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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Sonata
Sheetmusicplus
Non classifié
973
Piano & claviers
Piano seul
912
Piano Facile
121
Orgue
46
Accompagnement Piano
40
Piano, Voix
22
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
11
Clavecin
9
1 Piano, 4 mains
9
Instruments en Do
8
Piano, Voix et Guitare
6
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
3
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
222
Guitare notes et tablatures
88
2 Guitares (duo)
58
Piano, Guitare (duo)
8
Ukulele
6
3 Guitares (trio)
5
Banjo
3
Ligne De Mélodie, (Paroles) et Accords
1
4 Guitares (Quatuor)
1
Orchestre à Plectres
1
Mandoline
1
2 Mandolines (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
12
Chorale 2 parties
6
Voix Baryton, Piano
3
Chorale 3 parties
3
Voix duo, Piano
2
Chorale SSAA
1
Chorale Unison
1
Voix Mezzo-Soprano, Piano
1
+ 3 instrumentations
Retracter
Vents
Flûte traversière et Piano
139
Clarinette et Piano
97
Flûte et Guitare
96
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
83
2 Flûtes traversières (duo)
69
Hautbois, Piano (duo)
62
Saxophone Alto et Piano
60
3 Clarinettes (trio)
50
Flûte, Hautbois, Clarinette (trio)
42
Flûte, Hautbois, Clarinette, Basson
42
Quatuor de Saxophones: 4 saxophones
41
3 Saxophones (trio)
38
2 Saxophones (duo)
37
Saxophone Tenor et Piano
34
Clarinette
32
2 Clarinettes (duo)
31
Flûte, Hautbois, Basson
31
Trio de Flûtes: 3 flûtes
30
Saxophone Soprano et Piano
27
Flûte traversière
27
Quatuor de Clarinettes: 4 clarinettes
26
Flûte, Clarinette et Basson
24
Saxophone Baryton, Piano
19
Quintette de Saxophone: 5 saxophones
18
Flûte, Violon et Violoncelle
17
Ensemble de Clarinettes
17
Quintette de Clarinettes: 5 clarinettes
15
Ensemble de saxophones
14
2 Flûte à bec (duo)
12
Quatuor de Flûtes : 4 flûtes
12
2 Clarinettes, Basson
12
Quatuor de Flûtes à bec
11
Hautbois, Clarinette, Basson (trio d'anches)
11
Flûte, Clarinette (duo)
10
Clarinette Basse, Piano
10
Cor anglais, Piano
8
Saxophone Alto
8
Ensemble de Flûtes
8
Flûte, Alto (duo)
7
Flûte, Violoncelle
7
2 Hautbois (duo)
6
Hautbois, Basson (duo)
6
Clarinette et Alto
6
Flûte à bec Alto, Basse continue
6
Ensemble De Flûte à bec
5
Flûte à Bec
5
Flûte traversière, Basse continue
5
Flûte, Violon, Piano
4
Flûte, Violon
4
Hautbois (partie séparée)
4
Quintette de Flûte : 5 flûtes
4
Saxophone, Clarinette (duo)
4
Clarinette (partie séparée)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
2 Hautbois et Basson
3
Flûte à bec Soprano
3
2 Flûtes, Basse continue
3
3 Flûtes à bec (trio)
3
Flûte, alto et harpe
2
Flûte, Saxophone (duo)
2
Clarinette, Trompette (duo)
2
Saxophone (partie séparée)
2
Flûte à bec Alto, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Violon (duo)
2
Piccolo, Piano
2
2 Cors Anglais Et Pianoforte
2
Flûte à bec Soprano, Piano
2
Ensemble à vent
2
5 Flûtes à bec
2
Clarinette, Violoncelle (duo)
2
2 Flûtes traversières, Piano
2
Clarinette, Guitare (duo)
2
Hautbois
1
Flûte à bec Tenor
1
Flûte, Trompette (duo)
1
Saxophone
1
Clarinette, Basson (duo)
1
Flûte à bec Alto
1
Hautbois, Guitare (duo)
1
4 Hautbois
1
Clarinette, Harpe (duo)
1
Hautbois, Clarinette (duo)
1
Flûte irlandaise
1
Hautbois, Flûte
1
Flûte à Bec, Piano
1
Flûte, Basson et Piano
1
Saxophone et Orgue
1
+ 83 instrumentations
Retracter
Cuivres
Trombone et Piano
61
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
50
Trompette, Piano
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
