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--INSTRUMENTS--
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32
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Cello Moods
Violoncelle
Partitions à imprimer
5 partitions trouvées
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Cello Champs Part VI: Meters and Moods
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Violoncelle
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INTERMÉDIAIRE
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Contemporain
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Diane Chaplin, Alan Chaplin
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Cello Champs Part VI: Meters a
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Diane Chaplin
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.918329 Composed by Diane Chaplin, Alan Chaplin. Contemporary. Individual part. 16 pages. Diane Chaplin #6104575. Publishe...
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Cello Solo - Level 3 - SKU: A0.918329 Composed by Diane Chaplin, Alan Chaplin. Contemporary. Individual part. 16 pages. Diane Chaplin #6104575. Published by Diane Chaplin (A0.918329). Three pieces for intermediate players that offer catchy tunes with new techniques. Players are challenged with contemporary meter changes and harmonics, double stops, small amounts of 5th through 7th positions, basic thumb position, and both treble and tenor clefs. Excellent recital pieces! Cello and piano parts.
$6.99
PERFIL DEL ÁNIMA, Op. 86, for solo cello
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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CÉSAR CANO
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PERFIL DEL ÁNIMA, Op. 8
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POLYHYMNIA Ediciones musicales
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1029293 Composed by CÉSAR CANO. Contemporary,World. Individual part. 16 pages. POLYHYMNIA Ediciones musicales #479903...
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Cello Solo - Level 4 - SKU: A0.1029293 Composed by CÉSAR CANO. Contemporary,World. Individual part. 16 pages. POLYHYMNIA Ediciones musicales #4799037. Published by POLYHYMNIA Ediciones musicales (A0.1029293). Perfil del ánima (Profile of the anima), Op. 86 is a solo cello piece written in a single movement. It is part of the series of PROFILES that I am composing since 2002 for solo instruments. The anima is a concept expounded by C.G. Jung in his book The Man and his Symbols. It is a personification of all female psychological tendencies in the psyche of a man, such as vague feelings and moods, prophetic forebodings, receptivity to the irrational, personal capacity for love, love of nature and, very importantly, his relationship with the unconscious. It is best perceived in dreams. If the dreamer is a man, he will discover a female personification of his unconscious. If it is a woman, it will be a male figure. Jung named them respectively anima and animus. My work has some quotes that evoke the anima, as a fragment of the 2nd movement of Mahler's 5th Symphony, which he wrote under the fascination of Alma Schindler, his future wife. Another citation is a motif of Dvořák’s opera Rusalka, an elf from Slavic mythology, which usually lives in a lake or river. Rusalka is an ancient fairy-tale figure, already appearing in literature in 1387. Her longing is to become a human being and to love as an earthly woman, even at the price of suffering and death. My piece evokes this inner and unconscious dialogue between the masculine and feminine in all of us, represented by the cello’s low and high registers. The use of many and varied instrumental resources (chords, microtones, harmonics, timbral variations, complex rhythms, tremolos, glissandi, pizzicati, etc.), together with its broadness and thematic complexity, make Profile of the anima a demanding work for the soloist. I finished its composition on December 21th, 2016. It is dedicated to Rafał Jezierski, who performed its world premiere on February 14th, 2017, in the Auditorium of the Museum of Fine Arts of Valencia, within the cycle of concerts organized by the Royal Academy of Fine Arts of San Carlos.
$4.99
Tragic Suite for Solo Cello, Op. 44
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Joseph Jones
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Tragic Suite for Solo Cello, O
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Joseph Jones
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1092108 Composed by Joseph Jones. Classical. Individual part. 6 pages. Joseph Jones #696249. Published by Joseph Jones (A...
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Cello Solo - Level 4 - SKU: A0.1092108 Composed by Joseph Jones. Classical. Individual part. 6 pages. Joseph Jones #696249. Published by Joseph Jones (A0.1092108). This is a solo suite for cello. The title, 'Tragic,' is taken from the literary arts and is meant to reflect the moods, tropes, and ideas of tragic poetry and drama. This piece is ca. 15' in duration and has four movements: 1. Grave 2. Allegretto 3. Gallop 4. Lamentoso The suite was composed in October of 2020.
$25.00
After Bach
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pablo Tejedor-Gutierrez
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After Bach
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C8 Music
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1305415 By Pablo Tejedor-Gutierrez. By Dominic McGonigal. 21st Century,Classical,Contemporary. Individual part. 2 pages. ...
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Cello Solo - Level 4 - SKU: A0.1305415 By Pablo Tejedor-Gutierrez. By Dominic McGonigal. 21st Century,Classical,Contemporary. Individual part. 2 pages. C8 Music #894859. Published by C8 Music (A0.1305415). Inspired by Bach, specifically the Prelude of the first Cello Suite, After Bach exploits the sonorities of the cello with the melody intertwined in chordal figuration. It is mostly in the bright Lydian mode, moving through different modalities and moods. Before the final cadence, there is a more contemplative reprise of the main theme, leaving the listener with a good feeling. It was written for Pablo Tejedor-Gutierrez, who has a beautiful tone on his baroque cello and of course loves Bach. 3'40. More at www.dominicmcgonigal.com.
$1.99
Beyond The Sea
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Violoncelle
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INTERMÉDIAIRE
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Bobby Darin
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Peter Edvinsson
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Beyond The Sea
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Peter Edvinsson
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.894612 By Bobby Darin. By Albert Lasry and Charles Trenet. Arranged by Peter Edvinsson. Jazz,Pop. Individual part. 1 page...
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Cello Solo - Level 3 - SKU: A0.894612 By Bobby Darin. By Albert Lasry and Charles Trenet. Arranged by Peter Edvinsson. Jazz,Pop. Individual part. 1 pages. Peter Edvinsson #3515569. Published by Peter Edvinsson (A0.894612). Cello sheet music solo with the popular song Beyond The Sea. One page. Information about the song title:Beyond the Sea is a 1945 contemporary pop romantic love song by Jack Lawrence, with music taken from the song La Mer by Charles Trenet. Trenet had composed La Mer (which means the Sea) with French lyrics. It had some differences to the English-language version that Lawrence later wrote. Trenet's French version was a homage and ode to the changing moods of the sea, while Lawrence, by just adding one word Beyond to the title, gave him the start whereby he made the song into a love song.It has been recorded by many artists, but Bobby Darin's version released in late 1959 is the best known by many, reaching No. 6 on the Billboard Hot 100, No. 15 on the US R&B Chart, and No. 8 in the UK Singles Chart in early 1960. (Wikipedia)
$4.99
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