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PARTITIONS GRATUITES
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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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CLARINETTE
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CLOCHES
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
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NOËL
OLD TIME - EARLY ROC…
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expert
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Non classifié
716
PIANO & CLAVIERS
Piano seul
115
Piano Facile
5
Orgue
4
Accompagnement Piano
3
Accordéon
2
2 Pianos, 4 mains
1
Piano, Voix et Guitare
1
Instrumentations suivantes
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GUITARES
Guitare
20
Guitare notes et tablatures
3
Basse electrique
2
Ukulele
1
2 Mandolines (duo)
1
Mandoline
1
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VOIX
Voix duo, Piano
1
Chorale SATB
1
Voix Mezzo-Soprano, Piano
1
Chorale 2 parties
1
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
112
Flûte traversière
88
Flûte, Clarinette et Basson
62
Flûte, Hautbois, Basson
56
Flûte, Hautbois, Clarinette, Basson
51
Flûte à bec Alto, Basse continue
46
2 Flûtes traversières (duo)
45
3 Clarinettes (trio)
39
3 Flûtes à bec (trio)
37
2 Clarinettes (duo)
34
Flûte traversière et Piano
33
Flûte traversière, Basse continue
31
Clarinette Basse, Piano
31
Hautbois, Basson (duo)
29
2 Clarinettes, Basson
28
Quatuor de Clarinettes: 4 clarinettes
27
Flûte à Bec
22
Hautbois, Clarinette, Basson (trio d'anches)
17
Clarinette, Basson (duo)
17
Flûte à Bec, Piano
15
Trio de Flûtes: 3 flûtes
13
Ensemble de Clarinettes
12
2 Flûte à bec (duo)
11
Clarinette et Piano
8
Quintette de Clarinettes: 5 clarinettes
7
Ensemble de Flûtes
7
Flûte à bec Soprano, Basse continue
7
2 Saxophones (duo)
6
Hautbois, Piano (duo)
5
Flûte et Guitare
5
Quatuor de Flûtes à bec
5
Flûte, Hautbois, Clarinette (trio)
5
Quatuor de Flûtes : 4 flûtes
5
2 Hautbois et Basson
4
2 Hautbois (duo)
4
Flûte à bec Soprano
4
2 Flûtes, Basse continue
4
Quintette de Saxophone: 5 saxophones
3
Saxophone Soprano et Piano
3
3 Saxophones (trio)
3
Saxophone Alto et Piano
3
Ensemble de saxophones
3
Clarinette
2
Flûte, Violon et Violoncelle
2
Saxophone Tenor et Piano
2
Quatuor de Saxophones: 4 saxophones
2
Clarinette (partie séparée)
2
2 Flûtes traversières, Piano
1
Saxophone (partie séparée)
1
Flûte à bec Alto, Piano
1
Saxophone
1
Ensemble à vent
1
Saxophone Baryton, Piano
1
Saxophone Alto
1
2 Cors Anglais Et Pianoforte
1
Saxophone Baryton
1
Cor anglais, Piano
1
Flûte à bec Soprano, Piano
1
Ensemble De Flûte à bec
1
Flûte, Violon
1
Flûte, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Basson et Piano
1
Instrumentations suivantes
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CUIVRES
Trombone et Piano
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Quatuor de cuivres: 4 trombones
6
Trombone basse et Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
2 Trombones (duo)
4
Tuba et Piano
4
Euphonium, Piano (duo)
3
Trompette, Piano
3
Ensemble de Trombones
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette (partie séparée)
2
Bass Clef Instruments
2
Trompette, Trombone (duo)
2
Trombone
2
3 Trombones (trio)
2
Trio de Cuivres
1
Tuba
1
2 Tubas (duo)
1
Cor et Piano
1
2 Cors (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums (duo)
1
2 Trompettes (duo)
1
Cor anglais, Piano
1
Instrumentations suivantes
Retracter
CORDES
Violon, Basse continue
42
Violoncelle, Basse continue
38
2 Violons et Basse continue
36
Violoncelle, Piano
31
Violon et Piano
29
Contrebasse, Piano (duo)
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Violoncelle, Contrebasse (duo)
18
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violon, Alto (duo)
15
2 Violoncelles (duo)
15
Contre Basse
14
Violon, Basson (duo)
12
Violoncelle
12
2 Altos (duo)
11
Contrebasse (partie séparée)
10
2 Contrebasses (duo)
10
Trio à Cordes: violon, alto, violoncelle
9
Alto, Piano
8
Violon
8
Alto (partie séparée)
6
Violon (partie séparée)
5
Flûte, Contrebasse (duo)
5
2 Violons (duo)
4
Violon, Violoncelle (duo)
4
Alto seul
3
Alto, Violoncelle (duo)
3
Violoncelle (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
Violoncelle , Guitare (duo)
2
Harpe
1
4 Contrebasses
1
2 Violons, Piano
1
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
27
Orchestre
23
Orchestre de chambre
17
