As a student 40 years ago I wrote a thesis about all existing cello methods. Then I started writing my own method by putting all positive aspects of all methods together and revised the volume multiple times.
The music selection is the best I could find for each level progressing in tiny well prepared steps, enjoyable to play. Exercises compact and only when needed.
Volume 1 contains No 1-50 on 57 pages - first position, bow and reading skills, each piece in form of a cello duo to be able to play with a friend or teacher together - includes traditional songs, fiddle tunes and compositions by Beethoven, Bach, Purcell, Sor, Carcassi, Gretchaninov, Gruber and Neidhardt.
Probably the most researched and tested way to start learning the cello!
To each number are Video cello lessons linked published on Patreon. The links click through when viewed on phone, tablet or computer.
There are also Youtube recordings of all pieces as Cello Duos with fingerings and bowings as in the Cello Method, see https://www.youtube.com/playlist?list=PLa4x_CVYDVRXAnJJ_6HeRujngwTZ8cMEd

ISBN 9781609741679. 8.5 X 11 inches.

A wonderful new edition of our Cello Method book which teaches the beginning cello student everything they need to know. The book starts with Seating and Bow Hold, then covers all the details of the Language of Music, reading, writing and playing. Cello Method follows with Extensive Bowing Exercises and Stretch Position with Thorough Instruction and Material all the way through Shifting to 4th Position. Enchanting New Songs and Old Classics follow and are mixed with Detailed Explanations and Many Bowing Exercises to Create a Beautiful Sound with the Bow. Cello Method has three different levels of bow instruction with bowing variations, exclusive to this method book only. Includes access to online audio

- Technical Teasers is an A-Z of fun mini-studies for cello, created by Judith Fleet to give beginner to early intermediate cellists a set of short engaging technical exercises focusing on fundamental techniques.

- The A-Z format allows for different combinations of exercises to be played based on spelling out a word.

- The mini-studies include bow distribution awareness, string crossings, pizzicato, trills, col legno, shifting, an introduction to tenor clef and a few cello special effects!

A book of solos for cello. Includes 15 songs (Celtic tunes, classical themes, folk melodies) for the beginner cellist. Created for students using Suzuki and similar methods. For students who play in first position only, and for those beginning to learn shifting.What makes this book special?
It includes:
1. Pieces in the low register of the cello. Beginner books often focus on the A and D strings.
2. More lyrical pieces, meaning more song-like, more Romantic than Baroque style.
3. A teacher accompaniment part. The students find it enjoyable, and it teaches them how important it is to listen and to play in time, in tune, and with dynamics. Can also be used for recitals.
4. Familiar tunes. What is familiar to one person is unknown to others, but I tried to put in pieces that many people would be familiar with.
5. Shifting with familiar tunes. When I was a student, I found it easier to learn a shift if the piece was familiar. My ear knew where to go. I have included a few pieces with two versions: first position and shifting . The student can learn the first position version and then be able to learn shifting with a familiar tune.
6. There is plenty of empty space on the pages for teachers to add markings.

Ready to build your cello technique? These workouts will help your left-hand fingers get stronger, move faster, and play more in tune. The right hand works on detache, spiccato, staccato, string crossing, and more!

Four pages in each key help you focus on learning the finger patterns and extensions in that key. This book gives you exercises in the keys of C, G, F, D, and B-flat major.

Adding one or more pages of this book to the beginning of your practice can help your cello practice be both more efficient andmore effective.

Who this book can help: Beginning cellists who know most of the notes in first position. A prior knowledge of extended first position is helpful.

How to use this book: This book could be the very first thing you play after you sit down to practice! Play 1-4 pages a day, as time allows. Play slowly at first, focusing on good form, clear tone, and good intonation.

by Cassia Harvey

21 pages

Level: Late-Beginning or Early-Intermediate. Extended first position is included.

This cello study book is a counterpart to Finger Exercises for the Cello, Book One, giving you an all-new set of finger exercises inclosed first position that will help your fingers move faster!

These exercises can help you move around the cello better with your left hand. Sixteenth-note studies help your fingers build muscle memory in first position and double stop exercises near the end of the book help you work on a correct left-hand playing position and playing on the tips of your fingers.

Who this book can help: Beginning and intermediate cellists who want faster fingers on the cello.

How to use this book: Play one exercise a day as the first part of your practice session. Start the exercise slowly, listening to your notes and focusing on form. As your intonation improves, start increasing your speed.

by Cassia Harvey

48 pages

Level: Beginning or Early-Intermediate. Uses only closed first position on the cello.

Sebastian Lee was born in Hamburg in 1805 and trained by the Romberg pupil Johann Nikolaus Prell. A soloist and teacher, he published his Cello Method Op. 30 in 1845 which is still available at Schott (ED 965).
His barely known anthology 'First Steps in Violoncello Playing' opus 101 contains 50 easy duets in the first position. The first cello part is easy to play while the second part is somewhat more demanding, yet still playable by pupils. A beautiful collection for beginner's lessons, with very melodious pieces covering all technical and musical aspects of cello playing.

Includes 15 pieces for the beginner cellist.Specially created for students using Suzuki and similar methods. For studentswho play in first position only, and for those beginning to learn shifting.
What makes this book special? It includes:
1. Pieces in the low register of the cello. Beginner booksoften focus on the A and D strings.
2. More lyrical pieces, meaning more song-like, more Romanticthan Baroque style.
3. A teacher accompaniment part (teacher edition only). Thestudents find it enjoyable, and it teaches them how important it is to listenand to play in time, in tune, and with dynamics. Can also be used for recitals.
4. Familiar tunes. What is familiar to one person is unknownto others, but I tried to put in pieces that many people would be familiar with.
5. Shifting with familiar tunes. When I was a student, Ifound it easier to learn a shift if the piece was familiar. My ear knew whereto go. I have included a few pieces with two versions: first position andshifting . The student can learn the first position version and then be able tolearn shifting with a familiar tune.
6. There is plenty of empty space on the pages for teachersto add markings.
7. Created by a cello teacher for cellists. Not adaptedfrom another instrument. Tested by real students.