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Tri et filtres :
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Irma Music
Violoncelle
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St. James Infirmary
Violoncelle
Cello - Digital Download SKU: A0.1273062 By Artie Shaw. By Irving Mills. Arranged b…
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Cello - Digital Download SKU: A0.1273062 By Artie Shaw. By Irving Mills. Arranged by Michael Todd Kovell. 20th Century,Blues,Chamber,Classical,Jazz. 7 pages. Phinney Music #865251. Published by Phinney Music (A0.1273062). Immerse yourself in the soulful world of blues with our mesmerizing St. James Infirmary cello trio sheet music arrangement. Crafted for three cellos, this arrangement brings a fresh and captivating twist to the classic Irving Mills composition.Key Features:Soulful Interpretation: Experience the emotional depth of blues as you explore the haunting melody and rich harmonies.Perfect for Cello Trio: Tailored to three cellos, this arrangement ensures each player has an integral role in delivering a harmonious and engaging performance.Artful Expression: Embrace the power of music to convey a compelling story through your performance.Benefits:Enchant Your Audience: Leave a lasting impression on listeners with this evocative and unique rendition of St. James Infirmary.Improve Ensemble Skills: Strengthen your cello trio's musical synergy and communication through this captivating arrangement.Target Audience:Cello Trios seeking an engaging and expressive addition to their repertoire.Music Educators looking to teach their students about blues and emotional interpretation.Music Enthusiasts eager to explore the beauty of St. James Infirmary through the mesmerizing sounds of cellos.Dive into the soulful world of blues and captivate your audience with this exceptional St. James Infirmary cello trio sheet music arrangement. Unleash the emotional power of music with your enchanting performance.
$12.99
11.97 €
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Violoncelle
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Artie Shaw
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Michael Todd Kovell
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St. James Infirmary
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Phinney Music
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SheetMusicPlus
Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
Violoncelle
Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 …
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Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications
Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982
$25.00
23.03 €
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Violoncelle
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Jean Daniel Braun
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Adam Riggs
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Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
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AR Publications
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SheetMusicPlus
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