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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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410
PIANO & CLAVIERS
Piano seul
1007
Piano Facile
78
2 Pianos, 4 mains
45
Piano, Voix
36
Orgue
32
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13
Clavecin
12
Orgue, Piano (duo)
9
Accordéon
7
1 Piano, 4 mains
5
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4
Piano Trio: piano, violon, violoncelle
2
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1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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GUITARES
Piano, Guitare (duo)
110
Guitare
55
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21
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18
Basse electrique
3
Ligne De Mélodie, (Paroles) et Accords
3
4 Guitares (Quatuor)
3
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2
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2
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1
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1
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1
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VOIX
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68
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32
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13
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7
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5
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2
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2
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1
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1
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1
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VENTS
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199
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173
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142
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130
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64
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61
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47
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42
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24
Flûte traversière
23
Hautbois (partie séparée)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
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16
Quatuor de Saxophones: 4 saxophones
14
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11
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11
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10
3 Saxophones (trio)
8
Trio de Flûtes: 3 flûtes
8
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8
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8
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7
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6
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5
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4
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4
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4
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4
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4
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3
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3
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1
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1
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1
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Cor Anglais
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Saxophone
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Saxophone et violoncelle
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Flûte, Hautbois, Piano (trio)
1
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Piccolo
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Trombone et Piano
142
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85
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64
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19
Trombone
19
Trompette (partie séparée)
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
2 Trompettes (duo)
10
Cor
8
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7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
2 Trombones (duo)
5
Trompette, Trombone (duo)
5
3 Trombones (trio)
5
Quatuor de Cuivres
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Cor, Tuba (duo)
3
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Tuba (partie séparée)
2
Trompette, Tuba (duo)
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Euphonium, Piano (duo)
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Cor (partie séparée)
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2 Cors (duo)
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Cor Anglais
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Trompette, Cor (duo)
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3 Euphoniums
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Cor anglais, Piano
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Tuba
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2 Euphoniums et 2 Tubas
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Cor et Piano
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CORDES
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168
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Violon, Violoncelle (duo)
73
2 Violoncelles (duo)
53
Violon, Alto (duo)
38
Violon
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Trio à Cordes: violon, alto, violoncelle
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Violoncelle (partie séparée)
19
Violoncelle et Marimba
15
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15
Alto (partie séparée)
10
Alto seul
9
Contrebasse (partie séparée)
5
2 Altos (duo)
5
Violon (partie séparée)
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Harpe
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Trio à Cordes: 3 violoncelles
4
Violoncelle
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Alto, Violoncelle (duo)
3
Trio à Cordes: 2 violons, violoncelle
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Alto et Basson
2
Violon, Guitare (duo)
2
4 Violoncelles
2
Contre Basse
2
Alto, Guitare (duo)
1
2 Harpes (duo)
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Orgue
1
Harpe, Flûte (duo)
1
Violoncelle, Contrebasse (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
88
Orchestre à Cordes
27
Orchestre
26
Marimba
15
2 Marimbas
15
Ensemble de cuivres
11
Orchestre de chambre
9
Ensemble Jazz
6
Percussion
3
Jazz combo
2
Cloches
2
Percussion (partie séparée)
2
Ensemble de Percussions
2
Batterie
2
Vibraphone
1
Vibraphone et Marimba
1
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AUTRES
Formation musicale - Solfège
2
Vous avez sélectionné:
Invent
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Five Inventions
Violoncelle
Cello - difficult - Digital Download SKU: S9.Q47694 Composed by Dieter Schnebel. Th…
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Cello - difficult - Digital Download SKU: S9.Q47694 Composed by Dieter Schnebel. This edition: Sheet music. Downloadable. Duration 10 minutes. Schott Music - Digital #Q47694. Published by Schott Music - Digital (S9.Q47694).
$22.99
21.11 €
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Violoncelle
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Dieter Schnebel
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Five Inventions
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Schott Music - Digital
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
Violoncelle
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by…
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Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.04 €
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Violoncelle
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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jmsgu3
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SheetMusicPlus
Frei, aber einsam
Violoncelle
Cello - advanced to difficult - Digital Download SKU: S9.Q46710 Invention for vi…
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Cello - advanced to difficult - Digital Download SKU: S9.Q46710 Invention for violoncello solo. Composed by Olli Mustonen. This edition: Sheet music. Cello Library. Downloadable. Duration 4 minutes. Schott Music - Digital #Q46710. Published by Schott Music - Digital (S9.Q46710). Commissioned by the Concertgebouw Brügge and the London Wigmore Hall, this work was written in 2014. It is dedicated by Olli Mustonen to the outstanding British cellist Steven Isserlis who also performed the world premiere. With its frequent, surprising changes of tempo, yet steady note values, the music of this short invention hints at the title of the work.
$7.99
7.34 €
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Violoncelle
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Olli Mustonen
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Frei, aber einsam
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Schott Music - Digital
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SheetMusicPlus
Next to Normal: A Choral Medley: Cello
Violoncelle
Cello - Digital Download SKU: AX.00-PC-0015751_VC1 Cello. Arranged by Lisa D…
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Cello - Digital Download SKU: AX.00-PC-0015751_VC1 Cello. Arranged by Lisa DeSpain. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015751_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015751_VC1). UPC: 038081360447.Next to Normal is a thrilling, groundbreaking, Tony Award -winning musical, and definitely one of the most talked about Broadway productions of our time. This 5-minute medley captures the inventive spirit and powerhouse music of the show.Inst. Parts Available (choral); Recorded Acc. Available.
$9.00
8.27 €
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Violoncelle
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Lisa DeSpain
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Recorded Acc. Available.
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Next to Normal: A Choral Medley: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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