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Let Her Go
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Let Her Go
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Violoncelle
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Kommos (Lamentation) / "When the World Moved On" - Violoncello
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Pub...
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Cello Solo - Level 4 - SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Intermezzo from Cavalleria Rusticana (for 'Cello Quintet)
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Mascagni, Pietro
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Intermezzo from Cavalleria Rus
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Samantha Bramley
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.800211 Composed by Mascagni, Pietro. Arranged by Samantha J Bramley - stringspirational@gmail.com. Romantic Period. Indiv...
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Cello Solo - Level 4 - SKU: A0.800211 Composed by Mascagni, Pietro. Arranged by Samantha J Bramley - stringspirational@gmail.com. Romantic Period. Individual part. 9 pages. Samantha Bramley #4832815. Published by Samantha Bramley (A0.800211). Intermezzo from Cavalleria Rusticana A very accessible arrangement of this popular classic for 'cello ensembles of intermediate/mixed ability. Only the 1st ‘cello part has sections in tenor clef and goes to C above middle C. All other parts in are in bass clef and do not go above 4th position. If played by a 'cello choir the divisi markings in the 5th 'cello part should be observed, otherwise the lower part is advised. Note from the arranger: All my arrangements for 'cello quartet, quintet and sextet are conceived specifically with the range and technical capabilities of the 'cello in mind - no simple transpositions or re-orchestrations of string quartet scores. They are therefore both easily playable and enjoyable by any intermediate to advanced 'cello ensemble. Most parts do not go beyond 4th position, making them equally suitable for student, mixed ability groups or ‘cello choirs. A complete score and set of individual parts is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com Keep Calm & Play 'Cello! Visit my website at www.stringspirational.com to find out more.
$14.99
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