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Vous avez sélectionné:
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Violoncelle
Partitions à imprimer
5 partitions trouvées
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1
Crazy Little Thing Called Love
Violoncelle
Cello Solo - Level 5 - Digital Download SKU: A0.1453379 By Queen. By Freddie Mercur…
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Cello Solo - Level 5 - Digital Download SKU: A0.1453379 By Queen. By Freddie Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. Individual part. 2 pages. Sarah Cellobat Chaffee #1032612. Published by Sarah Cellobat Chaffee (A0.1453379). One of Queen's most beloved classic songs, Crazy Little Thing Called Love was written in 1979 as a tribute to Elvis Presley -- and the song's rockabilly groove, doo-wop feel, and blues-inspired bass definitely make that clear! This Cellobat version for solo cello was originally written for a wedding ceremony, but it will also be perfect for receptions, vow renewals, cocktail parties, solo & ensemble contests or any other occasion you need to get your audience dancing! Featuring the catchy lyrical melody, funky rhythmic grooves, and even the guitar solo of the original, this arrangement is just as much fun to play as it is to listen to. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. This chart is rated advanced; there are some syncopated rhythms, triplets, and accidentals that might require running through before performing. Overall it will be learnable for more advanced students and sightreadable for professionals. Have fun and swing those 8th notes! :)Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$7.99
7.3 €
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Violoncelle
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Queen
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Sarah Cellobat Chaffee
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Crazy Little Thing Called Love
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Sarah Cellobat Chaffee
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SheetMusicPlus
A Semita in Umbra
Violoncelle
Cello Solo - Level 5 - Digital Download SKU: A0.1256030 Composed by Mena Williams. …
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Cello Solo - Level 5 - Digital Download SKU: A0.1256030 Composed by Mena Williams. 21st Century,Classical. Individual part. 4 pages. Mena C. Williams #849498. Published by Mena C. Williams (A0.1256030). Duration: 00:03:01A Semita in Umbra is Latin for A Shadow's Path. When listening to this piece I imagine how a  shadow traipse behind it's person; and how it'll disappear in an instant when the light has gone. This piece make me think of Peter Pan's shadow specifcally trying to remove himself from the boy,  and tip toe away into the night. Although the audience may think that Peter Pan's shadow should have a more light-hearted tune. I think the opposite, I like to think of it has more of a lament; Peter Pan's  shadow has tried countless times to escape and has never succeeded. The shadow  has lost count of how many times he's tried to set himself free, and is rapidly losing hope.  All he can do for some resemblance of freedom is fade away when light is no longer around.
$2.50
2.29 €
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Violoncelle
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Mena Williams
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A Semita in Umbra
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Mena C. Williams
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SheetMusicPlus
Just The Two Of Us
Violoncelle
Cello Solo - Level 5 - Digital Download SKU: A0.526314 By Grover Washington Jr. Wit…
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Cello Solo - Level 5 - Digital Download SKU: A0.526314 By Grover Washington Jr. With Bill Withers. By Bill Withers, Ralph MacDonald, and William Salter. Arranged by Sarah Cellobat Chaffee. Jazz,Pop,Wedding. Individual part. 2 pages. Sarah Cellobat Chaffee #6444799. Published by Sarah Cellobat Chaffee (A0.526314). Just The Two Of Us was released in 1981 by Grover Washington Jr. and Bill Withers, and quickly became a popular hit; in addition to reaching #2 on the Billboard charts, the song won a Grammy award for Best R&B Song. Now a pop culture staple, the song has been covered by numerous other artists and has become an iconic love song for all ages -- so you can't go wrong having this one in your gig books! Originally written for a wedding ceremony, this Cellobat arrangement for solo cello will also be perfect for cocktail hour, receptions, proposals, or any other occasion that needs a funky cello groove. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs (note that if you're getting a track, this chart is in the key of E minor). Rated advanced for a number of tricky syncopated rhythms throughout; this will be sightreadable for professionals but it might be good to look over the rhythms first :) And most importantly, have fun! Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99
7.3 €
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Violoncelle
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Grover Washington Jr
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Sarah Cellobat Chaffee
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Just The Two Of Us
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Sarah Cellobat Chaffee
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SheetMusicPlus
Thrinos for cello solo
Violoncelle
Cello Solo - Level 5 - Digital Download SKU: A0.886676 Composed by Panagiotis Theod…
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Cello Solo - Level 5 - Digital Download SKU: A0.886676 Composed by Panagiotis Theodossiou. Concert,Contemporary,Graduation,Standards. Individual part. 5 pages. Panagiotis Theodossiou #3080337. Published by Panagiotis Theodossiou (A0.886676). Thrinos, for cello solo (2003), 3d Variation from Nocturne for flute, oboe, cello and piano (2003).It has been performed by Photini Nikolopoulou at Athenaeum Concert Hall, Athens in 2003 and by Kostis Theos at Ph. Nakas Concert Hall, Athens in 2010. In the same year the work have been transcribed for viola solo.
$10.00
9.14 €
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Violoncelle
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Panagiotis Theodossiou
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Thrinos for cello solo
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Panagiotis Theodossiou
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SheetMusicPlus
Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
Violoncelle
Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 …
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Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications
Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982
$25.00
22.86 €
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Violoncelle
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Jean Daniel Braun
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Adam Riggs
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Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
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AR Publications
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SheetMusicPlus
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