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Contre Basse
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Violoncelle , Guitare (duo)
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4 Violoncelles
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Piano Trio: Violon, Alto, Piano
19
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11
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9
Trio à Cordes: 2 violons, alto
9
Trio à cordes: 3 altos
7
Violoncelle (partie séparée)
7
Quatuor à cordes : 4 altos
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Quatuor à cordes: 4 violons
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Alto et Harpe
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Flûte, Contrebasse (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
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2 Violons, Piano
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2 Contrebasses (duo)
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Harpe, Voix
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Harpe, Violon, Violoncelle
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Ensemble de Violoncelles
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Violon, Basson (duo)
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Violoncelle, Contrebasse (duo)
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4 Contrebasses
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Quintette à cordes : 2 violons, alto et 2 violoncelles
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3 Harpes
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Alto, Orgue
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Trio à cordes
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Violon, Tuba (duo)
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Violon, Orgue
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Violon, Basse continue
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Orchestre d'harmonie
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Orchestre à Cordes
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Orchestre
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Cloches
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Jazz combo
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Marimba
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Fanfare
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Percussion
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Vibraphone
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2 Xylophones
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Xylophone
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Percussion (partie séparée)
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Batterie (partie séparée)
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Piano et Orchestre
2
Xylophone, Piano
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Timbales
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2 Marimbas
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Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
Violoncelle
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by…
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Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.66 €
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Violoncelle
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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jmsgu3
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SheetMusicPlus
Guthrie: Dardanus Variations for Solo Cello
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.547674 Composed by James M. Guthrie…
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Cello Solo - Level 4 - Digital Download SKU: A0.547674 Composed by James M. Guthrie. Contemporary,Instructional. Individual part. 9 pages. Jmsgu3 #3031709. Published by jmsgu3 (A0.547674). Dardanus Variations for Solo Cello is a set of variations on a thematic fragment from Dardanus, a tragédie-lyrique by J.P. Rameau (1683-1764). Each variation depicts a different scene from the opera.I: Entrance of Dardanus: Son of Electra and JupiterII: King Teucer proposes the marriage of his daughter Iphise to King AnténorIII: King Anténor accepts Iphise to become his brideIV: Ismenor the Wizard introduces Iphise to DardanusV: Dardanus encounters the sea monsterVI: The Sea Monster creates havoc for King AnténorVII: Dardanus falls in love with IphiseVIII: Dardanus slays the Sea Monster, saving King Anténor's lifeIX: King Teucer and Dardanus make peaceX: King Teucer permits for Dardanus to marry IphiseXI: The Proposal of DardanusXII: Iphise rejects the proposalXIII: The Second Proposal of DardanusIXV: Wedding Dance Dardanus is connected to the Trojan War through his lineage and the founding of the royal house of Troy. The Dardanoi, the descendants of Dardanus, formed a contingent among Troy's allies in the Trojan War. The House of Dardanus, of which Dardanus was the founder, played a significant role in the lead-up to the war. The city of Troy, founded by Dardanus's descendant, Ilus, was central to the myths surrounding the Trojan War. Additionally, Aeneas, a prominent figure in the Trojan War, was referred to as a Dardanian and was destined to save the House of Dardanus from extinction. Therefore, Dardanus's lineage and the founding of Troy are the critical connections between Dardanus and the Trojan War.Ancestry and Founder: Dardanus was the son of Zeus and the Pleiad Electra. He was the mythical founder of Dardania on the Hellespont and the ancestor of the Dardanians of the Troad and, through Aeneas, of the Romans.Migration and Settlement: According to mythology, Dardanus fled from Arcadia to the island of Samothrace and then to the Troad, where Teucer, the ruler of Phrygia, hospitably received him. He married Teucer's daughter Bateia and became the founder of the royal house of Troy.Family and Descendants: Dardanus married Chryse, with whom he fathered two sons, Idaeus and Deimas. He later married Batea and had several children, including Erichthonius, who became the ancestor of many famous individuals in the Troad, including Tros, Ganymede, Laomedon, and Priam.Cultural Depictions: Dardanus has been the subject of various operas by composers such as Jean-Philippe Rameau, Carl Stamitz, and Antonio Sacchini, reflecting the enduring influence of his mythological story.Legacy: Dardanus lives on in the Dardanelles, the narrow strait separating Asia and Europe, once known as the Hellespont, a name also linked to Greek mythology.These facts highlight Dardanus's role as a critical figure in the foundation of Dardania and the royal house of Troy and his rich and enduring mythological legacy.
