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Vous avez sélectionné:
Sonata in A Major
Violoncelle
Partitions à imprimer
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Sonata in d minor, op. 108
Violoncelle
Cello Solo - Level 5 - Digital Download SKU: A0.552888 Composed by Johannes Brahms.…
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Cello Solo - Level 5 - Digital Download SKU: A0.552888 Composed by Johannes Brahms. Arranged by Branimir Pusticki. Romantic Period. Individual part. 28 pages. Branimir Pusticki #162473. Published by Branimir Pusticki (A0.552888). Transcriptions and arrangements were quite popular and effective means for a romantic composer to promote new works, reach a wider playing audience or boost sales of sheet music. Brahms was certainly not a stranger to this practice: the composer himself produced many transcriptions for piano or piano duo, but also versions of clarinet sonatas and the cello e-minor sonata for viola. The beautiful first violin sonata exists in a version for cello by one of Brahms’ most prolific and favourite arranger Paul Klengel - but perhaps it is unfair to ask a pianist to re-learn that piece in the new key of D-major. In comparison to the boisterous and vigorous Op. 99 cello sonata, the d-minor violin sonata offers an introspective drama of a restless composer, well suited to the darker voice of the cello. With the constant advancements in playing technique and modern cello strings, the balance is less of a problem. Thus, the piano part remains unchanged, and subtle changes in cello register can be implemented to utilize the whole range and character of the instrument, while keeping the integrity of the original ideas and musical material.
$12.00
10.79 €
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Violoncelle
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Johannes Brahms
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Branimir Pusticki
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Sonata in d minor, op. 108
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Branimir Pusticki
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SheetMusicPlus
Mozart : Sonate n° 11 en la majeur, K. 331 - III. Rondo alla turca
Violoncelle
Téléchargez la partition Violoncelle Sonate n° 11 en la majeur, K. 331 -…
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Téléchargez la partition Violoncelle Sonate n° 11 en la majeur, K. 331 - III. Rondo alla turca de Mozart. Partition pour Violoncelle avec piano d‘accompagnement -- Classique
3.99 €
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Violoncelle
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Mozart
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Sonate n° 11 en la majeur, K.
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Tomplay
Mozart : Sonate n° 11 en la majeur, K. 331 - I. Tema con variazione
Violoncelle
Téléchargez la partition Violoncelle Sonate n° 11 en la majeur, K. 331 -…
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Téléchargez la partition Violoncelle Sonate n° 11 en la majeur, K. 331 - I. Tema con variazione de Mozart. Partition pour Violoncelle avec piano d‘accompagnement -- Classique
2.99 €
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Violoncelle
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Mozart
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Sonate n° 11 en la majeur, K.
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Tomplay
10 Solos for Cello: Intermediate Pieces
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.1351135 Composed by Various. Arrang…
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Cello Solo - Level 3 - Digital Download SKU: A0.1351135 Composed by Various. Arranged by Clara Obsidian. 19th Century,20th Century,Baroque,Classical,Romantic Period. Individual part. 19 pages. Clara Obsidian #935974. Published by Clara Obsidian (A0.1351135). Featuring a compilation of 10 unique and popular works from 10 different composers arranged for Cello Solo. It is the perfect collection for lessons, gigs and performances!ContentsFranz Schubert : Ständchen Serenade, D.957, No. 4Georges Bizet: Farandole from L'Arlesienne Suite No.2, IVGabriel Fauré: Après un rêve from Trois mélodies Op. 7 n°1Marin Marais: La Folia Selections from Les Folies d'EspagneCharles Gounod: Meditation on the 1st prelude of J. S. Bach Ave MariaJ. S. Bach: Menuett (Minuet) Suite no.1 in G MajorBernhard Romberg: Allegro Sonata no. 1 in Bb MajorJohann Strauss I: Radetzky March P. I. Tchaikovsky: Theme from Swan Lake Camille Saint-Saëns: Danse Macabre Other Collections also available!---------------------------
$8.99
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Violoncelle
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Various
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Clara Obsidian
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10 Solos for Cello: Intermediate Pieces
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Clara Obsidian
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SheetMusicPlus
Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
Violoncelle
Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 …
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Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications
Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982
$25.00
22.49 €
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Violoncelle
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Jean Daniel Braun
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Adam Riggs
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Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
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AR Publications
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SheetMusicPlus
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