Cor et Piano
35
Euphonium, Piano (duo)
23
Trompette
22
2 Trompettes (duo)
16
Tuba et Piano
16
Cor
14
2 Cors (duo)
11
Quatuor de cuivres: 4 cors
10
2 Trombones (duo)
9
Quatuor de Cuivres
9
Ensemble de Cors
9
Cor anglais, Piano
8
Trompette, Trombone (duo)
8
Quatuor de cuivres: 4 trombones
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba
5
Trombone
4
Ensemble de Trombones
4
Ensemble de Trompettes
4
2 Tubas (duo)
4
3 Trombones (trio)
4
Trompette (partie séparée)
4
2 Euphoniums (duo)
3
4 Tubas
3
Quatuor de cuivres: 4 trompettes
2
3 Euphoniums
2
Trompette, Saxophone (duo)
2
Trombone basse et Piano
2
2 Cors Anglais Et Pianoforte
2
3 Cors (trio)
2
Euphonium, Tuba (duo)
2
3 Trompettes (trio)
2
Cor et Harpe
1
Trombone (partie séparée)
1
Tuba (partie séparée)
1
Trio de Cuivres
1
Euphonium
1
Trompette, Harpe
1
3 Tubas (trio)
1
2 Euphoniums et 2 Tubas
1
Cor (partie séparée)
1
Trompette, Cor (duo)
1
Trombone, Cor (duo)
1
+ 42 instrumentations
Retracter
Cordes
Violon et Piano
214
Quatuor à cordes: 2 violons, alto, violoncelle
162
Violoncelle, Piano
123
Alto, Piano
85
Violon
84
Trio à Cordes: violon, alto, violoncelle
46
2 Violons (duo)
45
Harpe
27
Alto seul
26
Violon, Violoncelle (duo)
26
Violon, Alto (duo)
24
Violoncelle
23
2 Violoncelles (duo)
23
Trio à cordes: 3 violins
21
Violon (partie séparée)
18
2 Altos (duo)
18
Violoncelle, Contrebasse (duo)
16
Trio à Cordes: 2 violons, violoncelle
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Violoncelle, Basse continue
11
Contrebasse, Piano (duo)
10
Violon, Basse continue
10
Alto (partie séparée)
7
Trio à Cordes: 3 violoncelles
6
4 Violoncelles
6
Flûte, Contrebasse (duo)
5
Violoncelle (partie séparée)
5
Alto, Violoncelle (duo)
5
Trio à Cordes: 2 violons, alto
4
2 Contrebasses (duo)
4
Violoncelle , Guitare (duo)
3
Quatuor à cordes: 4 violons
3
Contrebasse (partie séparée)
3
2 Violons, Piano
2
Violon, Guitare (duo)
2
Ensemble de Violoncelles
2
Trio à cordes: 3 altos
2
2 Harpes (duo)
2
Alto, Guitare (duo)
2
Harpe, Flûte (duo)
2
Alto et Harpe
1
Contre Basse
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes : 4 altos
1
Violoncelle, Orgue
1
4 Contrebasses
1
Ensemble d'Altos
1
2 Violons et Basse continue
1
Ensemble de Violons
1
Harpe, Violoncelle (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
108
Orchestre
67
Orchestre de chambre
50
Orchestre d'harmonie
44
Ensemble de cuivres
16
Ensemble Jazz
4
Ensemble de Percussions
2
Percussion (partie séparée)
1
Xylophone
1
Marimba
1
+ 5 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
A Sonata
SheetMusicPlus
Partitions à imprimer
23 partitions trouvées
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1
Sonata for Solo Cello
Violoncelle
Cello Solo - Digital Download SKU: A0.1015929 Composed by Joshua Malavé. Contemp…
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Cello Solo - Digital Download SKU: A0.1015929 Composed by Joshua Malavé. Contemporary. Individual part. 4 pages. Joshua Malave #5887317. Published by Joshua Malave (A0.1015929). This is a Sonata for Solo Cello in one movement. The idea for this piece was first shown to me in a dream. When I woke up I played the passage with the long chordal slurs and crescendo and had a feeling of sadness that turned into into the rest of the piece. It is in a modified sonata allegro form because that is what I was most familiar with in my student days. I have revised it once since then and it has become one of my most popular pieces.
