The ever popular Cello Suite no. 1 in G major by J.S. Bach.

This is a guide for fingering, shifting and suggested bowings.

Labels Movements
No colour - 1st Position I: Prelude
Purple - 1/2 Position II: Allemande
Blue - 2nd Position III: Courante
Beige - 3rd Position IV: Sarabande
Green - 4th Position V: Menuet I, Menuet II
VI: Gigue

While one can argue that there are multiple fingerings, these are the fingering compiled based on various cellists and is the most beginner friendly, using only the basic 4 positions.

"Prelude / Coloured Fingering Guide" is also available as a standalone purchase.

Are you an intermediate or early-advanced cellist who wants to take their technique to the next level?

These intensive cello double stop shifting exercises will help improve your intonation and help build your left-hand strength. At the same time, they will raise the intensity level of your practice, making the time you spend on exercises as efficient as possible.

Moving through the first seven cello positions, these exercises use double stop sixths, thirds, and occasionally fifths and fourths to build your cello technique.

Who this book can help: Cellists who can shift between the first seven positions and want to improve their shifting and finger strength.

How to use this book: Work on one exercise each day, after warming up with finger exercises, scales, and shifting exercises.

by Cassia Harvey

29 pages

Level: Late-Intermediate or Early-Advanced. Uses first through seventh positions on the cello.

This volume gradually introduces the most important thumb techniques:

At first, the 4 finger patterns in thumb position are introduced systematically. The thumb first remains placed over the octave harmonics. Later, other thumb positions are added. At the end of the volume, the change from one thumb position to the other and the octave parallels are practised.

In order that the student does not miss out on the fun, each topic comes with 'tailor-made' pieces and arrangements of the author from classical, folk, rock, and jazz music. Many pieces also come with piano parts and mp3s for download. The programme is completed by many examples from the classical cello literature.

The author recommends using the comprehensive material in various ways. The order can be changed without any problems. Chapters or difficult passages can be skipped and practised later. This volume should be used over a longer period, yet can be occasionally laid aside for a while.

Ideal to complement, for example, Gabriel Koeppen's cello method (Schott, volume 1: ED 20841) or any other textbook.