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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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LIVRES
LUTH
MANDOLINE
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A Dorian
Non classifié
137
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Piano seul
94
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14
Piano Facile
9
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8
Piano, Voix et Guitare
3
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2
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2
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1
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1
+ 4 instrumentations
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Guitare notes et tablatures
133
Basse electrique
15
Guitare
7
Ukulele
3
Dulcimer
3
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1
3 Guitares (trio)
1
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Chorale SATB
55
Chorale 3 parties
18
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9
Chorale Unison
3
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2
Voix duo
2
Voix Soprano
1
Chorale 2 parties
1
Voix seule
1
+ 4 instrumentations
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Vents
Flûte traversière et Piano
14
Clarinette et Piano
14
Flûte et Guitare
7
Clarinette, Guitare (duo)
6
Saxophone Alto et Piano
5
Hautbois, Piano (duo)
4
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3
2 Flûtes traversières (duo)
2
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2
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2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Saxophone Alto
2
Flûte traversière
2
2 Clarinettes (duo)
2
Saxophone (partie séparée)
2
2 Saxophones (duo)
2
Cor Anglais
1
Flûte à bec, Harpe
1
Harmonica
1
Hautbois (partie séparée)
1
Saxophone et Guitare
1
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1
3 Clarinettes (trio)
1
Clarinette, Violon (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Saxophone Tenor
1
Clarinette
1
Saxophone Soprano et Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble de saxophones
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Cor anglais et Harpe (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Harpe (duo)
1
+ 32 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette, Piano
3
Cor et Piano
3
Quatuor de Cuivres
2
Cor anglais, Piano
2
Euphonium, Piano (duo)
2
2 Tubas (duo)
2
Tuba et Piano
2
Cor Anglais
1
Trombone
1
2 Trombones (duo)
1
Cor
1
Ensemble de Trombones
1
Cor anglais, Guitare (duo)
1
Tuba
1
Trombone et Piano
1
Cor anglais et Harpe (duo)
1
Trompette
1
+ 14 instrumentations
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Cordes
Harpe
28
Violon et Piano
11
Quatuor à cordes: 2 violons, alto, violoncelle
6
2 Harpes (duo)
5
Violon
4
Violoncelle
4
Violoncelle , Guitare (duo)
3
Alto, Piano
3
Violon, Guitare (duo)
2
Alto seul
2
Violon, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Alto, Guitare (duo)
2
Contrebasse, Piano (duo)
1
Violon, Basson (duo)
1
Contre Basse
1
2 Violoncelles (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Violoncelle, Piano
1
Harpe, Voix
1
Alto et Harpe
1
Violoncelle (partie séparée)
1
+ 20 instrumentations
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Orchestre d'harmonie
31
Ensemble Jazz
9
Orchestre à Cordes
9
Orchestre de chambre
5
Cloches
3
Ensemble de cuivres
2
Jazz combo
2
Orchestre
2
Ensemble de Percussions
1
Batterie
1
Vibraphone
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
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Vous avez sélectionné:
A Dorian
Violoncelle
Partitions à imprimer
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Guthrie: Sonata No. 1 for Solo Cello
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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James M
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Guthrie: Sonata No. 1 for Solo
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jmsgu3
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.549259 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional,Standards. Individual part. 9 pages. Jmsgu3 ...
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Cello Solo - Level 4 - SKU: A0.549259 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional,Standards. Individual part. 9 pages. Jmsgu3 #3479669. Published by jmsgu3 (A0.549259). I. Moderato, II. Lento misterioso, III. Rondo Spirito The Moderato unfolds in the standard sonata-allegro form. It explores some divergent elements: a lyrical Dorian principal theme, a terse Phrygian subordinate theme subjected to extreme compression in an asymmetrical meter, and a brief closing theme - again in Dorian. The development section presents fragmented variations of the themes and a new theme essentially extracted from the transition. The recapitulation proceeds as usual, with the secondary theme appearing in tonic - in this case, G Dorian. The principal theme's final statements appear in the closing theme's rhythm. A coda based on a fragment of the closing theme ends the movement. The Lento misterioso is an elegiac ternary construction that introduces quartal/quintal harmony and modal exploration. The contrasting B section involves an agitato passage that investigates Phrygian relations. The Rondo Spirito is a simple Rondo: ABACABA. The impetus of the movement derives from elements of the previous two movements: quartal/quintal harmony from the Lento and asymmetrical meter from the Moderato. Other elements appearing in this piece are cycles of thirds, modal explorations, and extended range. Â
$32.95
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
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Violoncelle
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride ...
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Cello Solo - Level 3 - SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Hisser les voiles
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Violoncelle
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INTERMÉDIAIRE
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Contemporain
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Sonia Mokhtari
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Hisser les voiles
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Sonia Mokhtari
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.1243326 By Sonia Mokhtari. By Sonia Mokhtari. 20th Century,Classical,Contemporary. Individual part. 1 pages. Sonia Mokhta...
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Cello Solo - Level 3 - SKU: A0.1243326 By Sonia Mokhtari. By Sonia Mokhtari. 20th Century,Classical,Contemporary. Individual part. 1 pages. Sonia Mokhtari #838285. Published by Sonia Mokhtari (A0.1243326). Hisser les voiles is a mesmerizing musical composition inspired by the influential style of Debussy. This evocative piece employs the C Dorian mode and the whole-tone scale to create a captivating sense of sailing across the vast expanse of the sea. Through the artful use of melodic and harmonic choices, the music skillfully imitates the rhythmic undulations of waves, immersing the listener in a journey of serenity and adventure.
$1.99
Bela Bartok - Peasant Song - Cello Solo
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Violoncelle
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FACILE
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Contemporain
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Bela Bartok
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Christopher Bell
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Bela Bartok - Peasant Song - C
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Silent Home Records
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SheetMusicPlus
Cello Solo - Level 2 - SKU: A0.812295 Composed by Bela Bartok. Arranged by Christopher Bell. 20th Century. Individual part. 1 pages. Silent Home Records...
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Cello Solo - Level 2 - SKU: A0.812295 Composed by Bela Bartok. Arranged by Christopher Bell. 20th Century. Individual part. 1 pages. Silent Home Records #5020981. Published by Silent Home Records (A0.812295). Get your students into some easier 20th-century music. A simple little piece that will help them get into new styles of music as well as modality! That's right, it's in G Dorian. From Bartok's 10 Easy Pieces for piano. The length is approximately 1 minute.
$2.99
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A Dorian