$1.99
1.83 €
#
Violoncelle
#
Joshua Malavé
#
Sonata for Solo Cello
#
Joshua Malave
#
SheetMusicPlus
[Luening] Sonata (No. 2) for Cello Solo
Violoncelle
Cello Solo - Digital Download SKU: A0.952477 Composed by Otto Luening. 20th Century…
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Cello Solo - Digital Download SKU: A0.952477 Composed by Otto Luening. 20th Century. Individual part. 8 pages. American Composers Alliance Inc. #4604693. Published by American Composers Alliance Inc. (A0.952477). A sonata in four movements for solo cello - PDF download includes score.
$7.95
7.33 €
#
Violoncelle
#
Otto Luening
#
[Luening] Sonata
#
American Composers Alliance Inc.
#
SheetMusicPlus
Sonata in d minor, op. 108
Violoncelle
Cello Solo - Level 5 - Digital Download SKU: A0.552888 Composed by Johannes Brahms.…
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Cello Solo - Level 5 - Digital Download SKU: A0.552888 Composed by Johannes Brahms. Arranged by Branimir Pusticki. Romantic Period. Individual part. 28 pages. Branimir Pusticki #162473. Published by Branimir Pusticki (A0.552888). Transcriptions and arrangements were quite popular and effective means for a romantic composer to promote new works, reach a wider playing audience or boost sales of sheet music. Brahms was certainly not a stranger to this practice: the composer himself produced many transcriptions for piano or piano duo, but also versions of clarinet sonatas and the cello e-minor sonata for viola. The beautiful first violin sonata exists in a version for cello by one of Brahms’ most prolific and favourite arranger Paul Klengel - but perhaps it is unfair to ask a pianist to re-learn that piece in the new key of D-major. In comparison to the boisterous and vigorous Op. 99 cello sonata, the d-minor violin sonata offers an introspective drama of a restless composer, well suited to the darker voice of the cello. With the constant advancements in playing technique and modern cello strings, the balance is less of a problem. Thus, the piano part remains unchanged, and subtle changes in cello register can be implemented to utilize the whole range and character of the instrument, while keeping the integrity of the original ideas and musical material.
$12.00
11.06 €
#
Violoncelle
#
Johannes Brahms
#
Branimir Pusticki
#
Sonata in d minor, op. 108
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Branimir Pusticki
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SheetMusicPlus
Sonata Op.34-2 for Four Violoncellos
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.778013 Composed by Boismortier, Jos…
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Cello Solo - Level 3 - Digital Download SKU: A0.778013 Composed by Boismortier, Joseph Bodin de (1689-1755). Arranged by Kamada, Mikio. Baroque. Individual part. 20 pages. ACORDO Sheet Music #4822859. Published by ACORDO Sheet Music (A0.778013). Six Sonatas Op.34 were originally composed by Boismortier for three melodic instruments (violins, flutes, etc.) and basso continuo on 1731. Op.34-2 consists of the following movements; I. Vivace, II. Allegro, III. Adagio, IV. Allegro. The music flows beautifully like a fountain. It will be a great fun to play this piece. The cord changes in the movement III is also noticeable.
$11.00
10.14 €
#
Violoncelle
#
Boismortier, Joseph Bodin de
#
Kamada, Mikio
#
Sonata Op.34-2 for Four Violoncellos
#
ACORDO Sheet Music
#
SheetMusicPlus
Moonlight Sonata
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.1086928 Composed by Ludwig van Beet…
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Cello Solo - Level 1 - Digital Download SKU: A0.1086928 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. Classical,Romantic Period. Individual part. 7 pages. Rodrigo Faleiros #691118. Published by Rodrigo Faleiros (A0.1086928). A simplified and shorter version of the world famous Moonlight Sonata, composed by Ludwig van Beethoven. Just the theme of the 1st movement of the Sonata #14, op. 27, no. 2 in C# minor - here transposed to D minor, half step up, to an easier comprehension. The tuplets and the piece were converted to a 3/4 time to make it easier for students and amateurs to read and play - 1 bar of the original were transformed into 4 in this arragement. Here the melody is played by the violoncello and the accompainment by the piano.
