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6 partitions trouvées
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Corelli : Concerto grosso Op. 6, n° 8 'Concerto pour la nuit de Noël' - V. Allegro - Pastorale
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Corelli
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Concerto grosso Op. 6, n° 8 '
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Tomplay
Telechargez la partition Violoncelle Concerto grosso Op. 6, n° 8 'Concerto pour la nuit de Noël' - V. Allegro - Pastorale de Corelli. Partiti...
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Telechargez la partition Violoncelle Concerto grosso Op. 6, n° 8 'Concerto pour la nuit de Noël' - V. Allegro - Pastorale de Corelli. Partition pour Violoncelle avec accomp. orchestre -- Classique
7.99€
Jan Freidlin: From the Past for solo cello
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Freidlin
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Jan Freidlin: From the Past fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.533304 Composed by Jan Freidlin. 20th Century,Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Musi...
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Cello Solo - Level 4 - SKU: A0.533304 Composed by Jan Freidlin. 20th Century,Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2341099. Published by Musik Fabrik Music Publishing (A0.533304). A lyrical piece for solo cello by the noted Israeli composer.
$7.75
Kommos (Lamentation) / "When the World Moved On" - Violoncello
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Pub...
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Cello Solo - Level 4 - SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
And the Surface Breaks for solo cello
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Nicholas Yandell
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one movement
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And the Surface Breaks for sol
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Nicholas Yandell Music
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1113882 Composed by Nicholas Yandell. 20th Century,Chamber,Classical,Contemporary,Romantic Period. Individual part. 5 pag...
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Cello Solo - Level 4 - SKU: A0.1113882 Composed by Nicholas Yandell. 20th Century,Chamber,Classical,Contemporary,Romantic Period. Individual part. 5 pages. Nicholas Yandell Music #715783. Published by Nicholas Yandell Music (A0.1113882). Written in 2013. Commissioned by cellist Micah Claffey and premiered by him in 2014. Studio recorded (also by Micah Claffey) in 2015. Has also been performed by Marilyn de Oliveira (Assistant Principal Cello of the Oregon Symphony) and Diane Chaplin. Duration: Around 8 minutes; one movement. Level: Great for a student recital piece; popular with college students. A rich, expressive, melodic piece written idiomatically for the cello's voice; easy for a performer to personalize. Appropriate for intermediate students, but certainly challenging enough to be of interest to professionals as well. Program Notes: This work is the third of three solo cello pieces written for Micah Claffey on pastoral/nature themes. The title refers to the surface of a body of water as one’s head breaks through after a long and strenuous swim beneath it. The core of this work is about defining the character of peace through the odyssey of a single cello’s musical voice. The peace theme starts as just a seed in the beginning; incomplete; represented by the first four notes (a pitch class: 0,4,6,7 or inverted as 0,1,3,7). The cello then plunges into tempestuous waters, but the seed is never lost throughout all the metamorphoses it goes through and all the commotion that surrounds it and this middle section becomes a time of catharsis and refinement. Finally, in the latter third of the work, the theme of peace breaks the surface in its complete form, starting out timidly, but soon climaxing to a powerful and penetrating statement and ending with a sense of relief, clarity, and renewal that exist not in spite of the tumultuous journey, but because of it. Performing Rights Organization: ASCAP Website: www.nicholasyandell.com.
$5.99
Canções e sambinhas (1996) for cello and piano
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Canções e sambin
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Thomas Oboe Lee
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.869211 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Individual part. With Sambinha ...
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Cello Solo - Level 4 - SKU: A0.869211 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Individual part. With Sambinha bachiana ... III. 36 pages. Thomas Oboe Lee #30911. Published by Thomas Oboe Lee (A0.869211). Program note: Canções e Sambinhas is the third of a triptych of compositions written for my friend, the enormously gifted cellist, Andrés DÃaz. The first was Eurydice, a tone poem on the Orpheus myth for cello and orchestra, and the second was La Chimera Fantastica for the DÃaz Trio. Canções e Sambinhas is in four movements. I. Canção de amor ... II. Sambinha bachiana ... III. Valsa lenta ... IV. Mais uma vêz ... Having lived in Brazil during my teen-age years, I inevitably continue to return to the wonderful music of that country for inspiration: the chôros of Ernesto Nazareth, Jacob do Bandolim, Pixinginha, and Heitor Villa-Lobos. The first movement begins with a slow, dark introduction before the love song emerges .... The second movement is a lively samba. As the title indicates, it is a little samba infused with Bach-like counterpoint, although a bit crazier. Villa-Lobos might find this amusing .... The third movement is a slow meditation for the cello on a passacaglia-like theme in the piano. The last movement, Mais uma vêz (meaning One Mo' Time in English), is a samba like the second movement, but it is set more homophonically, more dance-like in character .... The work is dedicated to my wife, Kris, who is an inspiration to my life and work.Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/can-es-e-sambinhas-1996-for-cello-and-pianoVideo link: https://youtu.be/X2gFRiypqTA
$9.99
Suite for Solo Cello (2014)
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Suite for Solo Cello
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Thomas Oboe Lee
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.869349 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 20 page...
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Cello Solo - Level 4 - SKU: A0.869349 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 20 pages. Thomas Oboe Lee #13481. Published by Thomas Oboe Lee (A0.869349). Program note: I met Jan Müller-Szeraws through Andrés DÃaz back in the 80’s … Since then Jan has participated in a number of performances of my work, including my String Quartet No. 12 … The Seasons (2010). Most recently he premiered with colleagues in the Boston area my piano quintet, Pq2 … (2014). Suite for Solo Cello (2014) is dedicated to him. My work is modeled after JS Bach’s Six Suites for Unaccompanied Violoncello. The sequence of movements in my Suite is similar to that Bach’s … 1. Fantasia … Moderato 2. Allemande … Allegro 3. Courante … Allegretto 4. Sarabande … Adagio 5. Minuet … Allegretto 6. Arioso … Adagio 7. Gigue … Presto Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/suite-for-solo-cello-2014.
$9.99
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