$24.95
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Violoncelle
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James M
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Guthrie: Dardanus Variations for Solo Cello
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jmsgu3
#
SheetMusicPlus
For He's A Jolly Good Fellow - Cello
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.598996 Arranged by Kevin Busse. Gra…
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Cello Solo - Level 1 - Digital Download SKU: A0.598996 Arranged by Kevin Busse. Graduation,Holiday,Jewish,Wedding. Individual part. 1 pages. Kevin Busse #3411301. Published by Kevin Busse (A0.598996). This is a simple transcription of For He's A Jolly Good Fellow for Cello
$4.99
4.54 €
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Violoncelle
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Kevin Busse
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For He's A Jolly Good Fellow - Cello
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Kevin Busse
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SheetMusicPlus
A LEARN TO PLAY book of 100 EASY TUNES and 10 EASY DUETS for Beginner CELLO in BASS CLEF
Violoncelle
Cello Solo - Level 2 - Digital Download SKU: A0.1104802 By Various. By Various. Arr…
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Cello Solo - Level 2 - Digital Download SKU: A0.1104802 By Various. By Various. Arranged by Robert A KEATCH. Children,Christmas,Instructional,Multicultural,Traditional,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #708040. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1104802). This book is perfect for beginners and those seeking to improve their musical skills.Boasting popular tunes like Happy Birthday and For He's A Jolly Good Fellow, it contains an impressive collection of easy-to-learn melodies and duets that make reading and playing the BASS clef a breeze.Created with CELLO PLAYERS in mind, each page of the book is packed with teaching points, guidance notes for both students and teachers, a chart of note values, the Circle of Fifths for major keys, scales, simple technical exercises, and an alphabetical index of tunes. Â Perfect collection for teacher-student play-along.Professional musician Keith Walker endorses this book, wishing he had access to it 50 years ago. Its simplicity and versatility make it popular among elementary school instrumentalists and teachers, as it can be played on any instrument.This book is an excellent resource for individuals of all ages and classrooms, available in 10 different versions for all Western art musical instruments, allowing for unison or octave play.A must-have for beginners of any age.
$11.99
10.92 €
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Violoncelle
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Various
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Robert A KEATCH
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A LEARN TO PLAY book of 100 EASY TUNES and 10 EASY DUETS for Beginner CELLO in BASS CLEF
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PARKLAND PUBLISHING WESTERN AUSTRALIA
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SheetMusicPlus
A LEARN TO PLAY book of 100 EASY TUNES and 10 EASY DUETS for Beginner CELLO in BASS CLEF
Violoncelle
Cello Solo - Level 2 - Digital Download SKU: A0.1104324 By Various. By Various. Arr…
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Cello Solo - Level 2 - Digital Download SKU: A0.1104324 By Various. By Various. Arranged by Robert A KEATCH. Children,Christmas,Instructional,Multicultural,Traditional,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #707535. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1104324). This book is perfect for beginners and those seeking to improve their musical skills.Boasting popular tunes like Happy Birthday and For He's A Jolly Good Fellow, it contains an impressive collection of easy-to-learn melodies and duets that make reading and playing the BASS clef a breeze.Created with CELLO PLAYERS in mind, each page of the book is packed with teaching points, guidance notes for both students and teachers, a chart of note values, the Circle of Fifths for major keys, scales, simple technical exercises, and an alphabetical index of tunes. Â Perfect collection for teacher-student play-along.Professional musician Keith Walker endorses this book, wishing he had access to it 50 years ago. Its simplicity and versatility make it popular among elementary school instrumentalists and teachers, as it can be played on any instrument.This book is an excellent resource for individuals of all ages and classrooms, available in 10 different versions for all Western art musical instruments, allowing for unison or octave play.A must-have for beginners of any age.
