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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
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MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
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366
Piano & claviers
Piano seul
182
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60
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51
Instruments en Do
45
Piano Facile
39
Orgue
12
Piano grosses notes
8
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
6
Accompagnement Piano
4
Piano (partie séparée)
3
2 Pianos, 4 mains
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
1
+ 10 instrumentations
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Guitares
Guitare notes et tablatures
28
Ligne De Mélodie, (Paroles) et Accords
15
Ukulele
10
Guitare
9
Paroles et Accords
3
Piano, Guitare (duo)
3
Basse electrique
3
4 Guitares (Quatuor)
3
Banjo
2
Guitare (partie séparée)
2
Mandoline
1
Ensemble de guitares
1
Ukulele Baryton
1
+ 8 instrumentations
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Voix
Chorale SATB
112
Chorale 3 parties
34
Chorale TTBB
28
Chorale 2 parties
25
Chorale SSAA
16
Chorale Unison
12
Voix duo, Piano
12
Voix haute
4
Voix moyenne, Piano
3
Voix seule
3
Voix basse
2
Voix Baryton, Piano
2
Voix Alto, Piano
1
Chorale SSAB, Piano
1
Voix Tenor
1
+ 10 instrumentations
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Vents
Quatuor de Clarinettes: 4 clarinettes
30
2 Saxophones (duo)
23
Clarinette et Piano
23
2 Clarinettes (duo)
23
Flûte traversière et Piano
23
Flûte, Hautbois, Clarinette, Basson
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Saxophone (partie séparée)
19
2 Flûtes traversières (duo)
17
Saxophone Alto et Piano
16
Quatuor de Saxophones: 4 saxophones
14
Ensemble de Clarinettes
14
Ensemble de Flûtes
13
Flûte traversière
13
Clarinette
12
Quatuor de Flûtes : 4 flûtes
11
Hautbois, Piano (duo)
10
Flûte, Clarinette (duo)
10
3 Clarinettes (trio)
8
Saxophone Tenor et Piano
7
Quintette de Saxophone: 5 saxophones
7
Saxophone, Clarinette (duo)
7
Clarinette, Violon (duo)
6
Cor anglais, Piano
5
Ensemble de saxophones
5
Saxophone Alto
5
Hautbois, Basson (duo)
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Violon
4
Saxophone Tenor
4
3 Saxophones (trio)
4
Hautbois, Clarinette (duo)
4
Flûte, Clarinette et Basson
3
Saxophone Soprano et Piano
3
Flûte, Hautbois, Clarinette (trio)
3
Quintette de Flûte : 5 flûtes
3
2 Clarinettes, Piano
3
Flûte et Guitare
2
Clarinette Basse, Piano
2
Hautbois, Flûte
2
Clarinette et Alto
2
Hautbois, Violoncelle
2
Hautbois (partie séparée)
2
Flûte, Hautbois (duo)
2
2 Hautbois (duo)
2
Clarinette, Trompette (duo)
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Basson (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
2 Flûte à bec (duo)
2
Flûte, Trompette (duo)
2
Flûte à bec Soprano, Piano
1
Flûte, Saxophone (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Harpe
1
Flûte, Alto (duo)
1
Flûte à Bec
1
Flûte, Violoncelle
1
Flûte à bec Tenor
1
Ensemble à vent
1
Saxophone Baryton, Piano
1
+ 57 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trompette (partie séparée)
16
Trombone (partie séparée)
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trompette
10
Trombone et Piano
9
Trombone
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trombones (duo)
7
Trompette, Piano
7
Trompette, Trombone (duo)
6
Trompette, Saxophone (duo)
5
Cor anglais, Piano
5
Quatuor de Cuivres
4
Cor et Piano
4
2 Trompettes (duo)
4
Ensemble de Trombones
3
3 Trombones (trio)
3
Euphonium, Piano (duo)
2
Cor
2
3 Trompettes (trio)
2
Trompette, Trombone, Piano
2
Quatuor de cuivres: 4 trombones
2
Tuba et Piano
2
2 Cors (duo)
2
4 Tubas
1
Trombone, Tuba (duo)
1
Tuba
1
Ensemble de Trompettes
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violon et Piano
22
Alto, Piano
11
Trio à Cordes: violon, alto, violoncelle
10
2 Violons (duo)
10
Harpe
9
Violon
8
Violon, Alto (duo)
8
Violon, Violoncelle (duo)
8
Violoncelle, Piano
8
2 Violoncelles (duo)
7
2 Altos (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle
5
Alto seul
4
4 Violoncelles
3
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 violins
2
Contrebasse (partie séparée)
2
Alto, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Quatuor à cordes: 4 violons
2
Harpe, Voix
2
2 Violons, Piano
1
Piano Trio: Violon, Alto, Piano
1
4 Contrebasses
1
Alto (partie séparée)
1
Ensemble d'Altos
1
2 Harpes (duo)
1
Contre Basse
1
Ensemble de Violons
1
Contrebasse, Piano (duo)
1
Harpe, Violon (duo)
1
Alto et Basson
1
+ 29 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
106
Batterie
31
Orchestre
23
Ensemble Jazz
23
Ensemble de cuivres
17
Orchestre à Cordes
13
Cloches
11
Jazz combo
7
Orchestre de chambre
7
Ensemble de Percussions
5
Fanfare
2
Vibraphone (partie séparée)
2
Batterie (partie séparée)
1
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FORMATION MUSI…
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LUTH
MANDOLINE
MARIMBA
OCARINA
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Partitions à imprimer
5 partitions trouvées
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1
The Nearness Of You
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Violoncelle
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George Shearing
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The Nearness Of You
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.342070 By George Shearing. This edition: Interactive Download. Standards. Cello Solo. 1 pages. Published by Hal Leonard - Di...