$4.99
4.6 €
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Violoncelle
#
Ludwig van Beethoven
#
Rodrigo Faleiros
#
Moonlight Sonata
#
Rodrigo Faleiros
#
SheetMusicPlus
Guthrie: Sonata No. 1 for Solo Cello
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.549259 Composed by James M. Guthrie…
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Cello Solo - Level 4 - Digital Download SKU: A0.549259 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional,Standards. Individual part. 9 pages. Jmsgu3 #3479669. Published by jmsgu3 (A0.549259). I. Moderato, II. Lento misterioso, III. Rondo Spirito The Moderato unfolds in the standard sonata-allegro form. It explores some divergent elements: a lyrical Dorian principal theme, a terse Phrygian subordinate theme subjected to extreme compression in an asymmetrical meter, and a brief closing theme - again in Dorian. The development section presents fragmented variations of the themes and a new theme essentially extracted from the transition. The recapitulation proceeds as usual, with the secondary theme appearing in tonic - in this case, G Dorian. The principal theme's final statements appear in the closing theme's rhythm. A coda based on a fragment of the closing theme ends the movement. The Lento misterioso is an elegiac ternary construction that introduces quartal/quintal harmony and modal exploration. The contrasting B section involves an agitato passage that investigates Phrygian relations. The Rondo Spirito is a simple Rondo: ABACABA. The impetus of the movement derives from elements of the previous two movements: quartal/quintal harmony from the Lento and asymmetrical meter from the Moderato. Other elements appearing in this piece are cycles of thirds, modal explorations, and extended range. Â
$32.95
30.38 €
#
Violoncelle
#
James M
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Guthrie: Sonata No. 1 for Solo Cello
#
jmsgu3
#
SheetMusicPlus
Grande Sonata for Cello and Piano, Opus 147 - Cello
Violoncelle
Cello - Digital Download SKU: BQ.979-0-50179-126-2 Composed by Carl Gottlieb Reissi…
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Cello - Digital Download SKU: BQ.979-0-50179-126-2 Composed by Carl Gottlieb Reissiger. Edited by Nicolas Di Paolo. This edition: softcover. Bisel Classics. Part. With Text Language: English / German. Opus 147. 28 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-126-2). ISBN 9790501791262.Although Reissiger is best remembered as a composer of opera, he wrote over 200 works in the genres of sacred music, chamber music and music for the theatre. He was acclaimed during his lifetime, but his star waned after his death, eclipsed by more stellar musical personalities such as his great rival, Wagner. Reissiger's Grande Sonata is a mature work that recalls the Classical form at its most elegant and merits the attention of any cellist seeking a satisfying concert work.
$12.95
11.94 €
#
Violoncelle
#
Carl Gottlieb Reissiger
#
Grande Sonata for Cello and Piano, Opus 147 - Cello
#
Bisel Classics - Digital
#
SheetMusicPlus
Sonata (1978/2009) for Violoncello Solo
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.1274051 Composed by Fridolin Dallin…
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Cello Solo - Level 4 - Digital Download SKU: A0.1274051 Composed by Fridolin Dallinger. 20th Century,Classical. Individual part. 7 pages. Paladino Editions #866186. Published by Paladino Editions (A0.1274051). Compositionally sophisticated yet technically manageable for performers and confident students, this sonata is a strikingly effective solo piece. Though written for one instrument, it exploits the polyphonic capacities of the cello to produce compound melody and self-accompaniment figures. Though the sonata was written in 1978, this edition presents the composer’s own 2009 revision.
$10.99
10.13 €
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Violoncelle
#
Fridolin Dallinger
#
Sonata
#
Paladino Editions
#
SheetMusicPlus
Presto from Sonata No.1, BWV 1001 - Cello Solo (Full Score)
Violoncelle
Cello Solo - Level 5 - Digital Download SKU: A0.1200812 Composed by Johann Sebastia…
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Cello Solo - Level 5 - Digital Download SKU: A0.1200812 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Classical,Contest,Early Music,Festival,Multicultural,World. Individual part. 5 pages. Sheet Music To Play Editions #799474. Published by Sheet Music To Play Editions (A0.1200812). Presto from Bach's Sonata No.1 in G Minor, BWV 1001. Arrangement for Violoncello Solo. With Full Score. Enjoy it!Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99
6.44 €
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Violoncelle
#
Johann Sebastian Bach
#
César Madeira
#
Presto from Sonata No.1, BWV 1001 - Cello Solo
#
Sheet Music To Play Editions
#
SheetMusicPlus
Cello Sonata no.1
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.1078677 Composed by Jaiveion Benjam…
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Cello Solo - Level 4 - Digital Download SKU: A0.1078677 Composed by Jaiveion Benjamin. Classical. Individual part. 1 pages. Jaiveion Benjamin #682901. Published by Jaiveion Benjamin (A0.1078677). A peice inspired by the sweet smell of flowers in the meadows and using Nicolo Paganini style Variations. Changing rythms, Harmonics, Funny upper and lower voices. Enjoy!
