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ACCORDEON
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BANJO
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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MANDOLINE
MARIMBA
OCARINA
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VIOLON
VIOLONCELLE
XYLOPHONE
Myself
Non classifié
163
Piano & claviers
Piano seul
315
Piano, Voix et Guitare
218
Piano, Voix
128
Piano Facile
44
Instruments en Do
28
Orgue
11
1 Piano, 4 mains
5
Piano grosses notes
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
2
Piano Trio: piano, violon, violoncelle
1
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1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
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98
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56
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21
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16
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15
Ukulele
13
Mandoline
2
Ukulele Baryton
1
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1
Piano, Guitare (duo)
1
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65
Chorale 3 parties
23
Chorale TTBB
21
Chorale SSAA
13
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11
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8
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5
Voix haute
2
Chorale
2
Pack Instrumental pour Chorale
1
Chorale SSAATTBB
1
Chorale SSATB
1
Voix Soprano, Piano
1
Voix Alto, Piano
1
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Vents
Quatuor de Clarinettes: 4 clarinettes
9
Hautbois, Piano (duo)
8
Clarinette
8
Flûte traversière et Piano
7
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7
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6
Clarinette et Piano
6
Saxophone Alto et Piano
5
Hautbois (partie séparée)
4
2 Flûtes traversières (duo)
4
Flûte traversière
4
Quintette de Saxophone: 5 saxophones
3
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3
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3
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3
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Quintette de Flûte : 5 flûtes
2
2 Clarinettes (duo)
2
Flûte, Violon, Piano
2
Saxophone Tenor
2
Saxophone (partie séparée)
2
Flute (partie séparée)
2
Clarinette Basse, Piano
2
Ensemble de Flûtes
2
Saxophone Baryton, Piano
1
3 Saxophones (trio)
1
2 Saxophones (duo)
1
Ensemble de Clarinettes
1
Flûte, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Saxophone Tenor et Piano
1
Cor Anglais
1
Saxophone Soprano
1
Clarinette, Guitare (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette et Basson
1
3 Clarinettes (trio)
1
+ 34 instrumentations
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Trompette
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Bass Clef Instruments
4
Ensemble de Trombones
3
Tuba
3
Trompette, Piano
3
Instruments en Sib
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Euphonium, Piano (duo)
3
Cor anglais, Piano
2
Trombone et Piano
2
Cor
2
Trombone
2
Cor et Piano
2
Tuba et Piano
2
Trombone basse et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Instruments en Fa
1
2 Trombones (duo)
1
Trio de Cuivres
1
Cor Anglais
1
2 Tubas (duo)
1
+ 17 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
31
Violon
18
Violon et Piano
16
Harpe
16
Violoncelle, Piano
8
Alto, Piano
7
Trio à Cordes: violon, alto, violoncelle
5
Violoncelle
5
Alto seul
3
Violon, Alto (duo)
2
4 Violoncelles
2
2 Violoncelles (duo)
2
2 Violons (duo)
2
2 Violons, Piano
1
2 Altos (duo)
1
Alto, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
Contre Basse
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Tuba (duo)
1
Contrebasse, Piano (duo)
1
+ 17 instrumentations
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21
Ensemble Jazz
14
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14
Orchestre
12
Batterie
11
Orchestre de chambre
5
Ensemble de Percussions
4
Ensemble de cuivres
4
Fanfare
1
Batterie (partie séparée)
1
Cloches
1
Marimba
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
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Myself
Violoncelle
Partitions à imprimer
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Telemensch (The isolated one) for Cello Solo (mp3)
Violoncelle
Cello - Digital Download SKU: A0.1103919 By Mády-Szabó Eszter. By David Warin…
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Cello - Digital Download SKU: A0.1103919 By Mády-Szabó Eszter. By David Warin Solomons. Baroque,Chamber,Classical,Jewish. Full Performance. Duration 258. David Warin Solomons #707203. Published by David Warin Solomons (A0.1103919). This work is based on 4 melodies by Telemann but with many additional augmented-second twists, in Jewish music style, and various decorations. The original melodies are: Herr wie lange (Lord, how long) This is a canon for two voices based on the psalm text and forms the beginning and end of the work Herr, wie lange willst du mein so gar vergessen, wie lange verbirgest du dein Antlitz vor mir! Lord, how long you forget me how long will you hide your face from me The other pieces are based on Telemann's settings for voice and keyboard of poems by his contemporary Daniel Stoppe Glück - (Happiness) Das glücke kömmt selten per posta, zu pferde es geht zu fusse, schritt vor schritt; sein eigensinn ist nicht zu zwingen; Happiness seldom comes by post or on horseback It goes on foot step by step It does not demand compulsion Jeder sein eigener Richter (Each his own judge) Ich will vor meiner thüre kehren; ich habe gnug für mich zu thun; ich kenne mich, ich bin kein engel; ein jeder mensch hat seine mängel, wer diese tilgen will, darf lebenslang nicht ruhn. I will turn from my doors I have enough for myself to do I know myself, I am no angel Every person has his faults Anyone who wishes to wipe them out Can never be at at peace all his life Wind (Wind) Wind macht aus thoren kluge leute; durch wind verdient der narr sein brodt: The wind makes fools into clever folk The fool earns his bread by the wind Performed by Mády-Szabó Eszter of Budapest Scoring Cellos.