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Interactive Download SKU: HX.342070 By George Shearing. This edition: Interactive Download. Standards. Cello Solo. 1 pages. Published by Hal Leonard - Digital (HX.342070).
$2.99
Jesus Paid It All with There Is A Fountain (Arrangements Level 2-4 for CELLO + Written Acc) Hymn
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Violoncelle
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FACILE
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Musique Sacrée
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Grape-Mason
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Dr Jerry Nelson
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Written
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Jesus Paid It All with There I
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Jerry Nelson
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SheetMusicPlus
Cello Solo - Level 2 - SKU: A0.875194 Composed by Grape-Mason. Arranged by Dr Jerry Nelson. Christian,Easter,Sacred. Individual part. 6 pages. Jerry Nel...
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Cello Solo - Level 2 - SKU: A0.875194 Composed by Grape-Mason. Arranged by Dr Jerry Nelson. Christian,Easter,Sacred. Individual part. 6 pages. Jerry Nelson #3874431. Published by Jerry Nelson (A0.875194). The two songs in this medley combine perfectly for an Easter or Communion service. A very sensitive arrangement with key changes plus a huge dynamic peak near the end, settling back into a worshipful finish. Progress rapidly using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written PNO Accompaniment included, plus Chord Chart for live rhythm. Or perform with this worshipful Orchestral Accompaniment Track (#SO.432427). Visit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement and optional TrackCongrats! You found the Gold Mine! Whether you play winds or strings or '88 keys' – you discovered awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name and, if you wish, include a Title or a Genre).The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 4. (Time 4:23)
$4.99
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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Violoncelle
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Cello - Level 3 - SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published ...
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Cello - Level 3 - SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Tomfoolery
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Sean Grissom
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Tomfoolery
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Sean Grissom d.b.a.ENDPIN Music Publishing
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.922382 Composed by Sean Grissom. Contemporary,Folk,Holiday. Individual part. 2 pages. Sean Grissom d.b.a.ENDPIN Music Pub...
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Cello Solo - Level 4 - SKU: A0.922382 Composed by Sean Grissom. Contemporary,Folk,Holiday. Individual part. 2 pages. Sean Grissom d.b.a.ENDPIN Music Publishing #6140159. Published by Sean Grissom d.b.a.ENDPIN Music Publishing (A0.922382). Looking for an original 'classically celtic' tune for cello? If you know Sean's work - here is a pandemic composition for you!It moves around the cello, and has you lilting along ... If you have other cellists nearby, try out the three-celli accompaniment.
$4.99
Finger Agility for the Cello, Book One
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Violoncelle
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DÉBUTANT
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Methodes
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Cassia Harvey
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Finger Agility for the Cello,
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Cassia Harvey
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SheetMusicPlus
Cello - Easy/Beginner - Composed by Cassia Harvey. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. Individual P...
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Cello - Easy/Beginner - Composed by Cassia Harvey. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. Individual Part. 53 pages. Published by Cassia Harvey
This cello study book is a counterpart to Finger Exercises for the Cello, Book One, giving you an all-new set of finger exercises inclosed first position that will help your fingers move faster!
These exercises can help you move around the cello better with your left hand. Sixteenth-note studies help your fingers build muscle memory in first position and double stop exercises near the end of the book help you work on a correct left-hand playing position and playing on the tips of your fingers.
Who this book can help: Beginning and intermediate cellists who want faster fingers on the cello.
How to use this book: Play one exercise a day as the first part of your practice session. Start the exercise slowly, listening to your notes and focusing on form. As your intonation improves, start increasing your speed.
by Cassia Harvey
48 pages
Level: Beginning or Early-Intermediate. Uses only closed first position on the cello.
$9.95
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