The ever popular Cello Suite no. 1 in G major by J.S. Bach.

This is a guide for fingering, shifting and suggested bowings.

Labels Movements
No colour - 1st Position I: Prelude
Purple - 1/2 Position II: Allemande
Blue - 2nd Position III: Courante
Beige - 3rd Position IV: Sarabande
Green - 4th Position V: Menuet I, Menuet II
VI: Gigue

While one can argue that there are multiple fingerings, these are the fingering compiled based on various cellists and is the most beginner friendly, using only the basic 4 positions.

"Prelude / Coloured Fingering Guide" is also available as a standalone purchase.

This volume gradually introduces the most important thumb techniques:

At first, the 4 finger patterns in thumb position are introduced systematically. The thumb first remains placed over the octave harmonics. Later, other thumb positions are added. At the end of the volume, the change from one thumb position to the other and the octave parallels are practised.

In order that the student does not miss out on the fun, each topic comes with 'tailor-made' pieces and arrangements of the author from classical, folk, rock, and jazz music. Many pieces also come with piano parts and mp3s for download. The programme is completed by many examples from the classical cello literature.

The author recommends using the comprehensive material in various ways. The order can be changed without any problems. Chapters or difficult passages can be skipped and practised later. This volume should be used over a longer period, yet can be occasionally laid aside for a while.

Ideal to complement, for example, Gabriel Koeppen's cello method (Schott, volume 1: ED 20841) or any other textbook.

Here are 2 different arrangements inspired by Wednesday Addams\\\\\\\\\\\\\\\' Paint It Black in the popular Netflix show \\\\\\\\\\\\\\\"Wednesday\\\\\\\\\\\\\\\". One version is for beginner, and the other one is the full complete version for advanced beginers to intermediate. Download the digital pdf sheet music now! You can see the entire tutorial of this Paint it Black cello cover on my youtube channel: YouTube.com/WendyLaw.

The combination of musical melancholy and instrumental virtuosity captivates both players and audience alike. 'Flamenco' comes from the Suite espagnole No. 1 by the rather unknown Spanish composer Rogelio Huguet y Tagell. Originally intended as a piano trio, the suite was eventually composed for violoncello solo. This fact certainly explains the numerous double stops and chord structures running through the entire piece, thus giving it a sonorous sound. Entire pizzicato passages are reminiscent of flamenco guitar sounds and lyrically lamenting passages in the middle section emphasize the typical flamenco character.