El Noi de la Mare (The Child of the Mother) is a traditional Catalan Christmas song. Here it is arranged for solo Cello in the key of G major. The melody has been harmonized and elaborated upon. The tune is played first with the bow with some left hand pizzicato, and then strummed with pizzicato. The famous guitar arrangement by Miguel Llobet has served as inspiration. This arrangement has many chords and some artifical harmonics, and is suitable for advanced players. It would make a good piece for a solo recital or encore.

If you enjoyed Volume 1, you'll love Volume 2. Here are 10 more great pieces arranged for pure solo cello - no piano required! This collection has more than 30 minutes of classical and patriotic songs ideally suited for formal recitals, wedding celebrations, and background music gigs.

These are not just lame copies of the melody line; they are all fully worked out arrangements designed to be as rich as possible and to highlight the cello. As a professional cellist, I originally arranged these pieces for my personal use, and I have performed every one of them in public.

These are fairly challenging pieces; I would compare their difficulty to Bach Cello Suite #2 on the easy side and Bruch Cello Concerto on the harder side. But with some practice you will have some amazing additions to your solo repertoire.

Each of the songs in this collection is also available separately, but buying the full volume saves you over 60%.

Volume 2 contains the following:
1. Bach Toccata in D Minor

2. Brahms Hungarian Dance #5
3. Bizet Carmen Medley
4. Tchaikovsky Romeo and Juliet Introduction & Love Theme
5. Tchaikovsky Symphony #5, Finale (excerpt)
6. Debussy Clair de Lune
7. Sousa Washington Post March
8. Vieuxtemp Variations on "Yankee Doodle"
9. Meacham American Patrol
10. Smith The Star-Spangled Banner

Please check out the other two volumes in this series:
Pure Cello Volume 1: Ten Concert Pieces for Unaccompanied Cello (S0.853829)
Pure Cello Volume 3: Thirty Christmas Carols for Unaccompanied Cello (S0.853851)

Here are 10 great pieces arranged for pure solo cello - no piano required! This collection has more than 40 minutes of classical and patriotic songs ideally suited for formal recitals, wedding celebrations, and background music gigs.

These are not just lame copies of the melody line; they are all fully worked out arrangements designed to be as rich as possible and to highlight the cello. As a professional cellist, I originally arranged these pieces for my personal use, and I have performed every one of them in public.

These are fairly challenging pieces; I would compare their difficulty to Bach Cello Suite #2 on the easy side and Bruch Cello Concerto on the harder side. But with some practice you will have some amazing additions to your solo repertoire.

Each of the songs in this collection is also available separately, but buying the full volume saves you over 60%.

Volume 1 contains the following:
1. Strauss Blue Danube Waltz
2. Dvorak Goin' Home (Largo from "New World" Symphony #9)
3. Schubert Ave Maria
4. Faure Apres un reve
5. Tchaikovsky Melodie
6. Marais Le Tableau de l'Operation de la Taille (Depiction of a Bladder Stone Operation)
7. Joplin The Entertainer
8. Calistri-Yeh Variations on "My Country 'Tis of Thee"
9. Sousa Stars and Stripes Forever
10. Ward America the Beautiful

Please check out the other two volumes in this series:
Pure Cello Volume 2: Ten More Concert Pieces for Unaccompanied Cello (S0.853843)
Pure Cello Volume 3: Thirty Christmas Carols for Unaccompanied Cello (S0.853851)

The combination of musical melancholy and instrumental virtuosity captivates both players and audience alike. 'Flamenco' comes from the Suite espagnole No. 1 by the rather unknown Spanish composer Rogelio Huguet y Tagell. Originally intended as a piano trio, the suite was eventually composed for violoncello solo. This fact certainly explains the numerous double stops and chord structures running through the entire piece, thus giving it a sonorous sound. Entire pizzicato passages are reminiscent of flamenco guitar sounds and lyrically lamenting passages in the middle section emphasize the typical flamenco character.

This solo sonata was written between 1948 and 1953. The two opposing movements Dialogo and Capriccio follow the generally accepted slow-fast principle, with the second movement being inspired, according to Ligeti's own statement, by Paganini's Capricci.

Gramata cellam besteht aus zwei sehr kontrastierenden Teilen. Der erste, sehr heftige Teil "Fortissimo" (Allegro, freie Sonatenform) bearbeitet raues, aggressives Musikmaterial in ununterbrochener emotionaler Hochspannung, die schliesslich einen tragischen, verzweifelten Hohepunkt erreicht. Der zweite Teil "Pianissimo" (zweiteilig) beginnt sehr frei, wie improvisierend, und geht uber in ein "Andante cantabile" mit einer weit gespannten Melodie uber einem Orgelpunkt. Mit einer Reprise der bisherigen musikalischen Ereignisse schliesst der Satz sehr leise mit einer Erinnerung an seinen Anfang.

In addition to Bryars' many vocal laude there are a growing number of connected instrumental works. Tre Laude Dolce for solo cello is the second of these to be released as a Schott Edition publication and follows Bryars' Lauda (con sordino) originally for cello and piano. Based on the same principals as the composer's vocal laude and as always, attempting to retain the purity and austerity of the original form, Tre Laude Dolce is characterised by long phrases and open structures. a beautiful work perfect for any good cellist.