$5.00
4.61 €
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Violoncelle
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Jaiveion Benjamin
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Cello Sonata no.1
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Jaiveion Benjamin
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SheetMusicPlus
[Read] Welcome Intrusion
Violoncelle
Cello Solo - Digital Download SKU: A0.952601 Composed by Thomas L. Read. Contempora…
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Cello Solo - Digital Download SKU: A0.952601 Composed by Thomas L. Read. Contemporary. Individual part. 13 pages. American Composers Alliance Inc. #4610489. Published by American Composers Alliance Inc. (A0.952601). A sonata in four movements for solo cello - PDF download includes score.
$10.95
10.09 €
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Violoncelle
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Thomas L
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[Read] Welcome Intrusion
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American Composers Alliance Inc.
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SheetMusicPlus
10 Solos for Cello: Intermediate Advanced Pieces
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.1348189 Composed by Various. Arrang…
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Cello Solo - Level 4 - Digital Download SKU: A0.1348189 Composed by Various. Arranged by Clara Obsidian. 19th Century,20th Century,Baroque,Classical,Romantic Period. Individual part. 20 pages. Clara Obsidian #933005. Published by Clara Obsidian (A0.1348189). Featuring a compilation of 10 unique and popular works from 10 different composers arranged for Cello Solo. It is the perfect collection for lessons, gigs and performances!ContentsB. Romberg: Rondo from Sonata no. 4 in E MinorJ. S. Bach: Prélude from Suite no. 2 in D minorG. Goltermann: La Foi G. Bizet: Habanera from CarmenG. Fauré: Sicilienne G. B. Pergolesi: Comodo et Presto from Sinfonia in FA. Vivaldi: Largo from Sonata in A minor, RV 44E. Satie: Gymnopédie No. 1 from Trois GymnopédiesL. V. Beethoven: Adagio Cantabile from ‘Pathetique’ Sonata no. 8E. Elgar: Salut d’amour from LiebesgrussOther Collections also available!---------------------------.
$8.99
8.29 €
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Violoncelle
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Various
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Clara Obsidian
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10 Solos for Cello: Intermediate Advanced Pieces
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Clara Obsidian
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SheetMusicPlus
Grande Sonate fur Cello und Klavier, Opus 20 - Cello Part
Violoncelle
Cello - Digital Download SKU: BQ.979-0-50179-128-6 Composed by Ferdinand Ries. Edit…
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Cello - Digital Download SKU: BQ.979-0-50179-128-6 Composed by Ferdinand Ries. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Part. With Text Language: English / German. Opus 20. 20 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-128-6). ISBN 9790501791286.With not so much as a single wasted note in this entire composition the twentieth sonata is an object lesson in the qualities of composition which characterised the very best of the High Classical period. Elegant, confident, expressive and profoundly musical, the grande sonata composed for his childhood mentor Bernhard Romberg and redolent with the influence of his other teacher Beethoven, still has the capacity to transport us into the sound world of an exciting musical age, an age that ushered in the Romantic era in no uncertain terms.
$15.95
14.7 €
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Violoncelle
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Ferdinand Ries
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Grande Sonate fur Cello und Klavier, Opus 20 - Cello Part
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Bisel Classics - Digital
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SheetMusicPlus
Guthrie: Concert Fantasia for Solo Cello
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.549261 Composed by James M. Guthrie…
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Cello Solo - Level 3 - Digital Download SKU: A0.549261 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional. Individual part. 7 pages. Jmsgu3 #3479689. Published by jmsgu3 (A0.549261). The Fantasia follows the general scheme of the classical sonata-allegro form. A repeated fragmented motive characterizes the primary theme. The transition introduces pentatonic and synthetic materials that dissipate into a Lydian chord. The Lydian mode provides materials for the lyrical secondary theme section. A closing section revisits elements of the synthetic scale from the transition. After a repeat of the exposition, the development section begins agitato, fragmenting and transposing various diminutions of the primary motive. This is interrupted by a double augmentation and then a bariolage passage leading to declamatory statements of the primary theme transposed eventually to the subdominant. After modulating the transition materials, the secondary theme is developed in the subdominant. This time, the music is adjusted to explore a quotation of the first measure of Bach’s Cello Suite I. This treatment dissolves into a two-part transition (quasi-spiccato), leading to a final development of the Lydian motive, this time in double stops. A final transition section provides the thematic impetus for the third movement. The recapitulation ensues with the re-transition somewhat truncated and the secondary theme transposed to the tonic. A coda section dissipates excess energy while developing Lydian ideas in preparation for a quiet closing that repeats the now-broken Lydian chord.
