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411
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173
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49
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45
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31
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9
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7
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4
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3
Piano (partie séparée)
3
1 Piano, 4 mains
3
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
1
+ 7 instrumentations
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Guitare
16
Guitare notes et tablatures
12
Ukulele
12
Mandoline
6
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5
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5
Basse electrique
4
2 Guitares (duo)
3
4 Guitares (Quatuor)
2
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2
3 Guitares (trio)
2
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1
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1
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85
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23
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11
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11
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8
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5
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4
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1
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1
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1
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1
Voix Alto, Piano
1
Voix duo, Piano
1
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79
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77
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19
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16
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15
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13
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12
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10
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9
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7
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6
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5
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5
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5
Saxophone Alto et Piano
5
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5
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4
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4
Saxophone Soprano et Piano
4
2 Flûtes traversières (duo)
4
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Clarinette
4
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3
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2
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2
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2
2 Hautbois (duo)
2
Saxophone Tenor
2
Hautbois, Flûte
2
Flûte, Trompette (duo)
2
Flûte, Alto (duo)
2
Saxophone Alto
2
Clarinette et Alto
2
Flûte, Violon
2
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1
5 Flûtes à bec
1
Flûte, Hautbois (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor anglais, Piano
1
Flûte, Hautbois, Violon
1
3 Saxophones (trio)
1
Ensemble de saxophones
1
Hautbois (partie séparée)
1
Flûte, Hautbois, Clarinette (trio)
1
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1
Cor anglais, Guitare (duo)
1
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1
Clarinette, Trombone (duo)
1
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1
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1
Hautbois, Violoncelle
1
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1
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1
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1
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1
Flûte, Saxophone (duo)
1
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16
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11
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8
Trompette (partie séparée)
8
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6
2 Trombones (duo)
5
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5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Trompettes (duo)
4
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4
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4
Trompette
4
Cor
3
Tuba
2
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2
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2
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2
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2
2 Tubas (duo)
2
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2
Cor (partie séparée)
2
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1
Cor anglais, Piano
1
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1
3 Trombones (trio)
1
Trombone
1
2 Cors Anglais Et Pianoforte
1
Cor anglais, Guitare (duo)
1
2 Cors (duo)
1
Ensemble de Trombones
1
Bass Clef Instruments
1
Tuba et Piano
1
Cor Anglais
1
4 Tubas
1
Quatuor de cuivres: 4 trombones
1
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Quatuor à cordes: 2 violons, alto, violoncelle
63
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30
Violon
16
Violon et Piano
16
Harpe
14
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10
Violon, Alto (duo)
6
Violoncelle, Piano
6
2 Violons (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
2 Violoncelles (duo)
4
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4
Trio à cordes: 3 altos
4
Alto, Piano
4
Harpe, Flûte (duo)
3
Piano Trio: Violon, Alto, Piano
2
2 Altos (duo)
2
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2
Alto (partie séparée)
2
Alto seul
2
Violoncelle
2
2 Harpes (duo)
2
4 Violoncelles
1
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1
Harpe et Piano
1
Trio à Cordes: 2 violons, alto
1
Alto, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
Flûte, Contrebasse (duo)
1
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72
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41
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28
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10
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8
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3
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3
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Vous avez sélectionné:
Sam Every
SheetMusicPlus
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Note Reading in Color, for Cello Students
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Violoncelle
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DÉBUTANT
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Traditional and Beethoven
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Aaron Sinnett
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Note Reading in Color, for Cel
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Aaron Sinnett
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SheetMusicPlus
Cello Solo - Level 1 - SKU: A0.1358007 Composed by Traditional and Beethoven. Arranged by Aaron Sinnett. 19th Century,Children,Classical,Instructional,T...
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Cello Solo - Level 1 - SKU: A0.1358007 Composed by Traditional and Beethoven. Arranged by Aaron Sinnett. 19th Century,Children,Classical,Instructional,Traditional. Individual part. 8 pages. Aaron Sinnett #942515. Published by Aaron Sinnett (A0.1358007). Note reading in music can be challenging. The little black dots sitting in the midst of 5 horizontal lines can blur together after a time. This method uses colors to help one quickly identify which string you should be playing on. Even if you are still not very quick to name the notes, learning to group the notes according to string can make that naming game a little simpler. In use are four colors. They represent the four strings on the cello: A, D, G, C. This method can be very informative. Rather than struggle week after week with the same slow results, try this color-coded strategy. There are three familiar tunes in this download. Mary Had a Little Lamb (this one tends to be straight forward enough that every student can play it in a matter of half a lesson), Ode to Joy (by: Beethoven), and Are You Sleeping?. They are organized with increasing amounts of string crossings. This creates the need to remember, more fluidly, which string any given note should be played on. The price is low to encourage you to give it a try. Think of it this way, if you were to get private lessons, it would likely take several lessons to get this information and you only have your memory. Now, you are only a click or so away to having the same information in a PDF that you can refer to again and again.
$4.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
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Violoncelle
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride ...
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Cello Solo - Level 3 - SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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