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5
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They are at rest
Violoncelle
Partitions à imprimer
4 partitions trouvées
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Guthrie: The Cello Choir Christmas Book
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Violoncelle
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FACILE
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Noël
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Traditional
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James M
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Guthrie: The Cello Choir Chris
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jmsgu3
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SheetMusicPlus
Cello - Level 2 - SKU: A0.550708 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 67 pages. Jmsgu3 #4784...
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Cello - Level 2 - SKU: A0.550708 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 67 pages. Jmsgu3 #4784057. Published by jmsgu3 (A0.550708). The Cello Choir Christmas BookChristmas Reharmonizations by James M. Guthrie. The Cello Choir Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your cello choir can perform the Cello Choir Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. cello 1 & 2 read from the score on one stand, while cello 3 & 4 use the parts on a separate stands. The Cello Choir Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Cello Choir Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Cello Choir Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of stringed instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
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Violoncelle
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride ...
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Cello Solo - Level 3 - SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Santa Claus Is Comin' To Town
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Michael Buble
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Susie Winkworth winkmusic
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Santa Claus Is Comin' To Town
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winkmusic.co.uk
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SheetMusicPlus
Cello - Level 4 - SKU: A0.1402995 By Michael Buble. By Haven Gillespie and John Frederick Coots. Arranged by Susie Winkworth winkmusic.co.uk. Chamber,Ch...
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Cello - Level 4 - SKU: A0.1402995 By Michael Buble. By Haven Gillespie and John Frederick Coots. Arranged by Susie Winkworth winkmusic.co.uk. Chamber,Children,Christmas,Pop. 13 pages. Winkmusic.co.uk #986194. Published by winkmusic.co.uk (A0.1402995). The seasonal classic, in a version for cello quartet or cello ensemble. With interest for each player, this is perfect for Christmas parties and festive events.Winkmusic.co.uk produces the highest quality arrangements that actually sound like the original track! Tried and tested at 5* venues and concert halls, they are performed all over the world. Previous commissions have appeared on Sunday Times Top 100 Albums and been played by Classic FM chart-toppers.
$16.00
Suite for Solo Cello all parts
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Robert Kuehn
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Suite for Solo Cello all parts
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Robert Kuehn
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1026428 Composed by Robert Kuehn. Baroque,Classical,Romantic Period. Individual part. 8 pages. Robert Kuehn #6100277. Pub...
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Cello Solo - Level 4 - SKU: A0.1026428 Composed by Robert Kuehn. Baroque,Classical,Romantic Period. Individual part. 8 pages. Robert Kuehn #6100277. Published by Robert Kuehn (A0.1026428). A suite for the intermediate player, that contains elements of classical, romantic and baroque genres. Tempos are recommended guidance only- they work at any number of tempos (except for the allegro in movement 2). Otherwise, play them as you feel them. Movement 1 is really a set of variations on the main theme in D minor. It explores a moderate range of keys and rhythms. Movement 2 starts with an adagio that can be played quite freely, ascending from Cmaj up thru various keys, leading to an allegro/presto dance-like piano theme in Dmaj. Much room for tempo/dynamics interpretation then ending with a brief restatement of the adagio theme in a new key, followed by a mad rush up the cello to a high, quiet E, with small sighs to end the piece. Movements 3, 4 and 5 would be good performance pieces for students (melodically solid with multiple harmonic shifts, moderate bowing and fingering challenges and engaging rhythms).
$8.00
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