$5.50
5.06 €
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Violoncelle
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Mády-Szabó Eszter
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Telemensch
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David Warin Solomons
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SheetMusicPlus
My Immortal
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.1014843 By Evanescence. By Amy Lee,…
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Cello Solo - Level 1 - Digital Download SKU: A0.1014843 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Josiel Oliveira. Multicultural,Pop,Rock,World. Individual part. 1 pages. M das Melodias #619479. Published by M das Melodias (A0.1014843). Sheet music for Cello My Immortal by Evanescence. Easy sheet music. #myimmortal #evanescence #sheetmusic hit song #cello I'm so tired of being here Suppressed by all my childish fears And if you have to leave, I wish that you would just leave 'Cause your presence still lingers here And it won't leave me alone These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me You used to captivate me by your resonating light Now I'm bound by the life you've left behind Your face it haunts my once pleasant dreams Your voice it chased away all the sanity in me These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me I've tried so hard to tell myself that you're gone But though you're still with me I've been alone all along When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me.
$4.99
4.59 €
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Violoncelle
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Evanescence
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Josiel Oliveira
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My Immortal
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M das Melodias
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SheetMusicPlus
The Choice
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.835319 Composed by Claudio Rosati. …
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Cello Solo - Level 3 - Digital Download SKU: A0.835319 Composed by Claudio Rosati. Contemporary. Individual part. 4 pages. Claudio Rosati #513575. Published by Claudio Rosati (A0.835319). An intermediate piece for piano and cello, The Choice won 2nd price in the Instrumental category of 11th Unisong International Song Contest. Here some words from Alan Roy Scott, Unisong co-founder: I do get to hear all the winners before they are announced and so I must tell you how much I truly loved the main combination of piano and cello that is at the center of this piece. I especially love how the piano built up so dramatically at the end of each time through the main theme. Very powerful and moving… the highest compliment I can pay you is to say I wish I'd written it myself. Performing Rights Organisation: SIAE (Italy), IPI: 00459688194, CAE: I-002214414-3 Contact: claudio.rosati@mac.com
$7.99
7.35 €
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Violoncelle
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Claudio Rosati
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The Choice
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Claudio Rosati
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. I…
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Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.6 €
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Violoncelle
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
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Slide Ride
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SheetMusicPlus
Paregamutiun [cello solo] (suite of 4 pieces)
Violoncelle
Cello Solo - Level 2 - Digital Download SKU: A0.596489 Composed by Juan MarÃa So…
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Cello Solo - Level 2 - Digital Download SKU: A0.596489 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards,World. Individual part. 12 pages. Juan Maria Solare #3088085. Published by Juan Maria Solare (A0.596489). Paregamutiún (Friendship): Four melodies of Armenian connotations for cello solo.I am not Armenian, but these melodies could be: it is an invented folklore. Nevertheless, I never wanted to compose an imitation of real Armenian music; for that I should live in Armenia a few years, learn the language, soak in a couple of millennia of culture and impregnate myself with the current problems. And yet it would be doubtful that the result would sound authentic. Neither I was interested in composing some sounding touristic postcards. These melodies reflect, yes, how a thankful being sees the Armenian from outside. And this is what grants them legitimacy.About the titles:The general title of the piece, Paregamutiún, is translatable as friendship. Sometimes it is transliterated Baregamutyun (as a certain station of the subway in Yerevan). The single titles of each piece refers to a lake, a mountain, a mythical patriarch and a tree of Armenia:1) Sevanavank: Monastery of the Black Lake, founded in 874. The name Sevan means literally Black Van, referring to a lake called Van. It is said that long ago the Armenians came from areas next to the lake Van towards the lake Sevan, they noticed that its waters were dark, almost black, but they reminded them of the lake Van, and therefore called it black Van: Sevan.2) Hayk is the patriarch of the foundational myth of the Armenian nation, and the original name of the country (Hayastán: land of the Armenians); some sources affirm that he was great great grandson or great-great-great grandson of Noah.3) Dziranà Dzar: apricot tree, the Armenian national fruit. Dzar is tree and dzirán is apricot, the obvious phonetic similitude seems to underline a strong semantic proximity between both concepts. The letter Dz is a complex phoneme similar to a smooth th.4) Masis is the Armenian name of mount Ararat, where -according to the Bible- ended up Noah's Arch after the Flood (Genesis 8:4).www.JuanMariaSolare.com
$10.00
9.2 €
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Violoncelle
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Juan MarÃa Solare
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Paregamutiun [cello solo]
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Juan Maria Solare
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SheetMusicPlus
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