$6.50
5.92 €
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Violoncelle
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Various
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Robert A KEATCH
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A LEARN TO PLAY book of 100 EASY TUNES and 10 EASY DUETS for Beginner CELLO in BASS CLEF
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PARKLAND PUBLISHING WESTERN AUSTRALIA
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SheetMusicPlus
Carson Cooman - Actaeon (Clausula IV) (2011) for solo cell
Violoncelle
Cello Solo - Digital Download SKU: A0.775951 Composed by Carson Cooman. Contemporar…
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Cello Solo - Digital Download SKU: A0.775951 Composed by Carson Cooman. Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2033561. Published by Musik Fabrik Music Publishing (A0.775951). Actaeon (Clausula IV) (2011) for solo cello was written for Diana Golden. It is the fourth work in a set of brief solo cello pieces that all explore the same musical material from different perspectives. Clausula (noun, Latin) – an ornamented cadence especially in early Renaissance music The work is flexible and lyric-gradually expanding and contracting its basic musical material within a passionate discourse. The Greek myth of Actaeon has numerous variants. In the most well known version (as told by the poet Kallimachos/Καλλίμαχος), the goddess Artemis was bathing in the forest when the hunter Actaeon mistakenly came across her. Transfixed by her supernal beauty, he gaped, whereupon the goddess transformed him into a stag, lest he speak to anyone of what he had seen. The now-cervine Actaeon was then torn to pieces by his hunting dogs. This piece does not attempt to portray the myth programmatically. Rather, it explores musically the transformed Actaeon’s internal emotional state following his encounter with the goddess.
$7.75
7.06 €
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Violoncelle
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Carson Cooman
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Carson Cooman - Actaeon
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Musik Fabrik Music Publishing
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SheetMusicPlus
PERFIL DEL ÁNIMA, Op. 86, for solo cello
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.1029293 Composed by CÉSAR CANO.…
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Cello Solo - Level 4 - Digital Download SKU: A0.1029293 Composed by CÉSAR CANO. Contemporary,World. Individual part. 16 pages. POLYHYMNIA Ediciones musicales #4799037. Published by POLYHYMNIA Ediciones musicales (A0.1029293). Perfil del ánima (Profile of the anima), Op. 86 is a solo cello piece written in a single movement. It is part of the series of PROFILES that I am composing since 2002 for solo instruments. The anima is a concept expounded by C.G. Jung in his book The Man and his Symbols. It is a personification of all female psychological tendencies in the psyche of a man, such as vague feelings and moods, prophetic forebodings, receptivity to the irrational, personal capacity for love, love of nature and, very importantly, his relationship with the unconscious. It is best perceived in dreams. If the dreamer is a man, he will discover a female personification of his unconscious. If it is a woman, it will be a male figure. Jung named them respectively anima and animus. My work has some quotes that evoke the anima, as a fragment of the 2nd movement of Mahler's 5th Symphony, which he wrote under the fascination of Alma Schindler, his future wife. Another citation is a motif of Dvořák’s opera Rusalka, an elf from Slavic mythology, which usually lives in a lake or river. Rusalka is an ancient fairy-tale figure, already appearing in literature in 1387. Her longing is to become a human being and to love as an earthly woman, even at the price of suffering and death. My piece evokes this inner and unconscious dialogue between the masculine and feminine in all of us, represented by the cello’s low and high registers. The use of many and varied instrumental resources (chords, microtones, harmonics, timbral variations, complex rhythms, tremolos, glissandi, pizzicati, etc.), together with its broadness and thematic complexity, make Profile of the anima a demanding work for the soloist. I finished its composition on December 21th, 2016. It is dedicated to Rafał Jezierski, who performed its world premiere on February 14th, 2017, in the Auditorium of the Museum of Fine Arts of Valencia, within the cycle of concerts organized by the Royal Academy of Fine Arts of San Carlos.
