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TRI ET FILTRES
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If My People
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1
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. I…
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Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Violoncelle
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
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Slide Ride
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SheetMusicPlus
Easy Cello Solos - Student Edition
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.812889 Composed by Adrianus Valeriu…
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Cello Solo - Level 1 - Digital Download SKU: A0.812889 Composed by Adrianus Valerius, Folklore, Folliott S. Pierpoint, Franz Lehar, Franz Schubert, Franz Xaver Gruber, Johannes Brahms, John Newton, and Traditional. Arranged by Yellow Cello Music. Celtic,Christian,Folk,Romantic Period,Standards. Individual part. 27 pages. Sheryl Smith #4981963. Published by Sheryl Smith (A0.812889). Includes 15 songs for the beginner cellist. Specially created for students using Suzuki and similar methods. For students who play in first position only, and for those beginning to learn shifting.What makes this book special? It includes:1. Pieces in the low register of the cello. Beginner books often focus on the A and D strings. 2. More lyrical pieces, meaning more song-like, more Romantic than Baroque style. 3. A teacher accompaniment part (teacher edition only). The students find it enjoyable, and it teaches them how important it is to listen and to play in time, in tune, and with dynamics. Can also be used for recitals.4. Familiar tunes. What is familiar to one person is unknown to others, but I tried to put in pieces that many people would be familiar with.5. Shifting with familiar tunes. When I was a student, I found it easier to learn a shift if the piece was familiar. My ear knew where to go. I have included a few pieces with two versions: first position and shifting . The student can learn the first position version and then be able to learn shifting with a familiar tune.6. There is plenty of empty space on the pages for teachers to add markings.7. Created by a cello teacher for cellists. Not adapted from another instrument. Tested by real students.
$9.99
9.1 €
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Violoncelle
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Adrianus Valerius, Folklore, Folliott S
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Yellow Cello Music
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Easy Cello Solos - Student Edition
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Sheryl Smith
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SheetMusicPlus
The CelloWay 1
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.1095693 Composed by Julie Munkholm …
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Cello Solo - Level 1 - Digital Download SKU: A0.1095693 Composed by Julie Munkholm Bruun. Blues,Classical,Rock. Individual part. 41 pages. Julie Munkholm Bruun #699675. Published by Julie Munkholm Bruun (A0.1095693). There's a new cello lesson book on the market! In this book I've turned the normal way of learning to play the cello upside down. With a little bit of creativity, and a lot of knowledge and understanding about how the instrument works - and how students learn - I have created this book. I hope you will love it just as much as I do, and that it will help you build a good foundation for your cello playing. FROM THE INTRODUCTION: This lesson book was created with a new perspective in mind. My hope is, that this way of learning, will make it easier to learn to play the cello. I have chosen to include a few chapters in the beginning of the book, where you will play on open strings. That will help you establish a good, basic understanding for how the cello should sound. It will also give you the opportunity to build up strength in the left hand slowly – and concentrate on getting a good, basic bowing technique. I have included small chapters with music theory, that I find important in order to understand how the instrument works. The cello doesn't have any keys or frets to help you play in tune, so knowing a few tips and tricks will help you tremendously. As opposed to most cello lesson books, the first finger you will learn to use here is the 4th finger. The 4th finger is your little finger and usually the least strong finger of them all. Starting with 4th finger has 2 very important advantages: • When you use the 4th finger – especially in the beginning – you will use the other 3 fingers to help push the string down into the fingerboard. That will help you establish a good, healthy hand position for the left hand. And when you start with 4th finger, using the other 3 fingers will feel so easy! • 4th finger in the first position is the same note (an octave higher) as the open string below. It gives you the opportunity to use the open string to know if you play in tune. Once you have gone through this book you should be able to play with the bow, by plucking the strings (pizzicato) and use 1st, 3rd and 4th finger on the left hand. That means that you should be able to play songs in G Major and D Major in one octave. The last few chapters include duets for two cellos. I have chosen to include the duets to make it more fun to play and to start developing the students ability play chamber music. It is wonderful to be able to play an instrument, and playing with other people adds an extra dimension to that. Love, live, play! Julie.
