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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
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32
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9
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9
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'Melodia Assoluta' (Absolute Melody)
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.1004753 Composed by Rocco Di Pietro…
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Cello Solo - Level 4 - Digital Download SKU: A0.1004753 Composed by Rocco Di Pietro. Contemporary. Individual part. 5 pages. Rocco Di Pietro #4355235. Published by Rocco Di Pietro (A0.1004753). Melodia Assoluta, (absolute melody) A solo cello piece created for the cellist Fances Marie Uiitti,living at that time in Rome. She played the work in Naples, Italy and Holland and elsewhere and gave the US premiere in Buffalo, NY. The idea of an endless melody going on forever was behind the illusion of this work,as if you came into a room, and it was always already there.A certain solitary melodic melancholy was observed by some when it was first played,as an antidote to the then 'New Music',which created a senasation in Naples in 1980.The times being what they were.
$12.00
10.98 €
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Violoncelle
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Rocco Di Pietro
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'Melodia Assoluta'
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Rocco Di Pietro
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
Violoncelle
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by…
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Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.86 €
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Violoncelle
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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jmsgu3
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SheetMusicPlus
Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps)
Violoncelle
Cello Solo - Level 2 - Digital Download SKU: A0.1464958 Composed by Joe Davis and O…
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Cello Solo - Level 2 - Digital Download SKU: A0.1464958 Composed by Joe Davis and Osvaldo Farres. Arranged by Leo Silva. Pop. Individual part. 1 pages. MP Sheet Music #1043660. Published by MP Sheet Music (A0.1464958). Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps), sometimes known simply as Quizás; (Perhaps), it's a popular song of Cuban composer Osvaldo Farrés. Farrés wrote the song, and the lyrics originally in Spanish. The English lyrics, Perhaps, perhaps, perhaps, was translated from the original by Joe Davis, and was recorded for the first time by Desi Arnaz in 1948.
$4.99
4.56 €
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Violoncelle
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Joe Davis and Osvaldo Farres
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Leo Silva
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Quizas, Quizas, Quizas
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MP Sheet Music
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SheetMusicPlus
Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps)
Violoncelle
Cello Solo - Level 2 - Digital Download SKU: A0.1464962 Composed by Joe Davis and O…
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Cello Solo - Level 2 - Digital Download SKU: A0.1464962 Composed by Joe Davis and Osvaldo Farres. Arranged by Leo Silva. Pop. Individual part. 1 pages. MP Sheet Music #1043664. Published by MP Sheet Music (A0.1464962). Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps), sometimes known simply as Quizás; (Perhaps), it's a popular song of Cuban composer Osvaldo Farrés. Farrés wrote the song, and the lyrics originally in Spanish. The English lyrics, Perhaps, perhaps, perhaps, was translated from the original by Joe Davis, and was recorded for the first time by Desi Arnaz in 1948.
$4.99
4.56 €
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Violoncelle
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Joe Davis and Osvaldo Farres
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Leo Silva
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Quizas, Quizas, Quizas
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MP Sheet Music
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SheetMusicPlus
Georg's Cello Method - Volume 1
Violoncelle
Cello, String Duet - Easy/Beginner - Digital Download Composed by G. Mertens, Anony…
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Cello, String Duet - Easy/Beginner - Digital Download Composed by G. Mertens, Anonymous, L.v. Beethoven, M. Carcassi, H. Gruber, H. Purcell, J.S. Bach, Neidhardt, F. Sor, A Gretchaninov, G. Dotzauer. Arranged by Georg Mertens. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. Individual Part, Set of Parts. 57 pages. Published by Georg Mertens
As a student 40 years ago I wrote a thesis about all existing cello methods. Then I started writing my own method by putting all positive aspects of all methods together and revised the volume multiple times.<br> The music selection is the best I could find for each level progressing in tiny well prepared steps, enjoyable to play. Exercises compact and only when needed.<br> Volume 1 contains No 1-50 on 57 pages - first position, bow and reading skills, each piece in form of a cello duo to be able to play with a friend or teacher together - includes traditional songs, fiddle tunes and compositions by Beethoven, Bach, Purcell, Sor, Carcassi, Gretchaninov, Gruber and Neidhardt.<br> Probably the most researched and tested way to start learning the cello!<br> To each number are Video cello lessons linked published on Patreon. The links click through when viewed on phone, tablet or computer.<br> There are also Youtube recordings of all pieces as Cello Duos with fingerings and bowings as in the Cello Method, see https://www.youtube.com/playlist?list=PLa4x_CVYDVRXAnJJ_6HeRujngwTZ8cMEdAs a student 40 years ago I wrote a thesis about all existing cello methods. Then I started writing my own method by putting all positive aspects of all methods together and revised the volume multiple times.<br> The music selection is the best I could find for each level progressing in tiny well prepared steps, enjoyable to play. Exercises compact and only when needed.<br> Volume 1 contains No 1-50 on 57 pages - first position, bow and reading skills, each piece in form of a cello duo to be able to play with a friend or teacher together - includes traditional songs, fiddle tunes and compositions by Beethoven, Bach, Purcell, Sor, Carcassi, Gretchaninov, Gruber and Neidhardt.<br> Probably the most researched and tested way to start learning the cello!<br> To each number are Video cello lessons linked published on Patreon. The links click through when viewed on phone, tablet or computer.<br> There are also Youtube recordings of all pieces as Cello Duos with fingerings and bowings as in the Cello Method, see https://www.youtube.com/playlist?list=PLa4x_CVYDVRXAnJJ_6HeRujngwTZ8cMEd
$13.49
12.34 €
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Violoncelle
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G
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Georg Mertens
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Georg's Cello Method - Volume 1
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Georg Mertens
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SheetMusicPlus
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