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AUTRES
Vous avez sélectionné:
The Word of Life
Violoncelle
Partitions à imprimer
5 partitions trouvées
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1
What A Difference You've Made In My Life
Violoncelle
Cello Solo - Digital Download SKU: A0.623677 By Ronnie Milsap. By Archie Jordan. Ar…
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Cello Solo - Digital Download SKU: A0.623677 By Ronnie Milsap. By Archie Jordan. Arranged by Josiel Oliveira. Christmas,Praise & Worship,Spiritual. Individual part. 1 pages. M das Melodias #232771. Published by M das Melodias (A0.623677). Music score What a Difference You've made in my life for Cello. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Relaxing music to dream. Very sung gospel music. More played gospel. Praising god. Music of praise to God. Music for group of praise. What a difference you've made in my life What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made in my life What a change you have made in my heart What a change you have made in my heart You replaced all the broken parts Oh, what a change you have made in my heart Love to me was just a word in a song That had been way overused But now I've joined in the singin' 'Cause you've shown me love's true meanin' That's why I wanna spread the news What a difference you've made in my life What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made in my life What a difference you've made in my life (listen to it) What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made, yeah What a difference you've made in my life (Difference you've made in my life) What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made... (Go ahead and sing it) What a difference you've made in my life What a difference you've made in my life You're my sunshin, day and night (Oh yeah, sing it to me) What a difference you've made... What a difference you've made in my life What a difference you've made in my life You're my sunshine, day and night Oh, what a difference you've made... What a difference you've made in my life.
$4.99
4.56 €
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Violoncelle
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Ronnie Milsap
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Josiel Oliveira
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What A Difference You've Made In My Life
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M das Melodias
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SheetMusicPlus
Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
Violoncelle
Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 …
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Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications
Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982
$25.00
22.86 €
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Violoncelle
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Jean Daniel Braun
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Adam Riggs
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Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
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AR Publications
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SheetMusicPlus
Duel: for Viola and Cello - Cello
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.1026051 Composed by Thomas Marples.…
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Cello Solo - Level 3 - Digital Download SKU: A0.1026051 Composed by Thomas Marples. Contemporary. Individual part. 6 pages. Thomas Marples #5775771. Published by Thomas Marples (A0.1026051). Cello part only - This piano trio performs as a dramatic battle between the Violist and Cellist to have the last word, or in this case, the last note, and win the overall piece. The exciting and fast-paced musical dialogue between the two players is interrupted by a series of expressive but furious cadenzas, which builds to a series of unsuspecting climaxes.Thoughts from the composer - I found it a great challenge to build up and explore the narrative of the piece musically, but ultimately a rewarding one, especially in concert, where the true theatricality of the Duel can be brought to life..
$4.99
4.56 €
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Violoncelle
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Thomas Marples
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Duel: for Viola and Cello - Cello
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Thomas Marples
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SheetMusicPlus
"l'Adieu" for Cello and Piano op. 2 No 11
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.979720 Composed by Iyad KANAAN. 20t…
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Cello Solo - Level 4 - Digital Download SKU: A0.979720 Composed by Iyad KANAAN. 20th Century,Christian,Concert,Contemporary,Romantic Period. Individual part. 8 pages. Iyad kanaan #4626733. Published by iyad kanaan (A0.979720). L'adieu (the Farewell) from Portrait d'une âme op. 2 twelve pieces for Cello and Piano, is the eleventh piece of the set. Written in Aria form, the whole set is a musical meditation on the life of Ste. Therese de l'enfant Jesus. Expressive in the way of a song without words.
$9.99
9.13 €
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Violoncelle
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Iyad KANAAN
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"l'Adieu" for Cello and Piano op. 2 No 11
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iyad kanaan
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SheetMusicPlus
"Petite fleur blanche"for Cello and Piano op. 2 No 1
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.979718 Composed by Iyad KANAAN. 20t…
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Cello Solo - Level 4 - Digital Download SKU: A0.979718 Composed by Iyad KANAAN. 20th Century,Christian,Concert,Romantic Period,Spiritual. Individual part. 9 pages. Iyad kanaan #4626721. Published by iyad kanaan (A0.979718). Petite fleur blanche from Portrait d'une âme op. 2 twelve pieces for Cello and Piano, is the first piece of the set. Written in Aria form, the whole set is a musical meditation on the life of Ste. Therese de l'enfant Jesus. Expressive in the way of a song without words. .
$9.99
9.13 €
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Violoncelle
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Iyad KANAAN
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"Petite fleur blanche"for Cello and Piano op. 2 No 1
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iyad kanaan
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SheetMusicPlus
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