Orchestre d'harmonie
13
Ensemble de cuivres
5
Ensemble de Percussions
2
Ensemble Jazz
2
Batterie
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
BASS Sonata
Violoncelle
Partitions à imprimer
12 partitions trouvées
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1
Sonata op. 40 no. 1 in C major for cello and basso
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.841350 Composed by Jean-Baptiste Br…
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Cello Solo - Level 1 - Digital Download SKU: A0.841350 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Baroque,Classical,Instructional,Standards. Individual part. 18 pages. Artistic Score Engraving di Galvagno Michele #5808627. Published by Artistic Score Engraving di Galvagno Michele (A0.841350). One of the most popular sonatas for beginner cellists, widely known thanks to the arrangement for cello and piano by Carl Schroeder (also found in the Fourth Book of the Suzuki Cello Method). Part of it has also been re-utilised by J. L. Feuillard in his made-up piece called Concertino no. 2 by J. B. Breval. The solo cello part contains fingering and bowing suggestions by Yuriy Leonovich.
$3.50
3.2 €
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Violoncelle
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Jean-Baptiste Breval
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Sonata op. 40 no. 1 in C major for cello and basso
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Sonata Op.34-4 for Four Violoncellos
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.778020 Composed by Boismortier, Jos…
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Cello Solo - Level 3 - Digital Download SKU: A0.778020 Composed by Boismortier, Joseph Bodin de (1689-1755). Arranged by Kamada, Mikio. Baroque. Individual part. 19 pages. ACORDO Sheet Music #5009445. Published by ACORDO Sheet Music (A0.778020). Six Sonatas Op.34 were originally composed by Boismortier for three melodic instruments (violins, flutes, etc.) and basso continuo on 1731. Op.34-4 consists of the following movements; I. Vivace, II. Presto, III. Largo, IV. Presto. Rich composition with simple music notes.
$12.00
10.98 €
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Violoncelle
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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Sonata Op.34-4 for Four Violoncellos
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ACORDO Sheet Music
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SheetMusicPlus
Sonata Op.34-2 for Four Violoncellos
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.778013 Composed by Boismortier, Jos…
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Cello Solo - Level 3 - Digital Download SKU: A0.778013 Composed by Boismortier, Joseph Bodin de (1689-1755). Arranged by Kamada, Mikio. Baroque. Individual part. 20 pages. ACORDO Sheet Music #4822859. Published by ACORDO Sheet Music (A0.778013). Six Sonatas Op.34 were originally composed by Boismortier for three melodic instruments (violins, flutes, etc.) and basso continuo on 1731. Op.34-2 consists of the following movements; I. Vivace, II. Allegro, III. Adagio, IV. Allegro. The music flows beautifully like a fountain. It will be a great fun to play this piece. The cord changes in the movement III is also noticeable.
$11.00
10.06 €
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Violoncelle
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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Sonata Op.34-2 for Four Violoncellos
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ACORDO Sheet Music
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SheetMusicPlus
Sonata Op.34-5 for Four Violoncellos
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.778024 Composed by Boismortier, Jos…
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Cello Solo - Level 3 - Digital Download SKU: A0.778024 Composed by Boismortier, Joseph Bodin de (1689-1755). Arranged by Kamada, Mikio. Baroque. Individual part. 19 pages. ACORDO Sheet Music #5333969. Published by ACORDO Sheet Music (A0.778024). Six Sonatas Op.34 were originally composed by Boismortier for three melodic instruments (violins, flutes, etc.) and basso continuo on 1731. Op.34-5 consists of the following movements; I. Andante, Beautiful with elegance. II. Presto, Simple but enjoyable. III. Adagio, Short and lovely. IV. Allegro, Fugue, classy.
