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It's Corn
Non classifié
458
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46
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21
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7
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3
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1
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1
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8
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6
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4
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1
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1
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21
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8
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5
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2
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1
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1
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1
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1
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1
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1
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1
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1
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26
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13
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13
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12
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11
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9
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5
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1
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22
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7
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5
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4
Violon
3
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1
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1
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1
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1
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1
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1
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85
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30
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14
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1
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Vous avez sélectionné:
It's Corn
Violoncelle
Partitions à imprimer
2 partitions trouvées
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Rooftops for 2 cellos (mp3)
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Violoncelle
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Ölveti Mátyás and MÃ
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but it was a song of the past
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Rooftops for 2 cellos
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David Warin Solomons
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SheetMusicPlus
Cello - SKU: A0.1103915 By Ölveti Mátyás and Mády-Szabó Eszter. By David Warin Solomons. Chamber,Contemporary. Full Performance. Duratio...
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Cello - SKU: A0.1103915 By Ölveti Mátyás and Mády-Szabó Eszter. By David Warin Solomons. Chamber,Contemporary. Full Performance. Duration 195. David Warin Solomons #707199. Published by David Warin Solomons (A0.1103915). Composed originally as a vocal duo as I walked one day from Denning Point in the East End of London to sing at a service at St Michael's Cornhill around 1986, this version can be played on various instruments but preferably duos of the same instrument or at least instruments of the same range. The words of the original vocal duo are: I heard a happy song on a lonely city street; but it was a song of the past. It was a song from the days when the street was a meadow path; it was a song when the flowers on the window boxes had grass for company. It was a song when the Cathedral could be seen above the rooftops. I heard a happy song on a lonely city street; but it was a song from the future: song from the days when the street will dance with children It was a song when the flowers in the window boxes will learn to sing. It was a song when the rooftops won't be seen above the clouds. I heard a happy song on a lonely city street; and it is a song of now But it is a song I will sing from the rooftops to entrance the clouds. Performed by Ölveti Mátyás and Mády-Szabó Eszter of Budapest Scoring Cellos.
$5.00
Kommos (Lamentation) / "When the World Moved On" - Violoncello
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Pub...
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Cello Solo - Level 4 - SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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