Are you tired of first position and ready to start playing at an intermediate level? Are you ready to learn and play new notes on the cello and perfect your shifting technique? Fourth Position Study Method for the Cello can help!

This book is a method for learning fourth position on the cello. Using short exercises and related pieces, skills such as shifting to fourth position, playing in extended fourth position, and more are taught. Pictures are included to show where the notes are on the cello. Tips for maintaining good form are included, as well as a section on how to get good tone in fourth position.

"Georg's Cello Method" has been developed over 30 years, tested and corrected again and again.
The cello learner will be guided step by step, so that learning will follow easily without unexplained or unprepared obstacles. The compositions used are stretching over 400 years, some of the tunes are known like the Pachelbel Canon, Bach's Minuet or the song Dona, Dona and Greensleeves.

Are you an intermediate or early-advanced cellist who wants to take their technique to the next level?

These intensive cello double stop shifting exercises will help improve your intonation and help build your left-hand strength. At the same time, they will raise the intensity level of your practice, making the time you spend on exercises as efficient as possible.

Moving through the first seven cello positions, these exercises use double stop sixths, thirds, and occasionally fifths and fourths to build your cello technique.

Who this book can help: Cellists who can shift between the first seven positions and want to improve their shifting and finger strength.

How to use this book: Work on one exercise each day, after warming up with finger exercises, scales, and shifting exercises.

by Cassia Harvey

29 pages

Level: Late-Intermediate or Early-Advanced. Uses first through seventh positions on the cello.

Ready to build your cello technique? These workouts will help your left-hand fingers get stronger, move faster, and play more in tune. The right hand works on detache, spiccato, staccato, string crossing, and more!

Four pages in each key help you focus on learning the finger patterns and extensions in that key. This book gives you exercises in the keys of C, G, F, D, and B-flat major.

Adding one or more pages of this book to the beginning of your practice can help your cello practice be both more efficient andmore effective.

Who this book can help: Beginning cellists who know most of the notes in first position. A prior knowledge of extended first position is helpful.

How to use this book: This book could be the very first thing you play after you sit down to practice! Play 1-4 pages a day, as time allows. Play slowly at first, focusing on good form, clear tone, and good intonation.

by Cassia Harvey

21 pages

Level: Late-Beginning or Early-Intermediate. Extended first position is included.

Ready to improve your shifting? This book gives you exercises in rows and patterns that take you through the cello positions.

The first part of the book gives you exercises in first through fourth position while the second part of the book works on first through eighth position.

All of the exercises are in C major so that you can thoroughly learn the spaces on all four strings in this basic key.

After you have studied the first few cello positions, this book is a great way to tie them all together and solidify your knowledge of the fingerboard.

This cello study book is a counterpart to Serial Shifting for the Cello, giving you an all-new set of shifting in rows and patterns that will help you improve!

Who this book can help: Intermediate cellists who want a structured approach to positions.

How to use this book: Play one or more exercises after finger exercises and scales but before etudes and repertoire.

by Cassia Harvey

Level: Early-Intermediate and Late-Intermediate

This cello study book is a counterpart to Finger Exercises for the Cello, Book One, giving you an all-new set of finger exercises inclosed first position that will help your fingers move faster!

These exercises can help you move around the cello better with your left hand. Sixteenth-note studies help your fingers build muscle memory in first position and double stop exercises near the end of the book help you work on a correct left-hand playing position and playing on the tips of your fingers.

Who this book can help: Beginning and intermediate cellists who want faster fingers on the cello.

How to use this book: Play one exercise a day as the first part of your practice session. Start the exercise slowly, listening to your notes and focusing on form. As your intonation improves, start increasing your speed.

by Cassia Harvey

48 pages

Level: Beginning or Early-Intermediate. Uses only closed first position on the cello.

Are you an intermediate cellist looking for more interesting ways to warm up? This book can help!

With agility and shifting exercises, lively Baroque pieces, and fiddle tunes, this book helps you work on cello positions and shifting technique as part of your daily practice.

Useful for cellists who have a grasp of the first four positions and want to improve their playing, this book has studies and pieces in the keys of C, G, D, and F major.

by Cassia Harvey

Level: Late-Intemediate

ISBN 9781609749613. Level 1 solos for cello with keyboard accompaniment. Created especially for use as solo supplement to any first-year string method or private instructional course, and a perfect complement to the other beginning cello titles in the Building Excellence Series. These short, easy pieces are marked with suggested bowings. Ideal Suzuki supplement.

