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Vous avez sélectionné:
Jazz Exercises
Violoncelle
Partitions à imprimer
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A Musical Odyssey for Cello & Piano - Cello Part Bk2 Levels 4-6 with preparatory exercises by Wendy
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Barbara Arens
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A Musical Odyssey for Cello &a
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Barbara Arens
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1313354 Composed by Barbara Arens. 21st Century,Blues,Contemporary,Contest,Festival,Instructional. Individual part. 36 pa...
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Cello Solo - Level 4 - SKU: A0.1313354 Composed by Barbara Arens. 21st Century,Blues,Contemporary,Contest,Festival,Instructional. Individual part. 36 pages. Barbara Arens #902109. Published by Barbara Arens (A0.1313354). The repertoire in Book II chosen by L.A. Cellist Wendy Velasco from the works of Barbara Arens moves beyond the first four positions and is intended for students in Suzuki levels 4-6. Technical challenges include: fast string crossings, the introduction of tenor and treble clefs, thumb position, big chords and asymmetrical rhythms. There are three jazzy pieces to develop a feel of swung eighth notes, along with racy pieces like 'Salamanca' and 'Rondo alla Tarantella', 'Twilight Tango', and, the composer's personal favourite:'Variations'. Each piece has preparation exercises by Wendy Velasco explaining how to approach the technical and musical challenges.Please note: this is the Cello Part.
$9.99
Thumb Position
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Methodes
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Thumb Position
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Schott Music - Digital
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SheetMusicPlus
Cello (2. cello ad libitum) - intermediate to advanced - Duets and Exercises Introducing the Use of the Thumb on the Cello. This edition: Sheet musi...
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Cello (2. cello ad libitum) - intermediate to advanced - Duets and Exercises Introducing the Use of the Thumb on the Cello. This edition: Sheet music. Duets, Violoncello, Exercises. Essential Exercises. Downloadable. Schott Music - Digital #Q47004. Published by Schott Music - Digital
This volume gradually introduces the most important thumb techniques:
At first, the 4 finger patterns in thumb position are introduced systematically. The thumb first remains placed over the octave harmonics. Later, other thumb positions are added. At the end of the volume, the change from one thumb position to the other and the octave parallels are practised.
In order that the student does not miss out on the fun, each topic comes with 'tailor-made' pieces and arrangements of the author from classical, folk, rock, and jazz music. Many pieces also come with piano parts and mp3s for download. The programme is completed by many examples from the classical cello literature.
The author recommends using the comprehensive material in various ways. The order can be changed without any problems. Chapters or difficult passages can be skipped and practised later. This volume should be used over a longer period, yet can be occasionally laid aside for a while.
Ideal to complement, for example, Gabriel Koeppen's cello method (Schott, volume 1: ED 20841) or any other textbook.
$18.99
4 Studies for Cello
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Violoncelle
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INTERMÉDIAIRE
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Methodes Etudes
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Susanne Paul
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4 Studies for Cello
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Schott Music - Digital
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SheetMusicPlus
Cello, 2. cello ad lib - intermediate - SKU: S9.Q589274 Composed by Susanne Paul. Essential Exercises. Downloadable. Schott Music - Digital #Q589274. Pu...
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Cello, 2. cello ad lib - intermediate - SKU: S9.Q589274 Composed by Susanne Paul. Essential Exercises. Downloadable. Schott Music - Digital #Q589274. Published by Schott Music - Digital (S9.Q589274). These studies inspire and bring variety to everyday practicing! Cellist Susanne Paul combines classical, jazz, rock and world music in her work. Her 4 Studies are stylistically influenced by various of these genres and sometimes require special playing techniques. For example, in the etude Chop Rock the chopping, which originates from bluegrass, is used (explanations in the edition), as well as in the Fingerpicking Study the plucking technique originating from the folk guitar. In addition to short introductory texts on the etudes and playing techniques, the edition contains accompaniment parts for a second cello for three etudes.
$11.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
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Violoncelle
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride ...
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Cello Solo - Level 3 - SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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