Volume 3 in the Pure Cello series has 30 classic Christmas carols that both you and your audience are sure to love. This is over 40 minutes of non-stop Christmas carols, specially arranged for solo cello.

[NOTE: If you purchased any of the "Christmas Carols for All" books for solo cello, those are all included in this volume]

These holiday favorites are a special arrangement for solo cello. This is not just another copy of the same old melody lines. Each carol is expanded with double stops to add a rich harmony for solo performance. Many of the carols are entirely in first position, and fingerings are included for anything that extends beyond that. Each carol is in its original key, so it is easy to combine these with your own choir or piano/organ parts.

Volume 3 contains the following:
1. Angels from the Realms of Glory
2. Angels We Have Heard on High
3. Auld Lang Syne
4. Away in a Manger (Cradle Song)
5. Away in a Manger (Mueller)
6. Bring a Torch, Jeanette, Isabella
7. Coventry Carol
8. Deck the Halls
9. God Rest You Merry, Gentlemen
10. Good Christian Men Rejoice (In Dulci Jubilo)
11. Good King Wenceslas
12. Hark! The Herald Angles Sing
13. Here We Come A-Caroling (Wassail Song)
14. I Heard the Bells on Christmas Day
15. I Saw Three Ships
16. It Came Upon the Midnight Clear
17. Joy to the World
18. Lo, How a Rose E'er Blooming
19. O Christmas Tree (O Tannenbaum)
20. O Come All Ye Faithful (Adeste Fideles)
21. O Come, O Come, Emmanuel
22. O Holy Night
23. O Little Town of Bethlehem (Forest Green)
24. O Little Town of Bethlehem (St. Louis)
25. Silent Night
26. The First Noel
27. The Holly and the Ivy
28. We Three Kings
29. What Child is This (Greensleeves)
30. While Shepherds Watched Their Flocks

Please check out the other two volumes in this series:
Pure Cello Volume 1: Ten Concert Pieces for Unaccompanied Cello (S0.853829)
Pure Cello Volume 2: Ten More Concert Pieces for Unaccompanied Cello (S0.853843)

ISBN 9781609742294. Practice for Performance provides a rare and intimate view into a very thoughtful and successful performer's personal toolkit. Set in the context of his own personal history of growth as a performer, cellist Daniel Morganstern (principal cellist for the Lyric Opera of Chicago and the American Ballet Theatre at the Metropolitan Opera House in New York) displays rare honesty in discussing the problems that faced him at various point of his career, and the ways to solve them. The discoveries sensibly unfold in a fascinating account of experiences with many notable artists whose comments and examples shaped the author's thinking. These ideas are not to be found in any other treatise on the subject of musical preparation. The examples in this book, both musical and non-musical, offer a foundation to help evoke instinctive musical responses in the mechanical processes of playing the cello, and have been advantageously applied to other instruments as well, including voice.