$27.95
25.77 €
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Violoncelle
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James M
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Guthrie: Concert Fantasia for Solo Cello
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
Violoncelle
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by…
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Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
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Violoncelle
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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jmsgu3
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SheetMusicPlus
Rondo Alla Turca (Turkish March) • cello sheet music
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.1306916 Composed by Wolfgang Amadeu…
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Cello Solo - Level 4 - Digital Download SKU: A0.1306916 Composed by Wolfgang Amadeus Mozart. Arranged by Benzaiten Editions. 19th Century,Classical. Individual part. 3 pages. Benzaiten Editions #896246. Published by Benzaiten Editions (A0.1306916). Hey! Are you a cellist who wants to learn how to play Rondo Alla Turca (Turkish March) by Mozart? It's your lucky day! 🎵Rondo Alla Turca (Turkish March) • cello sheet music The Benzaiten Editions Violoncello Arrangement Embark on a musical journey to the exotic and lively world of Mozart's Rondo Alla Turca with our captivating cello sheet music! This vibrant and spirited piece, also known as the Turkish March, is a delightful showcase of Mozart's genius and is sure to enchant both players and audiences alike. Our arrangement of Rondo Alla Turca brings out the playful and energetic nature of the composition while maintaining the grandeur of Mozart's original work. About Turkish March Rondo Alla Turca is the exhilarating final movement from Mozart's Piano Sonata No. 11, often referred to as the Turkish March. The piece exudes a sense of adventure and flair, evoking images of the lively and exotic sounds of Turkey. Mozart's intricate melodies and rhythmic patterns showcase his unparalleled compositional skill, making this march a true gem of classical music.
$2.99
2.76 €
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Violoncelle
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Wolfgang Amadeus Mozart
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Benzaiten Editions
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Rondo Alla Turca
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Benzaiten Editions
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SheetMusicPlus
Adagio Cantabile
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.1415551 Composed by Ludwig van Beet…
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Cello Solo - Level 4 - Digital Download SKU: A0.1415551 Composed by Ludwig van Beethoven. Arranged by P. R. Frederick. Classical,Romantic Period. Individual part. 2 pages. P. R. Frederick #997268. Published by P. R. Frederick (A0.1415551). The beauticul Adagio Cantabile melody from Beethoven's Piano Sonata Op. 13 in C minor arranged as a cello solo. Â See my other cello solos here
$6.00
5.53 €
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Violoncelle
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Ludwig van Beethoven
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P
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Adagio Cantabile
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P. R. Frederick
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SheetMusicPlus
Funeral March (Cello Solo)
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.1250368 Composed by Frederic Chopin…
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Cello Solo - Level 3 - Digital Download SKU: A0.1250368 Composed by Frederic Chopin. Arranged by B. C. Dockery. 19th Century,Classical,Romantic Period. Individual part. 1 pages. Ben Dockery #844678. Published by Ben Dockery (A0.1250368). From the third movement of Chopin's Sonata No. 2 in B-flat Minor, this is the Funeral March arranged for solo cello. Great for lessons, recitals, somber occasions, or even as a practical joke on someone's birthday. Intermediate level.
