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Man From The Past
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Kommos (Lamentation) / "When the World Moved On" - Violoncello
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Pub...
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Cello Solo - Level 4 - SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
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Eros for cello solo
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Violoncelle
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AVANCÉ
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Panagiotis Theodossiou
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Eros for cello solo
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Panagiotis Theodossiou
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SheetMusicPlus
Cello Solo - Level 5 - SKU: A0.886674 Composed by Panagiotis Theodossiou. Concert,Contemporary,Graduation,Standards. Individual part. 9 pages. Panagioti...
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Cello Solo - Level 5 - SKU: A0.886674 Composed by Panagiotis Theodossiou. Concert,Contemporary,Graduation,Standards. Individual part. 9 pages. Panagiotis Theodossiou #3079339. Published by Panagiotis Theodossiou (A0.886674). Eros, for cello solo, Love shattered my mind, like a storm in an oak forest on the mountainside.«ΈÏος δ’ ετίναξΠμοι φÏÎνας, ως άνεμος κατ’ ÏŒÏος δÏυσίν εμπÎτων.» Sappho (V, 47 Lobel – Page) (2005), The work was a commission by the Thomas Tamvakos Greek Composers Archive. The power of love as Sappho poetically saw it and the composer musically hear it thousand years later. In a mystic and romantic-expressionistic as well mood Eros is based in a dialectical juxtaposition between the ancient Greek spirit and the contemporary musical thinking. The short citations of the famous Orestes stasimo from the Euripidian trilogy which recurs periodically works as a sacred voice from the past that leads the composer through the centuries and motivates his creativity. The work has been performed twice in 2006: by Dimitris Magriotis at Philippos Nakas Concert Hall, Athens and by Olga Articopoulou at EXPO ATHENS Concert Hall, in the Anthousa String Festival receiving a honoured distinction.In its version for viola solo (2010), it has been performed by Andrea Hemmenway in Composer's Portrait, organized by the Greek Composers Union at Hellenic Conservatory in Marousi in 2010 and in her personal recital at Vryssaki Hall, Athens Plaka, the same year. https://www.youtube.com/watch?v=0MyLyIpbcwg
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