$12.00
10.98 €
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Violoncelle
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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I
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Sonata Op.34-5 for Four Violoncellos
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ACORDO Sheet Music
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SheetMusicPlus
Sonata Op.34-3 for Four Violoncellos
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.778017 Composed by Boismortier, Jos…
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Cello Solo - Level 3 - Digital Download SKU: A0.778017 Composed by Boismortier, Joseph Bodin de (1689-1755). Arranged by Kamada, Mikio. Baroque. Individual part. 19 pages. ACORDO Sheet Music #4833821. Published by ACORDO Sheet Music (A0.778017). Six Sonatas Op.34 were originally composed by Boismortier for three melodic instruments (violins, flutes, etc.) and basso continuo on 1731. Op.34-3 consists of the following movements; I. Andante II. Presto III. Adagio IV. Allegro Beautiful piece. Players will appreciate the fun of playing in concert with others.
$12.00
10.98 €
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Violoncelle
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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Sonata Op.34-3 for Four Violoncellos
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ACORDO Sheet Music
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SheetMusicPlus
Sonata Op.34-1 for Four Violoncellos
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.778010 Composed by Boismortier, Jos…
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Cello Solo - Level 3 - Digital Download SKU: A0.778010 Composed by Boismortier, Joseph Bodin de (1689-1755). Arranged by Kamada, Mikio. Baroque. Individual part. 18 pages. ACORDO Sheet Music #4805529. Published by ACORDO Sheet Music (A0.778010). Six Sonatas Op.34 were originally composed by Boismortier for three melodic instruments (violins, flutes, etc.) and basso continuo on 1731. Op.34-1 consists of the following movements; I. Adagio, II. Presto, III. Adagio, IV. Allegro. Very beautiful and elegant piece.
$10.00
9.15 €
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Violoncelle
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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Sonata Op.34-1 for Four Violoncellos
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ACORDO Sheet Music
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SheetMusicPlus
Sonata Op.34-6 for Four Violoncellos
Violoncelle
Cello Solo - Digital Download SKU: A0.778026 Composed by Boismortier, Joseph Bodin …
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Cello Solo - Digital Download SKU: A0.778026 Composed by Boismortier, Joseph Bodin de (1689-1755). Arranged by Kamada, Mikio. Baroque. Individual part. 19 pages. ACORDO Sheet Music #5375511. Published by ACORDO Sheet Music (A0.778026). Six Sonatas Op.34 were originally composed by Boismortier for three melodic instruments (violins, flutes, etc.) and basso continuo on 1731. Op.34-6 consists of the following movements;
$12.00
10.98 €
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Violoncelle
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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Sonata Op.34-6 for Four Violoncellos
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ACORDO Sheet Music
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SheetMusicPlus
George Frideric Friedrich Handel Haendel : Sonate pour flûte à bec et basse continue n° 2 en sol mineur, Op. 1 n° 2, HWV 360 - Sonata
Violoncelle
Téléchargez la partition Violoncelle Sonate pour flûte à bec et…
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Téléchargez la partition Violoncelle Sonate pour flûte à bec et basse continue n° 2 en sol mineur, Op. 1 n° 2, HWV 360 - Sonata de Händel. Partition pour Violoncelle avec piano d‘accompagnement -- Classique
2.99 €
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Violoncelle
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George Frideric Friedrich Hand
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Sonate pour flûte à bec et b
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Tomplay
George Frideric Friedrich Handel Haendel : Sonate pour flûte et basse continue n° 5 en sol majeur, HWV 363b - IV. Bourrée
Violoncelle
Téléchargez la partition Violoncelle Sonate pour flûte et basse contin…
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Téléchargez la partition Violoncelle Sonate pour flûte et basse continue n° 5 en sol majeur, HWV 363b - IV. Bourrée de Händel. Partition pour Violoncelle avec piano d‘accompagnement -- Classique
2.99 €
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Violoncelle
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George Frideric Friedrich Hand
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Sonate pour flûte et basse co
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Tomplay
Bodin de Boismortier : 5 sonates et concerto pour violoncelle, alto ou basson, Opus 26 - N° 5 en sol mineur - II. Aria
Violoncelle
Téléchargez la partition Violoncelle 5 sonates et concerto pour violoncelle,…
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Téléchargez la partition Violoncelle 5 sonates et concerto pour violoncelle, alto ou basson, Opus 26 - N° 5 en sol mineur - II. Aria de Bodin de Boismortier. Partition pour Violoncelle avec piano d‘accompagnement -- Classique
5.99 €
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Violoncelle
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Bodin de Boismortier
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5 sonates et concerto pour vio
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Tomplay
Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
Violoncelle
Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 …
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Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications
Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982
$25.00
22.87 €
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Violoncelle
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Jean Daniel Braun
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Adam Riggs
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Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
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AR Publications
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
Violoncelle
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by…
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Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
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Violoncelle
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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jmsgu3
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SheetMusicPlus
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