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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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163
PIANO & CLAVIERS
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117
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5
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1
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6
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4
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46
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7
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4
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3
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2
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1
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Clarinette et Piano
36
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35
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24
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16
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14
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11
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11
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10
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10
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9
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8
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6
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5
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5
3 Saxophones (trio)
5
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3
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3
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3
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2
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2
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2 Trombones (duo)
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Clarinette, Cor (duo)
1
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3 Trombones (trio)
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Quatuor de cuivres: 4 trompettes
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CORDES
Alto, Piano
35
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31
Quatuor à cordes: 2 violons, alto, violoncelle
30
Violoncelle, Piano
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Violon
8
Violon, Violoncelle (duo)
6
Harpe
4
2 Violons (duo)
3
Violoncelle
2
Contre Basse
2
Violon, Alto (duo)
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2 Altos (duo)
2
2 Violoncelles (duo)
2
Contrebasse, Piano (duo)
2
Trio à Cordes: 3 violoncelles
2
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Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 4 violons
1
Alto (partie séparée)
1
Violon (partie séparée)
1
Trio à Cordes: violon, alto, violoncelle
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
4 Contrebasses
1
Harpe, Violoncelle (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
85
Orchestre
28
Orchestre à Cordes
7
Orchestre de chambre
6
Ensemble Jazz
3
Ensemble de cuivres
3
Cloches
2
Marimba
1
Ensemble de Percussions
1
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AUTRES
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First Emotion
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All Of Me
Violoncelle
Cello Solo - Level 2 - Digital Download SKU: A0.1217915 Composed by Gerald Marks an…
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Cello Solo - Level 2 - Digital Download SKU: A0.1217915 Composed by Gerald Marks and Seymour Simons. Arranged by Leo Silva. Jazz. Individual part. 1 pages. MP Sheet Music #814433. Published by MP Sheet Music (A0.1217915). Composition and characteristics All of Me is a jazz standard whose lyrics and music were written by Gerald Marks and Seymour Simons in 1931. It has an ABAC structure and was originally written in the key of B-flat major.The melody combines the music's contradictory possibilities. The downward thrusts of the opening phrases suggest emotional despair, while the final line, with its repeated high notes, sounds almost jubilant. It usually runs in an average time.All of Me first came to public notice when a performance by Belle Baker was broadcast on the radio in 1931. After that a few others also became successful.Frank Sinatra recorded several versions of All of Me. Its 1948 release peaked at No. 21. He also sang it in the film Meet Danny Wilson, which may have helped Johnnie Ray's performance reach No. 12 in the charts that year. Sinatra's use of All of Me brought a non-jazz audience to the song, as did Willie Nelson, whose version was included on his Stardust album and reached No. 3 on the Hot Country Songs chart in 1978. In 2000, All of Me of Me received the Towering Song Award from the Songwriters Hall of Fame.
$4.99
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Violoncelle
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Gerald Marks and Seymour Simons
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Leo Silva
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All Of Me
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MP Sheet Music
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Violoncello
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.1018958 Composed by Benjamin Harry …
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Cello Solo - Level 4 - Digital Download SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
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Violoncelle
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
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