Concert Fantasia for Solo Cello
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Violoncelle
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INTERMÉDIAIRE
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James M
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Guthrie: Concert Fantasia for
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jmsgu3
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.549261 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional. Individual part. 7 pages. Jmsgu3 #3479689. ...
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Cello Solo - Level 3 - SKU: A0.549261 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional. Individual part. 7 pages. Jmsgu3 #3479689. Published by jmsgu3 (A0.549261). The Fantasia follows the general scheme of the classical sonata-allegro form. A repeated fragmented motive characterizes the primary theme. The transition introduces pentatonic and synthetic materials that dissipate into a Lydian chord. The Lydian mode provides materials for the lyrical secondary theme section. A closing section revisits elements of the synthetic scale from the transition. After a repeat of the exposition, the development section begins agitato, fragmenting and transposing various diminutions of the primary motive. This is interrupted by a double augmentation and then a bariolage passage leading to declamatory statements of the primary theme transposed eventually to the subdominant. After modulating the transition materials, the secondary theme is developed in the subdominant. This time, the music is adjusted to explore a quotation of the first measure of Bach’s Cello Suite I. This treatment dissolves into a two-part transition (quasi-spiccato), leading to a final development of the Lydian motive, this time in double stops. A final transition section provides the thematic impetus for the third movement. The recapitulation ensues with the re-transition somewhat truncated and the secondary theme transposed to the tonic. A coda section dissipates excess energy while developing Lydian ideas in preparation for a quiet closing that repeats the now-broken Lydian chord.
$27.95
Yesterday
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Violoncelle
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INTERMÉDIAIRE
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Rock
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Adam Levine & Tony Lucca
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James M
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Yesterday
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jmsgu3
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.505643 By Adam Levine & Tony Lucca. By John Lennon and Paul McCartney. Arranged by James M. Guthrie. 20th Century,Contest...
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Cello Solo - Level 3 - SKU: A0.505643 By Adam Levine & Tony Lucca. By John Lennon and Paul McCartney. Arranged by James M. Guthrie. 20th Century,Contest,Festival,Pop,Rock. Individual part. 2 pages. Jmsgu3 #117299. Published by jmsgu3 (A0.505643). Yesterday by John Lennon & Paul McCartney arranged for Solo Cello by James M. Guthrie.This 1965 melancholy rock ballad by Paul McCartney was inducted into the Grammy Hall of Fame in 1997, voted best song of the 20th century in a 1999 BBC Radio poll, and voted No. 1 pop song of all time by MTV and Rolling Stone magazine in 2000. This arrangement, featuring advanced harmony and sensitive counterpoint, is suitable for performance in church, nightclub, or recital stage, and due to its ubiquitous recognizability, it makes a great recital encore - particularly after an up-tempo virtuosic piece.
$53.95
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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Violoncelle
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Cello - Level 3 - SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published ...
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Cello - Level 3 - SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
ATLAS - Violoncello
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Violoncelle
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INTERMÉDIAIRE
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Dane Anthony Madrigal
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ATLAS - Violoncello
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Dane Anthony Madrigal
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.1015089 Composed by Dane Anthony Madrigal. 20th Century,Contemporary,Instructional. Individual part. 5 pages. Dane Anthon...
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Cello Solo - Level 3 - SKU: A0.1015089 Composed by Dane Anthony Madrigal. 20th Century,Contemporary,Instructional. Individual part. 5 pages. Dane Anthony Madrigal #6207793. Published by Dane Anthony Madrigal (A0.1015089). COMPOSER'S NOTESATLAS is conceived as a network of textures that seemingly overlay upon one another. Much like the earth, which the piece is modeled after, the music is ever-changing and dynamic. Harmonic, melodic, and rhythmic similarities carry throughout the duration of the work, showing the unity of both the piece and the planet. ATLAS is meant to tell a tale of times long forgotten while showing the ever-encroaching future which humans find themselves responsible for.
$2.00
Moon River
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Violoncelle
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INTERMÉDIAIRE
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Henry Mancini
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Katherine L Fraser
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Moon River
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Katherine L Fraser
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SheetMusicPlus
Cello - Level 3 - SKU: A0.1280508 By Henry Mancini. By Henry Mancini and Johnny Mercer. Arranged by Katherine L Fraser. 20th Century,Contemporary,Film/T...
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Cello - Level 3 - SKU: A0.1280508 By Henry Mancini. By Henry Mancini and Johnny Mercer. Arranged by Katherine L Fraser. 20th Century,Contemporary,Film/TV,Standards,Wedding. 7 pages. Katherine L Fraser #871917. Published by Katherine L Fraser (A0.1280508). This arrangement for cello quartet has an orchestral feel to it, and offers all players a chance at the melody and harmony. Turn it into a longer piece by starting at the beginning after Measure 41. Watch the dynamics to make it sing.  The audio provided was taken at a tempo of 96 to capture more of the music. I hope you enjoy this timeless classic from the movie, Breakfast at Tiffany's!!
$12.99
Tell Me The Old Old Story, for Cello Solo
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Violoncelle
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INTERMÉDIAIRE
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William Howard Doane
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Nigel Williams
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Tell Me The Old Old Story, for
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Nigel Williams
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.763400 Composed by William Howard Doane. Arranged by Nigel Williams. Folk,Instructional,Lent,Standards. Individual part. ...
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Cello Solo - Level 3 - SKU: A0.763400 Composed by William Howard Doane. Arranged by Nigel Williams. Folk,Instructional,Lent,Standards. Individual part. 1 pages. Nigel Williams #5337653. Published by Nigel Williams (A0.763400). This great hymn tune is ideally suited to a solo cello piece. After a short intro the first verse is reasonably straight. The second verse is more embellished and explores the full range of the instrument and employs different articulations. Ideal repertoire for the student working at home and also ideal in a service of worship at anytime during the year. The performance duration is comfortably over two minutes. Enjoy browsing my many solo, duet, trio and ensemble arrangements on SMP.
$2.19
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1
Time After Time - Vibes
