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CLARINETTE
CLAVECIN
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COR
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HARMONICA
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LUTH
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James Guthrie, ASCAP
Non classifié
587
Piano & claviers
Piano Quatuor: piano, violon, alto, violoncelle
25
Piano seul
11
Piano Trio: piano, violon, violoncelle
9
Piano Facile
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue
1
+ 1 instrumentations
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Guitares
Piano, Guitare (duo)
7
Voix
Chorale SATB
3
Vents
Flûte traversière et Piano
232
Clarinette et Piano
156
Hautbois, Piano (duo)
138
Saxophone Alto et Piano
119
Saxophone Soprano et Piano
115
Saxophone Tenor et Piano
115
Saxophone Baryton, Piano
111
Clarinette Basse, Piano
85
Cor anglais, Piano
78
2 Clarinettes (duo)
55
2 Flûtes traversières (duo)
52
2 Saxophones (duo)
49
Clarinette
48
2 Hautbois (duo)
15
Flûte, Violoncelle
10
Clarinette, Violoncelle (duo)
10
Piccolo, Piano
9
Ensemble de Flûtes
9
2 Cors Anglais Et Pianoforte
8
Hautbois, Basson (duo)
8
Quatuor de Saxophones: 4 saxophones
8
Trio de Flûtes: 3 flûtes
7
3 Clarinettes (trio)
7
Hautbois, Violoncelle
5
Ensemble de Clarinettes
5
3 Saxophones (trio)
4
Quatuor de Clarinettes: 4 clarinettes
4
Flûte, Alto (duo)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Saxophone et violoncelle
3
Flûte traversière
2
Flûte, Violon
2
Saxophone, Basson (duo)
2
Flûte, Violon et Violoncelle
2
Quatuor de Flûtes : 4 flûtes
2
Flûte à Bec, Piano
2
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Basson et Piano
1
Clarinette, Violon (duo)
1
Clarinette Basse
1
Flûte, Clarinette (duo)
1
2 Flûtes traversières, Piano
1
Saxophone Baryton
1
Hautbois et alto (duo)
1
Flûte, Hautbois (duo)
1
Saxophone Alto
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Basson (duo)
1
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Euphonium, Piano (duo)
102
Cor et Piano
92
Trombone et Piano
91
Cor anglais, Piano
78
Trompette, Piano
66
Tuba et Piano
36
Trompette
34
2 Trombones (duo)
12
2 Trompettes (duo)
12
2 Cors (duo)
12
2 Euphoniums (duo)
11
2 Cors Anglais Et Pianoforte
8
Cor, Violoncelle (duo)
5
Trompette, Trombone (duo)
5
Euphonium, Tuba (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Tuba et Orgue
3
Cor
3
Trombone, violoncelle (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba
2
Euphonium
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 trombones
1
Trio de Cuivres
1
Trompette, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Trombone basse
1
Trombone basse et Piano
1
Trombone, Tuba (duo)
1
3 Trombones (trio)
1
+ 27 instrumentations
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Cordes
Violon et Piano
139
Alto, Piano
117
Violoncelle, Piano
116
Quatuor à cordes: 2 violons, alto, violoncelle
97
Trio à Cordes: violon, alto, violoncelle
36
2 Violoncelles (duo)
23
2 Altos (duo)
17
2 Violons (duo)
15
Alto, Violoncelle (duo)
12
Violon, Violoncelle (duo)
12
Harpe
8
Violon, Alto (duo)
8
Violoncelle
7
Trio à cordes
4
Trio à Cordes: 2 violons, violoncelle
3
Violon
2
Violon, Orgue
1
Trio à Cordes: 2 violons, alto
1
4 Violoncelles
1
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 16 instrumentations
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Orchestre à Cordes
18
Ensemble de cuivres
8
Orchestre de chambre
5
Orchestre d'harmonie
2
Cloches
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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COR
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Vous avez sélectionné:
James Guthrie, ASCAP
Violoncelle
Partitions à imprimer
7 partitions trouvées
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Guthrie: The Cello Choir Christmas Book
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Violoncelle
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FACILE
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Noël
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Traditional
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James M
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2
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Guthrie: The Cello Choir Chris
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jmsgu3
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SheetMusicPlus
Cello - Level 2 - SKU: A0.550708 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 67 pages. Jmsgu3 #4784...
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Cello - Level 2 - SKU: A0.550708 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 67 pages. Jmsgu3 #4784057. Published by jmsgu3 (A0.550708). The Cello Choir Christmas BookChristmas Reharmonizations by James M. Guthrie. The Cello Choir Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your cello choir can perform the Cello Choir Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. cello 1 & 2 read from the score on one stand, while cello 3 & 4 use the parts on a separate stands. The Cello Choir Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Cello Choir Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Cello Choir Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of stringed instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
Vivaldi - The Four Seasons: Spring for Solo Cello
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Violoncelle
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Classique
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Antonio Vivaldi
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James M
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Vivaldi - The Four Seasons: Sp
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jmsgu3
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SheetMusicPlus
Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, Wedding, Recital. Score, Solo Part. 7 pages. Published...
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Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, Wedding, Recital. Score, Solo Part. 7 pages. Published by jmsgu3 (S0.292613). - Score,Solo Part - Baroque Period,Repertoire,Wedding,Recital - jmsgu3
$32.95
Mendelssohn: Wedding March for Cello & Piano - Easy Version
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Violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.549886 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. I...
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Cello Solo - Level 3 - SKU: A0.549886 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Individual part. 23 pages. Jmsgu3 #3602683. Published by jmsgu3 (A0.549886). Score: 12 pages, piano part: 6 pages, cello part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.
$32.95
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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Violoncelle
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Cello - Level 3 - SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published ...
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Cello - Level 3 - SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Farnaby: Rosasolis for Solo Cello
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Violoncelle
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INTERMÉDIAIRE
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Giles Farnaby
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James M
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Farnaby: Rosasolis for Solo Ce
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jmsgu3
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.549264 Composed by Giles Farnaby. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Renaissance,Standards. Indiv...
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Cello Solo - Level 3 - SKU: A0.549264 Composed by Giles Farnaby. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Renaissance,Standards. Individual part. 2 pages. Jmsgu3 #3479747. Published by jmsgu3 (A0.549264). Duration: ca. 4:10, Score 2 pages, 49 measures.
$27.95
Caccini: Amarilli mia bella for Solo Cello
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Violoncelle
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INTERMÉDIAIRE
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Caccini
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James M
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Caccini: Amarilli mia bella fo
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jmsgu3
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.549263 Composed by Caccini. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Renaissance,Standards. Individual ...
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Cello Solo - Level 3 - SKU: A0.549263 Composed by Caccini. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Renaissance,Standards. Individual part. 2 pages. Jmsgu3 #3479727. Published by jmsgu3 (A0.549263). Duration ca. 4:00, Score: 2 pages.
$27.95
Bach: Jesu, Joy of Man's Desiring for Cello Solo
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Violoncelle
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INTERMÉDIAIRE
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Classique
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
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SheetMusicPlus
Composed by J. S. Bach, 1685- 1750. Arranged by James M. Guthrie, ASCAP. Baroque, Christmas, Easter, Sacred, Standards. Individual part. 3 pages. Jmsgu...
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Composed by J. S. Bach, 1685- 1750. Arranged by James M. Guthrie, ASCAP. Baroque, Christmas, Easter, Sacred, Standards. Individual part. 3 pages. Jmsgu3 #3406683. Published by jmsgu3
$32.95
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James Guthrie, ASCAP