$2.99
2.76 €
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Violoncelle
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Frederic Chopin
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B
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Funeral March
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Ben Dockery
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SheetMusicPlus
10 Solos for Cello: Intermediate Pieces
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.1351135 Composed by Various. Arrang…
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Cello Solo - Level 3 - Digital Download SKU: A0.1351135 Composed by Various. Arranged by Clara Obsidian. 19th Century,20th Century,Baroque,Classical,Romantic Period. Individual part. 19 pages. Clara Obsidian #935974. Published by Clara Obsidian (A0.1351135). Featuring a compilation of 10 unique and popular works from 10 different composers arranged for Cello Solo. It is the perfect collection for lessons, gigs and performances!ContentsFranz Schubert : Ständchen Serenade, D.957, No. 4Georges Bizet: Farandole from L'Arlesienne Suite No.2, IVGabriel Fauré: Après un rêve from Trois mélodies Op. 7 n°1Marin Marais: La Folia Selections from Les Folies d'EspagneCharles Gounod: Meditation on the 1st prelude of J. S. Bach Ave MariaJ. S. Bach: Menuett (Minuet) Suite no.1 in G MajorBernhard Romberg: Allegro Sonata no. 1 in Bb MajorJohann Strauss I: Radetzky March P. I. Tchaikovsky: Theme from Swan Lake Camille Saint-Saëns: Danse Macabre Other Collections also available!---------------------------
$8.99
8.29 €
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Violoncelle
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Various
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Clara Obsidian
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10 Solos for Cello: Intermediate Pieces
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Clara Obsidian
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SheetMusicPlus
Romberg-Sonate 1 pour 2 violoncelles-violoncelle 1-1er mouvement
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.942774 Composed by Romberg, Bernhar…
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Cello Solo - Level 1 - Digital Download SKU: A0.942774 Composed by Romberg, Bernhard (1767-1841). Arranged by Micheline Cumant. Classical,Instructional,Standards. Individual part. 3 pages. Micheline Cumant #4615181. Published by Micheline Cumant (A0.942774). This 1st movement of the sonata is often played alone by cello beginners. It's a classic of the cello repertory, by one of the most famous cellists of the classical period. .
$1.99
1.83 €
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Violoncelle
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Romberg, Bernhard
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Micheline Cumant
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Romberg-Sonate 1 pour 2 violoncelles-violoncelle 1-1er mouvement
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Micheline Cumant
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SheetMusicPlus
Breval Cello Concerto No. 2 for Cello and Piano
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.736748 Composed by Jean-Baptiste Br…
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Cello Solo - Level 3 - Digital Download SKU: A0.736748 Composed by Jean-Baptiste Bréval. Arranged by P. Wood. Classical,Standards. Individual part. 19 pages. MyMusicScores.com #5287453. Published by MyMusicScores.com (A0.736748). Jean-Baptiste Sebastien Bréval (6 November 1753 – 18 March 1823) was a French cellist and composer. Bréval wrote symphonies, seven cello concerti, 4 cello sonatas, various chamber music including five sets of cello duets, as well as a comic opera.The PDF file contains the piano score and cello part.
$9.99
9.21 €
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Violoncelle
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Jean-Baptiste Bréval
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P
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Breval Cello Concerto No. 2 for Cello and Piano
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MyMusicScores.com
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SheetMusicPlus
Suite for Solo Viola (2019) - Version for Violoncello
Violoncelle
Cello Solo - Level 5 - Digital Download SKU: A0.945298 Composed by James Henry (Jam…
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Cello Solo - Level 5 - Digital Download SKU: A0.945298 Composed by James Henry (Jamie) Miles. 20th Century,Baroque,Contemporary. Individual part. 8 pages. Jamie Miles #5867273. Published by Jamie Miles (A0.945298). Inspired by J.S. Bach's Sonatas & Partitas for Solo Violin and the 6 Suites for Unaccompanied Cello as well as Max Reger's 3 Suites for Solo Viola and several of Paganini's 24 Caprices, this virtuosic, multi-faceted, five-movement work by young Australian composer Jamie Miles focuses on a range of technical elements including double stops and chords, varied and difficult hand positions, fast string crossings, position shifts, rapid scale and arpeggio passages, and more. The five movements are: 1) Prelude, 2) Bourée, 3) Sarabande, 4) Courante - Theme and Variations and 5) Gigue. Jamie commenced writing this work in 2017, at the age of 12 and completed it in mid-2019 at age 14. The premiere of the work was broadcast live on FM radio in December of 2019, performed by the composer.The length is approximately 14 minutes.
$9.99
9.21 €
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Violoncelle
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James Henry
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Partitas for Solo Violin
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Suite for Solo Viola
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Jamie Miles
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SheetMusicPlus
Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
Violoncelle
Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 …
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Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications
Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982
$25.00
23.05 €
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Violoncelle
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Jean Daniel Braun
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Adam Riggs
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Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
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AR Publications
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SheetMusicPlus
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