$4.99
4.54 €
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Violoncelle
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CÉSAR CANO
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PERFIL DEL ÁNIMA, Op. 86, for solo cello
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POLYHYMNIA Ediciones musicales
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SheetMusicPlus
St. Peter's Suite for Solo Cello
Violoncelle
Cello Solo - Level 5 - Digital Download SKU: A0.1478153 By Diana Mascari. By Diana …
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Cello Solo - Level 5 - Digital Download SKU: A0.1478153 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Chamber,Classical,Jazz. Individual part. 12 pages. Diana Mascari Music #1055550. Published by Diana Mascari Music (A0.1478153). St. Peter's Suite for Solo Cello was commissioned by cellist Myron Schwager. Dr. Schwager has been my music professor while I was an undergraduate. However, at the time he was on the faculty of Hartt College of Music in Hartford Connecticut. As a result, the premiere took place in Hartford in St.Peter's Catholic Church. Knowing this ahead of time, I found the hymn tune: ST PETER in my Presbyterian hymnal. (The words often used with this tune are In Christ There Is No East or West). In keeping with this hymn tune, I composed each movement using a section of the melody as a motive. This piece was very well received and has been performed subsequently.I composed St. Peter's Suite for Solo Cello in 2001 and its duration is 13 minutes.The four movements are:I. TangoII. LamentIII. SwingIV. Chorale and ChacconeFor further information visit www.dianamascari.com.
$9.95
9.06 €
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Violoncelle
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Diana Mascari
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Diana Mascari
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St. Peter's Suite for Solo Cello
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Diana Mascari Music
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SheetMusicPlus
Oseh Shalom (Cello & Piano) - He Who Makes Peace
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.861003 Composed by David S. Abramsk…
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Cello Solo - Level 4 - Digital Download SKU: A0.861003 Composed by David S. Abramsky. Contemporary,Hanukkah,Jewish,Wedding. Individual part. 6 pages. David S. Abramsky #4784127. Published by David S. Abramsky (A0.861003). Calming soothing hopeful how beautiful! -- words used by recent listeners to this new and lovely melody--a new setting of the cherished Oseh Shalom Jewish liturgical prayer for peace. In this arrangement, the cello is the voice. The music has a simple, processional-like theme. As the music walks faithfully forward, it gives hope to the listener--a hope for a future peace that only God can provide.
$2.50
2.28 €
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Violoncelle
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David S
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Oseh Shalom
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David S. Abramsky
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SheetMusicPlus
Grande Sonata for Cello and Piano, Opus 147 - Cello
Violoncelle
Cello - Digital Download SKU: BQ.979-0-50179-126-2 Composed by Carl Gottlieb Reissi…
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Cello - Digital Download SKU: BQ.979-0-50179-126-2 Composed by Carl Gottlieb Reissiger. Edited by Nicolas Di Paolo. This edition: softcover. Bisel Classics. Part. With Text Language: English / German. Opus 147. 28 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-126-2). ISBN 9790501791262.Although Reissiger is best remembered as a composer of opera, he wrote over 200 works in the genres of sacred music, chamber music and music for the theatre. He was acclaimed during his lifetime, but his star waned after his death, eclipsed by more stellar musical personalities such as his great rival, Wagner. Reissiger's Grande Sonata is a mature work that recalls the Classical form at its most elegant and merits the attention of any cellist seeking a satisfying concert work.
