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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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MANDOLINE
MARIMBA
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And He Died
Non classifié
432
Piano & claviers
Piano seul
126
Piano, Voix
48
Piano, Voix et Guitare
14
Orgue
13
Instruments en Do
11
Piano Trio: piano, violon, violoncelle
8
2 Pianos, 4 mains
4
Piano Facile
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
1 Piano, 4 mains
2
Clavecin
1
+ 7 instrumentations
Retracter
Guitares
Guitare
63
Guitare notes et tablatures
35
4 Guitares (Quatuor)
6
Ukulele
3
2 Guitares (duo)
2
Basse electrique
1
Orchestre à Plectres
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
94
Chorale 3 parties
15
Chorale 2 parties
14
Voix duo
8
Voix Baryton, Piano
6
Chorale TTBB
5
Chorale Unison
3
Voix Tenor, Piano
3
Voix duo, Piano
3
Voix basse, Piano
3
Chorale SSAA
2
Voix basse
1
Voix moyenne, Piano
1
Voix Tenor
1
Chorale SSAATTBB
1
Voix haute
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
56
Clarinette et Piano
41
Saxophone Alto et Piano
38
Hautbois, Piano (duo)
33
Saxophone Tenor et Piano
29
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Ensemble de saxophones
25
Saxophone Soprano et Piano
21
Cor anglais, Piano
16
Saxophone Baryton, Piano
16
Quintette de Saxophone: 5 saxophones
15
Clarinette
13
Ensemble de Clarinettes
12
Clarinette Basse, Piano
12
2 Saxophones (duo)
10
2 Flûtes traversières (duo)
10
Quatuor de Clarinettes: 4 clarinettes
10
Quatuor de Saxophones: 4 saxophones
9
2 Flûte à bec (duo)
7
3 Saxophones (trio)
6
Flûte, Hautbois, Clarinette, Basson
6
Quintette de Clarinettes: 5 clarinettes
5
Quatuor de Flûtes : 4 flûtes
5
Flûte traversière
5
Ensemble de Flûtes
5
Clarinette, Violoncelle, Piano (trio)
4
Flûte, Alto et Piano
3
2 Clarinettes (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
3 Clarinettes (trio)
3
Quintette de Flûte : 5 flûtes
3
Flûte, Clarinette (duo)
3
Flûte et Guitare
2
Hautbois (partie séparée)
2
Piccolo, Piano
2
Clarinette, Basson (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte à bec Alto, Basse continue
2
2 Clarinettes, Piano
1
2 Clarinettes, Basson
1
Flûte traversière, Orgue (duo)
1
2 Saxophones, Piano
1
Saxophone (partie séparée)
1
Flûte, Violon
1
2 Hautbois (duo)
1
3 Flûtes à bec (trio)
1
2 Flûtes traversières, Piano
1
Quatuor de Flûtes à bec
1
Clarinette Basse
1
Saxophone Alto
1
Saxophone et Guitare
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Soprano
1
Hautbois, Basson (duo)
1
Flûte, Hautbois (duo)
1
Trio de Flûtes: 3 flûtes
1
+ 54 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Trombone et Piano
18
Euphonium, Piano (duo)
17
Cor anglais, Piano
16
Cor et Piano
14
Quatuor de Cuivres
10
Trompette
9
Trompette, Piano
8
Ensemble de Trombones
5
Quatuor de cuivres: 4 trombones
5
Ensemble de Trompettes
5
Ensemble de Cors
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quatuor de cuivres: 4 cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor
3
Trompette, Trombone (duo)
3
2 Trombones (duo)
3
2 Trompettes (duo)
3
Tuba et Piano
2
Trombone
2
Bass Clef Instruments
1
2 Tubas (duo)
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
Trompette, Cor (duo)
1
2 Cors (duo)
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
73
Violon et Piano
66
Violoncelle, Piano
40
Trio à Cordes: violon, alto, violoncelle
31
Alto, Piano
28
2 Violons (duo)
18
Violon
18
Harpe
11
Violon, Violoncelle (duo)
10
Violon, Alto (duo)
8
2 Violoncelles (duo)
8
Alto seul
7
Violon, Guitare (duo)
6
Violoncelle
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Altos (duo)
3
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
2
Contrebasse, Piano (duo)
1
Violon, Basse continue
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Violon, Orgue
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 altos
1
Harpe, Flûte (duo)
1
4 Violoncelles
1
Ensemble de Violons
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 3 violoncelles
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
59
Orchestre à Cordes
58
Orchestre de chambre
39
Marimba
17
Ensemble de cuivres
14
Orchestre
14
Ensemble Jazz
5
Vibraphone
2
Ensemble de Percussions
1
Fanfare
1
+ 5 instrumentations
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--INSTRUMENTS--
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ALTO
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BANJO
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CHORALE - CHAN…
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COR
COR ANGLAIS
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CORNET
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Vous avez sélectionné:
And He Died
Violoncelle
Partitions à imprimer
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Three cabbages and a boy
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Violoncelle
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Sergio Roberto de Oliveira
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Three cabbages and a boy
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Sergio Roberto de Oliveira
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SheetMusicPlus
Cello Solo - SKU: A0.962333 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Individual part. 12 pages. Sergio Roberto de Olivei...
