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A Change In Me
Non classifié
161
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92
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55
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42
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19
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9
1 Piano, 4 mains
4
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2
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2
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1
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1
Orgue
1
2 Pianos, 4 mains
1
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Guitare
15
Ligne De Mélodie, (Paroles) et Accords
8
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4
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2
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2
3 Guitares (trio)
1
Banjo
1
Basse electrique
1
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70
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11
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10
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10
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6
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4
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2
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13
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9
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3
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2
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2
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2
2 Flûtes traversières (duo)
2
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1
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5 Flûtes à bec
1
2 Saxophones (duo)
1
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1
Flûte, Alto et Piano
1
Flute (partie séparée)
1
Saxophone Soprano et Piano
1
Saxophone (partie séparée)
1
Flute, harpe et violon
1
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1
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1
Flûte, Hautbois, Clarinette (trio)
1
Ensemble de saxophones
1
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23
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8
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5
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Trompette
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Cor
3
Cor et Piano
3
Trombone
2
Instruments en Sib
2
Tuba et Piano
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Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
34
Harpe
33
Violon et Piano
11
Violon
8
Alto, Piano
7
Violon, Violoncelle (duo)
5
Violoncelle
5
Violoncelle, Piano
5
Harpe, Flûte (duo)
3
Alto et Harpe
3
Harpe, Violoncelle (duo)
3
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3
2 Violons (duo)
3
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3
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2
Contre Basse
2
2 Harpes (duo)
2
Alto (partie séparée)
1
Alto seul
1
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1
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4 Violoncelles
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1
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56
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9
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Vous avez sélectionné:
A Change In Me
Violoncelle
Partitions à imprimer
5 partitions trouvées
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What A Difference You've Made In My Life
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Violoncelle
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Ronnie Milsap
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Josiel Oliveira
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What A Difference You've Made
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M das Melodias
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SheetMusicPlus
Cello Solo - SKU: A0.623677 By Ronnie Milsap. By Archie Jordan. Arranged by Josiel Oliveira. Christmas,Praise & Worship,Spiritual. Individual part. 1 pa...
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Cello Solo - SKU: A0.623677 By Ronnie Milsap. By Archie Jordan. Arranged by Josiel Oliveira. Christmas,Praise & Worship,Spiritual. Individual part. 1 pages. M das Melodias #232771. Published by M das Melodias (A0.623677). Music score What a Difference You've made in my life for Cello. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Relaxing music to dream. Very sung gospel music. More played gospel. Praising god. Music of praise to God. Music for group of praise. What a difference you've made in my life What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made in my life What a change you have made in my heart What a change you have made in my heart You replaced all the broken parts Oh, what a change you have made in my heart Love to me was just a word in a song That had been way overused But now I've joined in the singin' 'Cause you've shown me love's true meanin' That's why I wanna spread the news What a difference you've made in my life What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made in my life What a difference you've made in my life (listen to it) What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made, yeah What a difference you've made in my life (Difference you've made in my life) What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made... (Go ahead and sing it) What a difference you've made in my life What a difference you've made in my life You're my sunshin, day and night (Oh yeah, sing it to me) What a difference you've made... What a difference you've made in my life What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made... What a difference you've made in my life.
$4.99
A Gift From The Bower (Revised)
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Chris Becker
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A Gift From The Bower
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Beckeresque
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASC...
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Cello Solo - Level 4 - SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASCAP) #879245. Published by Beckeresque (ASCAP) (A0.1288214). When I first saw the enormous chair Rachel Gardner and Carlos Canul constructed for A Gift from the Bower, an outdoor, multi-disciplinary group exhibition conceived by renowned artists James Surls and Charmaine Locke, I had a vision of a cellist seated in a chair on the chair, performing solo in a bower deep in the woods of Splendora Gardens. I shared this image with Rachel, who didn’t think I was nuts, and over the course of several weeks, composed a piece for unaccompanied cello to be performed at the opening of the exhibit. I was honored when cellist Patrick Moore agreed to premiere the work; his formidable technique and the deep expression he brings to his playing inspired me to embrace the challenge of composing a solo for his instrument.Knowing my piece would be performed outdoors, I was inspired to evoke the rhythm of sound events one hears in woods, especially the rise and fall of wind as it moves through branches and leaves. The very opening of the piece and later, what I hear as an extended coda, were created as moments for the cellist as much as for the listener and are performed in a sort of meditative state, calling to mind the age-old question, “If a tree falls in a forest and no one is around to hear it, does it make a sound?†The repeating measures of 16th notes in the piece’s demanding middle section pay tribute to two of my heroes, Terry Riley and Philip Glass. While composing the work, Bach’s Six Suites for Violoncello Solo was another important point of reference, as was double bassist Eberhard Weber's 1973 album, The Colours of Chloë.Once finished, it made sense to name the piece A Gift from the Bower since the opportunity to compose the work was a gift, and in exchange, so is the music I have composed.A Gift from the Bower premiered on April 22, 2023, by Patrick Moore at the Locke Surls Center for Art and Nature.A revised version of this piece was completed on September 5, 2023.
$6.99
Hölderlin’s Tower for 2 cellos (mp3)
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Violoncelle
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Ölveti Mátyás and M
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Hölderlin’s Tower f
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David Warin Solomons
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SheetMusicPlus
Cello - SKU: A0.1103564 By Ölveti Mátyás and Mády-Szabó Eszter. By David Warin Solomons. Chamber,Contemporary. Full Performance. Duratio...
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Cello - SKU: A0.1103564 By Ölveti Mátyás and Mády-Szabó Eszter. By David Warin Solomons. Chamber,Contemporary. Full Performance. Duration 194. David Warin Solomons #706833. Published by David Warin Solomons (A0.1103564). Instrumental Duo based on my setting of Marie Keyser's Poem La Tour de Hölderlin Elle est près du fleuve dormeur debout mais le saule incliné toucherait de sa cîme l'eau L'église vieille dit les heures de l'île où la nuit descend Je la vois encore son toit de gris dans le gris de l'eau. pressens dans la tour de bois ma demeure la folie la folie le silence clos clos vigilance Oh Ne pas altérer ce qui reste qui reste, et le doit. Was bleibt aber stiften die Dichter. (It stands by the sleepy river But the bending willow would touch the water with its very top The church - an old church - tells the hours from the island where the night descends I can still see it, its grey roof in the grey of the water I have a presentiment in the tower of wood, of my dwelling place, of madness, of silence Closed in, closed in but keeping watch Oh never change what remains and should remain Was bleibt aber stiften die Dichter.....) [What remains, however, is the stuff of poetry This quote from Hölderlin himself is reflected in the second cello at bars 43 to 45] Performed by Ölveti Mátyás and Mády-Szabó Eszter of Budapest Scoring Cellos.
$5.50
Kommos (Lamentation) / "When the World Moved On" - Violoncello
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Pub...
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Cello Solo - Level 4 - SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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