$12.95
11.79 €
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Violoncelle
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Carl Gottlieb Reissiger
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Grande Sonata for Cello and Piano, Opus 147 - Cello
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Bisel Classics - Digital
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SheetMusicPlus
Hymns for Beginner Cello
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.899394 Composed by Various. Arrange…
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Cello Solo - Level 1 - Digital Download SKU: A0.899394 Composed by Various. Arranged by Hannah Sheats. Children,Christian,Gospel,Sacred,Spiritual. Individual part. 32 pages. Hannah Sheats #3572371. Published by Hannah Sheats (A0.899394). Twenty-four timeless hymns, written in keys that will make playing easy for elementary students. Each piece is written with larger than average notes to make reading easy and fun for the beginner. Titles include: A Mighty Fortress, Abide With Me, All Creatures of Our God and King, All Hail the Power, Amazing Grace, Be Thou My Vision, Beneath the Cross of Jesus, Blessed Assurance, Blest Be the Tie, Christ the Lord is Risen Today, Come Thou Almighty King, Come Thou Fount, Come Ye Sinners, Fairest Lord Jesus, Faith of Our Fathers, For the Beauty of the Earth, He Leadeth Me, Holy, Holy, Holy, How Firm a Foundation, I Need Thee Every Hour, It Is Well, Leaning On the Everlasting Arms, Love Divine All Loves Excelling, Man of Sorrows, My Hope is Built On Nothing Less, Nearer My God, to Thee, O Worship the King, This is My Father's World.
$14.99
13.65 €
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Violoncelle
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Various
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Hannah Sheats
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Hymns for Beginner Cello
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Hannah Sheats
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SheetMusicPlus
He's A Pirate
Violoncelle
Cello Solo - Level 2 - Digital Download SKU: A0.1451431 Composed by Geoffrey Zanell…
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Cello Solo - Level 2 - Digital Download SKU: A0.1451431 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Benzaiten Editions. 21st Century,Contemporary,Film/TV,Pop. Individual part. 2 pages. Benzaiten Editions #1030809. Published by Benzaiten Editions (A0.1451431). Hey there, music enthusiast! Ready to dive into the thrilling melodies of Klaus Badelt's iconic He's a Pirate from the Pirates of the Caribbean soundtrack? Let the adventure unfold with our sheet music edition! 🎵Klaus Badelt / Hans Zimmer / Geoffrey Zanelli • He's a Pirate | Pirates of the Caribbean | cello sheet music About 'He's a Pirate' • Pirates of the Caribbean He's a Pirate by Klaus Badelt is an exhilarating masterpiece from the Pirates of the Caribbean soundtrack. Its dynamic energy and adventurous spirit have made it a beloved favorite, capturing the essence of swashbuckling excitement and epic high seas adventure.Perfect for recitals, performances, and anyone looking to add a touch of cinematic excitement to their repertoire, this arrangement brings the thrilling world of pirates to your fingertips. Whether you're a fan of the movies or simply love a good adventure, this piece is sure to inspire and entertain.
$4.99
4.54 €
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Violoncelle
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Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt
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Benzaiten Editions
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He's A Pirate
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Benzaiten Editions
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SheetMusicPlus
He's A Pirate
Violoncelle
Cello Solo - Level 2 - Digital Download SKU: A0.1451432 Composed by Geoffrey Zanell…
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Cello Solo - Level 2 - Digital Download SKU: A0.1451432 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Benzaiten Editions. 21st Century,Contemporary,Film/TV,Pop. Individual part. 2 pages. Benzaiten Editions #1030810. Published by Benzaiten Editions (A0.1451432). Hey there, music enthusiast! Ready to dive into the thrilling melodies of Klaus Badelt's iconic He's a Pirate from the Pirates of the Caribbean soundtrack? Let the adventure unfold with our sheet music edition! 🎵Klaus Badelt / Hans Zimmer / Geoffrey Zanelli • He's a Pirate | Pirates of the Caribbean | cello sheet music [chords] About 'He's a Pirate' • Pirates of the Caribbean He's a Pirate by Klaus Badelt is an exhilarating masterpiece from the Pirates of the Caribbean soundtrack. Its dynamic energy and adventurous spirit have made it a beloved favorite, capturing the essence of swashbuckling excitement and epic high seas adventure.Perfect for recitals, performances, and anyone looking to add a touch of cinematic excitement to their repertoire, this arrangement brings the thrilling world of pirates to your fingertips. Whether you're a fan of the movies or simply love a good adventure, this piece is sure to inspire and entertain.