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Cello Solo - SKU: A0.962333 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Individual part. 12 pages. Sergio Roberto de Oliveira #4615037. Published by Sergio Roberto de Oliveira (A0.962333). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$8.55
Abide with Me (Cello & Piano) Piano Rehearsal Track
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Violoncelle
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Musique Sacrée
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William Monk, Henry Lyte
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Carol Troutman Wiggins
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Piano Track
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Abide with Me
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Carol Troutman Wiggins
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SheetMusicPlus
Cello - SKU: A0.1065699 Composed by William Monk, Henry Lyte. Arranged by Carol Troutman Wiggins. Christian,Sacred. Accompaniment. Duration 123. Carol T...
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Cello - SKU: A0.1065699 Composed by William Monk, Henry Lyte. Arranged by Carol Troutman Wiggins. Christian,Sacred. Accompaniment. Duration 123. Carol Troutman Wiggins #4611187. Published by Carol Troutman Wiggins (A0.1065699). ABIDE WITH ME Piano Track Cello & Piano DuetAbide with Me is a Christian hymn composed by Scottish Anglican Henry Francis Lyte and English composer William Henry Monk's tune entitled Eventide. The text was written in 1847 as Lyte was dying from tuberculosis. He died three weeks later.The text for the hymn is based on Luke 24:29 where the disciples asked Jesus to abide with them toward evening as the day is coming to an end. This hymn is a prayer asking God to stay with us throughout life, our trials, and even death. Abide with us: for it is toward evening, and the day is far spent. ~ Luke 24:29Excellent for intermediate level musicians.May be used for preludes, offertories, special music, postludes, funerals and in general worship.Begins with instrumental melody transitioning into a descant.Piano Accompaniment Track available on this site.
$3.99
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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Violoncelle
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Cello - Level 3 - SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published ...
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Cello - Level 3 - SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Boccherini - Minuet - 2nd. Cello Part - Suzuki Bk.3
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Violoncelle
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FACILE
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TK Tim Murray
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Boccherini - Minuet - 2nd. Cel
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TK
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SheetMusicPlus
Cello Solo - Level 2 - SKU: A0.824050 Composed by TK Tim Murray. Classical,Concert,Standards. Individual part. 1 pages. TK (Tim) Murray #4786769. Publis...
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Cello Solo - Level 2 - SKU: A0.824050 Composed by TK Tim Murray. Classical,Concert,Standards. Individual part. 1 pages. TK (Tim) Murray #4786769. Published by TK (Tim) Murray (A0.824050). This stylistic 2nd Cello part will bring fresh life into old repertoire. Ideal for a teacher to play along with their student or for 2 students to play together in performance. Also perfect for Groups of mixed level students.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$3.95
Lully - Gavotte - 2nd. Cello Part - Suzuki Bk.3
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Violoncelle
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FACILE
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TK Tim Murray
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Lully - Gavotte - 2nd. Cello P
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TK
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SheetMusicPlus
Cello Solo - Level 2 - SKU: A0.824051 Composed by TK Tim Murray. Classical,Concert,Standards. Individual part. 1 pages. TK (Tim) Murray #4786767. Publis...
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Cello Solo - Level 2 - SKU: A0.824051 Composed by TK Tim Murray. Classical,Concert,Standards. Individual part. 1 pages. TK (Tim) Murray #4786767. Published by TK (Tim) Murray (A0.824051). This stylistic 2nd Cello part will bring fresh life into old repertoire. Ideal for a teacher to play along with their student or for 2 students to play together in performance. Also perfect for Groups of mixed level students.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$2.95
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And He Died