$12.00
10.93 €
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Violoncelle
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Julie Munkholm Bruun
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The CelloWay 1
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Julie Munkholm Bruun
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SheetMusicPlus
Easy Cello Solos - Large Print Student Edition
Violoncelle
Cello - Easy/Beginner - Digital Download Composed by Traditional, John Newton, Follio…
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Cello - Easy/Beginner - Digital Download Composed by Traditional, John Newton, Folliott S. Pierpoint, Franz Lehar, Franz Xaver Gruber, Adrianus Valerius, Johannes Brahms, Franz Schubert,. Arranged by Sheryl Smith, Yellow Cello Music. Romantic Period, Christian, Folk, Celtic, Children's Music. Solo Part. 40 pages. Published by Yellow Cello Music
A book of solos for cello. Includes 15 songs (Celtic tunes, classical themes, folk melodies) for the beginner cellist. Created for students using Suzuki and similar methods. For students who play in first position only, and for those beginning to learn shifting.What makes this book special?<br> It includes:<br> 1. Pieces in the low register of the cello. Beginner books often focus on the A and D strings.<br> 2. More lyrical pieces, meaning more song-like, more Romantic than Baroque style.<br> 3. A teacher accompaniment part. The students find it enjoyable, and it teaches them how important it is to listen and to play in time, in tune, and with dynamics. Can also be used for recitals.<br> 4. Familiar tunes. What is familiar to one person is unknown to others, but I tried to put in pieces that many people would be familiar with.<br> 5. Shifting with familiar tunes. When I was a student, I found it easier to learn a shift if the piece was familiar. My ear knew where to go. I have included a few pieces with two versions: first position and shifting . The student can learn the first position version and then be able to learn shifting with a familiar tune.<br> 6. There is plenty of empty space on the pages for teachers to add markings.A book of solos for cello. Includes 15 songs (Celtic tunes, classical themes, folk melodies) for the beginner cellist. Created for students using Suzuki and similar methods. For students who play in first position only, and for those beginning to learn shifting.What makes this book special?<br> It includes:<br> 1. Pieces in the low register of the cello. Beginner books often focus on the A and D strings.<br> 2. More lyrical pieces, meaning more song-like, more Romantic than Baroque style.<br> 3. A teacher accompaniment part. The students find it enjoyable, and it teaches them how important it is to listen and to play in time, in tune, and with dynamics. Can also be used for recitals.<br> 4. Familiar tunes. What is familiar to one person is unknown to others, but I tried to put in pieces that many people would be familiar with.<br> 5. Shifting with familiar tunes. When I was a student, I found it easier to learn a shift if the piece was familiar. My ear knew where to go. I have included a few pieces with two versions: first position and shifting . The student can learn the first position version and then be able to learn shifting with a familiar tune.<br> 6. There is plenty of empty space on the pages for teachers to add markings.
$8.99
8.19 €
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Violoncelle
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Traditional, John Newton, Folliott S
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Easy Cello Solos - Large Print Student Edition
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Yellow Cello Music
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SheetMusicPlus
Easy Cello Solos - Teacher Edition (with cello accompaniment)
Violoncelle
Cello - Digital Download Composed by Traditional, Folklore, John Newton, Folliott S. …
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Cello - Digital Download Composed by Traditional, Folklore, John Newton, Folliott S. Pierpoint, Franz Lehar, Franz Xaver Gruber, Adrianus Valerius, Johannes Brahms, Franz Schubert. Arranged by Yellow Cello Music. Romantic Period, Christian, Repertoire, Folk, Celtic. 31 pages. Published by Yellow Cello Music
Includes 15 pieces for the beginner cellist.Specially created for students using Suzuki and similar methods. For studentswho play in first position only, and for those beginning to learn shifting.<br> What makes this book special? It includes:<br> 1. Pieces in the low register of the cello. Beginner booksoften focus on the A and D strings.<br> 2. More lyrical pieces, meaning more song-like, more Romanticthan Baroque style.<br> 3. A teacher accompaniment part (teacher edition only). Thestudents find it enjoyable, and it teaches them how important it is to listenand to play in time, in tune, and with dynamics. Can also be used for recitals.<br> 4. Familiar tunes. What is familiar to one person is unknownto others, but I tried to put in pieces that many people would be familiar with.<br> 5. Shifting with familiar tunes. When I was a student, Ifound it easier to learn a shift if the piece was familiar. My ear knew whereto go. I have included a few pieces with two versions: first position andshifting . The student can learn the first position version and then be able tolearn shifting with a familiar tune.<br> 6. There is plenty of empty space on the pages for teachersto add markings.<br> 7. Created by a cello teacher for cellists. Not adaptedfrom another instrument. Tested by real students.Includes 15 pieces for the beginner cellist.Specially created for students using Suzuki and similar methods. For studentswho play in first position only, and for those beginning to learn shifting.<br> What makes this book special? It includes:<br> 1. Pieces in the low register of the cello. Beginner booksoften focus on the A and D strings.<br> 2. More lyrical pieces, meaning more song-like, more Romanticthan Baroque style.<br> 3. A teacher accompaniment part (teacher edition only). Thestudents find it enjoyable, and it teaches them how important it is to listenand to play in time, in tune, and with dynamics. Can also be used for recitals.<br> 4. Familiar tunes. What is familiar to one person is unknownto others, but I tried to put in pieces that many people would be familiar with.<br> 5. Shifting with familiar tunes. When I was a student, Ifound it easier to learn a shift if the piece was familiar. My ear knew whereto go. I have included a few pieces with two versions: first position andshifting . The student can learn the first position version and then be able tolearn shifting with a familiar tune.<br> 6. There is plenty of empty space on the pages for teachersto add markings.<br> 7. Created by a cello teacher for cellists. Not adaptedfrom another instrument. Tested by real students.
$9.99
9.1 €
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Violoncelle
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Traditional, Folklore, John Newton, Folliott S
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Yellow Cello Music
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Easy Cello Solos - Teacher Edition
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SheetMusicPlus
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