$4.99
4.54 €
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Violoncelle
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Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt
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Benzaiten Editions
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He's A Pirate
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Benzaiten Editions
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SheetMusicPlus
He Touched Me
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.877491 Composed by Bill Gaither. Ar…
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Cello Solo - Level 1 - Digital Download SKU: A0.877491 Composed by Bill Gaither. Arranged by Josiel Oliveira. Christmas,Praise & Worship,Spiritual. Individual part. 2 pages. M das Melodias #483889. Published by M das Melodias (A0.877491). Music sheet music He touched me for Cello. Easy level. Much touched music in the gospel world. Excellent praise to God. Worship. Music for group of praise. Group of worship to God. Shackled by a heavy burden 'Neath a load of guilt and shame Then the hand of Jesus touched me And now I am no longer the same He touched me, oh, He touched me And oh, the joy that floods my soul Something happened, and now I know He touched me, and made me whole Since I've met this blessed Savior Since He's cleansed and made me whole Oh, I will never cease to praise Him (to praise Him) I'll shout it while eternity rolls Oh, He touched me, oh He touched me, He touched me And oh, the joy that floods my soul Something happened and now I know He touched me and made me whole.
$5.00
4.55 €
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Violoncelle
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Bill Gaither
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Josiel Oliveira
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He Touched Me
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M das Melodias
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SheetMusicPlus
Sea Dances for solo 'Cello
Violoncelle
Cello - Digital Download SKU: A0.1071462 Composed by Richard Roderick Jones. Contem…
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Cello - Digital Download SKU: A0.1071462 Composed by Richard Roderick Jones. Contemporary. Full Performance. Duration 755. Jacominus Publishing #3604701. Published by Jacominus Publishing (A0.1071462). Sea Dances for solo 'Cello played by Richard Jenkinson. 12:35 minutesSea Dances is cast in two movements, each in two sections. In the first movement, 'Allegretto - pochissimo piu mosso' the two sections are similar in tempo although the second section is a little more agitated. In the second movement, 'Lento - Brioso' the tempo contrasts are far greater.The piece was written in Charmouth, Dorset. While it doesn't attempt to portray images directly connected with the Dorset coastline, the location of its composition has a natural link with the sea and the atmosphere in Dorset.The piece was commissioned by the Department for Continuing Education at Cardiff University and written for Richard Jenkinson who gave its first performance in South Wales (UK) in 1998. He has held principal cello posts with the Irish Chamber Orchestra and the City of Birmingham Symphony Orchestra.This recording was made in 2014. www.richardroderickjones.com .
$4.00
3.64 €
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Violoncelle
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Richard Roderick Jones
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Sea Dances for solo 'Cello
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Jacominus Publishing
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SheetMusicPlus
Rollick & Romp for solo cello
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.787226 Composed by Greg Bartholomew…
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Cello Solo - Level 4 - Digital Download SKU: A0.787226 Composed by Greg Bartholomew. 20th Century,Contemporary. Individual part. 4 pages. Burke & Bagley #17131. Published by Burke & Bagley (A0.787226). Rollick & Romp is a light-heartened antic adventure that reminds me of our cat, Teddy, who loves to play very athletically, chasing his toys and running from room to room, jumping in amazing leaps, and then pausing with feinted indifference until he slinks back to pounce again. Originally written for solo clarinet, an adaptation for solo cello was made in 2012 for cellist Suzanne Mueller, who gave the premiere performance at the Old Westbury Gardens on July 15, 2012. Mueller has also recorded the cello solo for mid-2013 release on her 2013 CD of works for solo cello, Solitaire.
