Partitions Numériques de Valencia pour Violoncelle

Valencia

Vasija De Barro #Violoncelle #INTERMÉDIAIRE #Contemporain #Gonzalo Gomez and Luis Valenci #RaÃºl Andueza #Vasija De Barro #Raul Andueza #SheetMusicPlus

Cello Solo - Level 3 - SKU: A0.910554 Composed by Gonzalo Gomez and Luis Valencia. Arranged by RaÃºl Andueza. Contemporary. Individual part. 8 pages. ...(+)

Cello Solo - Level 3 - SKU: A0.910554 Composed by Gonzalo Gomez and Luis Valencia. Arranged by RaÃºl Andueza. Contemporary. Individual part. 8 pages. Raul Andueza #5707437. Published by Raul Andueza (A0.910554). Arreglo para cuatro violonchelos. Apto para niveles medio y superior, para cuarteto u orquesta de violonchelos. .

Cello Solo - Level 4 - SKU: A0.1029293 Composed by CÃ‰SAR CANO. Contemporary,World. Individual part. 16 pages. POLYHYMNIA Ediciones musicales #4799037. Published by POLYHYMNIA Ediciones musicales (A0.1029293). Perfil del Ã¡nima (Profile of the anima), Op. 86 is a solo cello piece written in a single movement. It is part of the series of PROFILES that I am composing since 2002 for solo instruments. The anima is a concept expounded by C.G. Jung in his book The Man and his Symbols. It is a personification of all female psychological tendencies in the psyche of a man, such as vague feelings and moods, prophetic forebodings, receptivity to the irrational, personal capacity for love, love of nature and, very importantly, his relationship with the unconscious. It is best perceived in dreams. If the dreamer is a man, he will discover a female personification of his unconscious. If it is a woman, it will be a male figure. Jung named them respectively anima and animus. My work has some quotes that evoke the anima, as a fragment of the 2nd movement of Mahler's 5th Symphony, which he wrote under the fascination of Alma Schindler, his future wife. Another citation is a motif of DvoÅ™Ã¡kâ€™s opera Rusalka, an elf from Slavic mythology, which usually lives in a lake or river. Rusalka is an ancient fairy-tale figure, already appearing in literature in 1387. Her longing is to become a human being and to love as an earthly woman, even at the price of suffering and death. My piece evokes this inner and unconscious dialogue between the masculine and feminine in all of us, represented by the celloâ€™s low and high registers. The use of many and varied instrumental resources (chords, microtones, harmonics, timbral variations, complex rhythms, tremolos, glissandi, pizzicati, etc.), together with its broadness and thematic complexity, make Profile of the anima a demanding work for the soloist. I finished its composition on December 21th, 2016. It is dedicated to RafaÅ‚ Jezierski, who performed its world premiere on February 14th, 2017, in the Auditorium of the Museum of Fine Arts of Valencia, within the cycle of concerts organized by the Royal Academy of Fine Arts of San Carlos.