This volume gradually introduces the most important thumb techniques:

At first, the 4 finger patterns in thumb position are introduced systematically. The thumb first remains placed over the octave harmonics. Later, other thumb positions are added. At the end of the volume, the change from one thumb position to the other and the octave parallels are practised.

In order that the student does not miss out on the fun, each topic comes with 'tailor-made' pieces and arrangements of the author from classical, folk, rock, and jazz music. Many pieces also come with piano parts and mp3s for download. The programme is completed by many examples from the classical cello literature.

The author recommends using the comprehensive material in various ways. The order can be changed without any problems. Chapters or difficult passages can be skipped and practised later. This volume should be used over a longer period, yet can be occasionally laid aside for a while.

Ideal to complement, for example, Gabriel Koeppen's cello method (Schott, volume 1: ED 20841) or any other textbook.

ISBN 9781619119987.

Eclectic cellist, Renata Bratt, has written the ultimate book for the fiddling cellist, this time from the perspective of an accompanist. Herein, youll find the theoretical and technical foundation for everything you need to creatively back up the lead players in a fiddle jam session, not to mention playing the lead yourself. This progressive method includes detailed fingerings and bowings for traditional fiddle tunes like: Salt Creek, Jenny Dang the Weaver, The Water Is Wide, The Girl I left Behind Me, The Road to California, Masons Apron, and Green Grows the Laurel plus three jigs and a slip-jig. Accompaniment elements include single chord-tone backup, bluegrass bass style, 2 and 3-note chords and arpeggios in the common fiddling keys, one and two-measure rhythmic bowing patterns, the Charleston rhythm, the traveling beat, and many variations of the ever-popular chop bowing technique. With the knowledge and experience conveyed by this book, a cellist can become a valuable asset to any musical group no matter the style! Includes access to 100 online audio tracks expertly played by the author.

ISBN 9781619111318. The purpose of this cellist songbook is to provide the beginning cellist with a repertoire of 24 of the most familiar and beloved tunes ever written. There are several great folk songs of America and other lands. They continue to bring pleasure and knowledge as a link to the past. All the songs are written specifically for cello utilizing dynamics, expression markings, and articulations. Key signatures for the songs are in a comfortable range suitable for the beginning cellist. Guitar chord symbols appear above each melody; however, the chords may be played by banjo, ukulele, autoharp, and chord organ. Included are: Irish Songs, Folk Songs, American Hymns, Spirituals, and Classics. This song book is an ideal supplement to "Cello Method" (MB96459) published by Mel Bay Publications, Inc. All the songs are appropriate for performance at concerts, recitals, and contests.

A book of solos for cello. Includes 15 songs (Celtic tunes, classical themes, folk melodies) for the beginner cellist. Created for students using Suzuki and similar methods. For students who play in first position only, and for those beginning to learn shifting.What makes this book special?
It includes:
1. Pieces in the low register of the cello. Beginner books often focus on the A and D strings.
2. More lyrical pieces, meaning more song-like, more Romantic than Baroque style.
3. A teacher accompaniment part. The students find it enjoyable, and it teaches them how important it is to listen and to play in time, in tune, and with dynamics. Can also be used for recitals.
4. Familiar tunes. What is familiar to one person is unknown to others, but I tried to put in pieces that many people would be familiar with.
5. Shifting with familiar tunes. When I was a student, I found it easier to learn a shift if the piece was familiar. My ear knew where to go. I have included a few pieces with two versions: first position and shifting . The student can learn the first position version and then be able to learn shifting with a familiar tune.
6. There is plenty of empty space on the pages for teachers to add markings.

Includes 15 pieces for the beginner cellist.Specially created for students using Suzuki and similar methods. For studentswho play in first position only, and for those beginning to learn shifting.
What makes this book special? It includes:
1. Pieces in the low register of the cello. Beginner booksoften focus on the A and D strings.
2. More lyrical pieces, meaning more song-like, more Romanticthan Baroque style.
3. A teacher accompaniment part (teacher edition only). Thestudents find it enjoyable, and it teaches them how important it is to listenand to play in time, in tune, and with dynamics. Can also be used for recitals.
4. Familiar tunes. What is familiar to one person is unknownto others, but I tried to put in pieces that many people would be familiar with.
5. Shifting with familiar tunes. When I was a student, Ifound it easier to learn a shift if the piece was familiar. My ear knew whereto go. I have included a few pieces with two versions: first position andshifting . The student can learn the first position version and then be able tolearn shifting with a familiar tune.
6. There is plenty of empty space on the pages for teachersto add markings.
7. Created by a cello teacher for cellists. Not adaptedfrom another instrument. Tested by real students.