$4.50
4.1 €
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Violoncelle
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Greg Bartholomew
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Rollick & Romp for solo cello
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Burke & Bagley
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SheetMusicPlus
Ravel: Pavane pour une infante défunte (for Cello Solo)
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.871358 Composed by Maurice Ravel. A…
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Cello Solo - Level 4 - Digital Download SKU: A0.871358 Composed by Maurice Ravel. Arranged by Clara Obsidian. 20th Century. Individual part. 4 pages. Clara Obsidian #5773175. Published by Clara Obsidian (A0.871358). Written in 1899, Pavane for a Dead Princess was originally a work written by Maurice Ravel while he was still studying under Gabriel Faure. It was later adapted for Orchestra in 1910.Transcribed for Solo Cello, the piece remains nostalgic and emotional.Suitable for Recitals, performances, gigs or just lesson repertoire building.
$3.99
3.63 €
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Violoncelle
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Maurice Ravel
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Clara Obsidian
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Ravel: Pavane pour une infante défunte
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Clara Obsidian
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SheetMusicPlus
Christ Arose (He Arose) - Cello Solo (with chords)
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.1196169 Composed by Robert Lowry. A…
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Cello Solo - Level 1 - Digital Download SKU: A0.1196169 Composed by Robert Lowry. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Religious,Spiritual. Individual part. 1 pages. Valdir Maia #795325. Published by Valdir Maia (A0.1196169). Christ Arose (He Arose) for cello solo with chords..If you're looking for easy sheet music for the Easter hymn Christ Arose (also known as He Arose), look no further! Our collection of cello and piano arrangements makes it easy to bring this timeless classic to life in your Easter service..Our sheet music arrangements are designed to make it easy for even beginner-level musicians to play and sing this hymn. With simplified piano accompaniments and clear, you'll be able to lead your congregation in a beautiful and moving rendition of Christ Arose..
$1.99
1.81 €
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Violoncelle
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Robert Lowry
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Valdir Maia
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Christ Arose
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Valdir Maia
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SheetMusicPlus
Suite for Solo Cello (2014)
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.869349 Composed by Thomas Oboe Lee.…
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Cello Solo - Level 4 - Digital Download SKU: A0.869349 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 20 pages. Thomas Oboe Lee #13481. Published by Thomas Oboe Lee (A0.869349). Program note: I met Jan Müller-Szeraws through Andrés DÃaz back in the 80’s … Since then Jan has participated in a number of performances of my work, including my String Quartet No. 12 … The Seasons (2010). Most recently he premiered with colleagues in the Boston area my piano quintet, Pq2 … (2014). Suite for Solo Cello (2014) is dedicated to him. My work is modeled after JS Bach’s Six Suites for Unaccompanied Violoncello. The sequence of movements in my Suite is similar to that Bach’s … 1. Fantasia … Moderato 2. Allemande … Allegro 3. Courante … Allegretto 4. Sarabande … Adagio 5. Minuet … Allegretto 6. Arioso … Adagio 7. Gigue … Presto Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/suite-for-solo-cello-2014.
$9.99
9.1 €
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Violoncelle
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Thomas Oboe Lee
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Suite for Solo Cello
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Thomas Oboe Lee
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SheetMusicPlus
Marble Halls for cello and piano
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.531034 Composed by M. Balfe. Arrang…
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Cello Solo - Level 3 - Digital Download SKU: A0.531034 Composed by M. Balfe. Arranged by Klas Krantz. Classical,Romantic Period,Wedding. Individual part. 4 pages. Amadeus Music #2028431. Published by Amadeus Music (A0.531034). Michael Balfe (1808 – 1870) was an Irish composer, best-remembered for his opera The Bohemian Girl. After a short career as a violinist, Balfe pursued an operatic singing career, while he began to compose. In a career spanning more than 40 years, he composed 38 operas, almost 250 songs and other works. He was also a noted conductor, directing Italian Opera at Her Majesty's Theatre for seven years, among other conducting posts.
