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25
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18
3 Clarinettes (trio)
16
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11
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20
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17
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16
Cor et Piano
14
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2 Trompettes, Clavier (piano ou orgue)
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7
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2 Cors (duo)
6
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Cor
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Trompette, Saxophone (duo)
4
Trombone
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Quatuor de cuivres: 2 trompettes, 2 trombones
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Cor, Violoncelle (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
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2 Cors, Piano
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3 Tubas (trio)
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2 Euphoniums et 2 Tubas
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2 Tubas (duo)
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Tuba et Orgue
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CORDES
2 Violons (duo)
82
2 Altos (duo)
72
Quatuor à cordes: 2 violons, alto, violoncelle
64
Violon et Piano
61
Alto, Piano
48
2 Violoncelles (duo)
39
Violoncelle, Piano
39
Trio à Cordes: 2 violons, violoncelle
34
Trio à Cordes: violon, alto, violoncelle
26
Violon, Violoncelle (duo)
24
Piano Trio: Violon, Alto, Piano
14
Trio à cordes: 3 violins
12
Harpe
9
Quatuor à cordes: 4 violons
9
Violon
8
Violon, Alto (duo)
8
Trio à Cordes: 2 violons, alto
8
4 Violoncelles
7
Violoncelle
5
2 Violons, Piano
4
Trio à Cordes: 3 violoncelles
3
Violon, Basson (duo)
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2
Harpe, Flûte (duo)
2
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2
Alto et Harpe
2
2 Violoncelles, Piano
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 altos
2
Harpe, Voix
2
Violon, Guitare (duo)
2
Harpe, Violon (duo)
2
Ensemble de Violons
2
Alto seul
2
Ensemble d'Altos
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes : 4 altos
1
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PERCUSSIONS & ORCHESTRES
Cloches
37
Orchestre d'harmonie
34
Orchestre à Cordes
32
Ensemble de cuivres
20
Orchestre de chambre
18
Orchestre
5
Jazz combo
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AUTRES
Vous avez sélectionné:
Two for Easter
Violoncelle
Partitions à imprimer
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Jesus Paid It All with There Is A Fountain (Arrangements Level 2-4 for CELLO + Written Acc) Hymn
Violoncelle
Cello Solo - Level 2 - Digital Download SKU: A0.875194 Composed by Grape-Mason. Arr…
(+)
Cello Solo - Level 2 - Digital Download SKU: A0.875194 Composed by Grape-Mason. Arranged by Dr Jerry Nelson. Christian,Easter,Sacred. Individual part. 6 pages. Jerry Nelson #3874431. Published by Jerry Nelson (A0.875194). The two songs in this medley combine perfectly for an Easter or Communion service. A very sensitive arrangement with key changes plus a huge dynamic peak near the end, settling back into a worshipful finish. Progress rapidly using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written PNO Accompaniment included, plus Chord Chart for live rhythm. Or perform with this worshipful Orchestral Accompaniment Track (#SO.432427). Visit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement and optional TrackCongrats! You found the Gold Mine! Whether you play winds or strings or '88 keys' – you discovered awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name and, if you wish, include a Title or a Genre).The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 4. (Time 4:23)
$4.99
4.52 €
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Violoncelle
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Grape-Mason
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Dr Jerry Nelson
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Written
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Jesus Paid It All with There Is A Fountain
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Jerry Nelson
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SheetMusicPlus
Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
Violoncelle
Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 …
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Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications
Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982
$25.00
22.67 €
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Violoncelle
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Jean Daniel Braun
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Adam Riggs
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Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
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AR Publications
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SheetMusicPlus
The Palms (with "All Glory, Laud, and Honor") (Cello solo and Organ)
Violoncelle
Cello Solo - Level 2 - Digital Download SKU: A0.628632 Composed by Jean-Baptiste Fa…
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Cello Solo - Level 2 - Digital Download SKU: A0.628632 Composed by Jean-Baptiste Faure, Melchior Teschner. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Religious,Sacred. Individual part. 12 pages. Exultet Music #6200967. Published by Exultet Music (A0.628632). The two most widely used and popular hymns for Palm Sunday have now been combined into one majestic arrangement which is scored for a Cello solo with Organ accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
4.52 €
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Violoncelle
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Jean-Baptiste Faure, Melchior Teschner
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Stephen DeCesare
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The Palms
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Exultet Music
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SheetMusicPlus
All Glory, Laud, And Honor (with "Hosanna, Loud Hosanna") (Cello solo and Organ)
Violoncelle
Cello Solo - Level 2 - Digital Download SKU: A0.628940 Composed by Melchior Teschne…
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Cello Solo - Level 2 - Digital Download SKU: A0.628940 Composed by Melchior Teschner, Traditional. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Religious,Sacred. Individual part. 12 pages. Exultet Music #6246815. Published by Exultet Music (A0.628940). Two of the most played hymns for Palm Sunday: All Glory, Laud, And Honor and Hosanna, Loud Hosanna have now been joined together into one majestic piece that is scored for a Cello solo with Organ accompaniment. Accessible and appropriate for any church setting. An accompaniment track is also available.
$4.99
4.52 €
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Violoncelle
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Melchior Teschner, Traditional
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Stephen DeCesare
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All Glory, Laud, And Honor
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Exultet Music
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SheetMusicPlus
All Glory, Laud, And Honor (with "Lift High The Cross" - (Cello solo and Organ)
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.629009 Composed by Sydney H. Nichol…
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Cello Solo - Level 3 - Digital Download SKU: A0.629009 Composed by Sydney H. Nicholson, Melchior Teschner. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Religious,Sacred. Individual part. 14 pages. Exultet Music #6254609. Published by Exultet Music (A0.629009). Two of the most played hymns for Palm Sunday: All Glory, Laud, And Honor and Lift High The Cross have now been joined together into one majestic piece that is scored for a Cello solo with Organ accompaniment. Accessible and appropriate for any church setting. An accompaniment track is also available.
$4.99
4.52 €
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Violoncelle
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Sydney H
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Stephen DeCesare
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All Glory, Laud, And Honor
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Exultet Music
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SheetMusicPlus
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