$3.95
3.6 €
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Violoncelle
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M
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Klas Krantz
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Marble Halls for cello and piano
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Amadeus Music
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SheetMusicPlus
Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
Violoncelle
Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 …
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Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications
Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982
$25.00
22.76 €
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Violoncelle
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Jean Daniel Braun
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Adam Riggs
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Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
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AR Publications
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SheetMusicPlus
Rondo for Cello and Piano, Opus 2 - Cello Part
Violoncelle
Cello - Digital Download SKU: BQ.979-0-50179-205-4 Composed by Jan Vaclav Hugo Vori…
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Cello - Digital Download SKU: BQ.979-0-50179-205-4 Composed by Jan Vaclav Hugo Vorisek. Edited by Slavy Dimoff. This edition: softcover. Bisel Classics. Part. With Text Language: English / German. Opus 2. 22 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-205-4). ISBN 9790501792054.The Rondo op. 2 was composed in a phase in Vorisek's life, when everything indicated, that his career as musician and composer was going to be outstanding. He had been newly appointed first conductor of the recently founded ''Musikverein'' and stood at the center of the development of that kind of chamber-music euphoria that defined Viennese music culture of the period. As a pianistic bravura piece the composition invites to join in for a feast of chamber music, optionally with violin or cello as partner. The vocal-like coloratura passages of the theme bring in an atmosphere of ''Italianita'', inspired by a famous ''Arietta da camera'', the Bolero of Gaetano Piantanida, that was often performed in music salons of Vienna.
$16.95
15.43 €
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Violoncelle
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Jan Vaclav Hugo Vorisek
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Rondo for Cello and Piano, Opus 2 - Cello Part
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Bisel Classics - Digital
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SheetMusicPlus
Columbine Polka Mazurka for cello and piano
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.531041 Composed by H.C. Lumbye (181…
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Cello Solo - Level 3 - Digital Download SKU: A0.531041 Composed by H.C. Lumbye (1810-74). Arranged by Klas Krantz. Concert,Romantic Period. Individual part. 7 pages. Amadeus Music #2028441. Published by Amadeus Music (A0.531041). Hans Christian Lumbye (1810-1874), Danish composer and conductor. Lumbye was one of the most important names in danish 19th century music. He created the kind of light entertainment musical tradition, which is now associated with Tivoli in Copenhagen. He was chief conductor and leader of the Tivoli Symphony Orchestra between 1843 to 1872. As a composer he was influenced by viennese music and especially by Strauss. Lumbye composed over 600 pieces, many of them are typical of its time (polkas, marches, waltzes).
$4.95
4.51 €
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Violoncelle
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Klas Krantz
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Columbine Polka Mazurka for cello and piano
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Amadeus Music
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SheetMusicPlus
Scion of Eisenach - for solo cello
Violoncelle
Cello Solo - Digital Download SKU: A0.560235 Composed by Samuel Stokes. 20th Centur…
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Cello Solo - Digital Download SKU: A0.560235 Composed by Samuel Stokes. 20th Century,Contemporary. Individual part. 1 pages. SamuelStokesMusic.com #53487. Published by SamuelStokesMusic.com (A0.560235). This is a solo cello piece, which was premiered by professional cellist Maksim Velichkin at The Brand Library & Art Center in Glendale, California on May 4, 2014. He then performed it in several other venues throughout the Los Angeles area. The piece is based on the B-A-C-H motive and is inspired by the Bach solo cello suites. Learn more about Samuel Stokes at http://www.SamuelStokesMusic.com
$1.99
1.81 €
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Violoncelle
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Samuel Stokes
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Scion of Eisenach - for solo cello
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SamuelStokesMusic.com
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SheetMusicPlus
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