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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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SAXOPHONE
SYNTHETISEUR
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style (tous)
AFRICAIN
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ASIE
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
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COUNTRY
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NOËL
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OPERA
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Non classifié
340
PIANO & CLAVIERS
Piano, Voix
108
Piano seul
32
Piano Facile
15
Piano, Voix et Guitare
7
Orgue
6
Piano Quatuor: piano, violon, alto, violoncelle
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Piano Quatuor: piano, 2 violons, violoncelle
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2 Pianos, 4 mains
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Piano Trio: piano, violon, violoncelle
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1
Accompagnement Piano
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GUITARES
Mandoline
101
Guitare
32
Ukulele
21
Guitare notes et tablatures
9
2 Guitares (duo)
3
4 Guitares (Quatuor)
3
3 Guitares (trio)
2
Mandoline, Guitare (duo)
1
Banjo
1
Ligne De Mélodie, (Paroles) et Accords
1
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VOIX
Chorale SATB
60
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16
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5
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4
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Chorale
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1
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1
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VENTS
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89
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45
Ocarina
38
Quatuor de Clarinettes: 4 clarinettes
32
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24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Flûte, Hautbois, Clarinette, Basson
22
Ensemble de Clarinettes
21
Quatuor de Saxophones: 4 saxophones
21
Quatuor de Flûtes à bec
18
2 Saxophones (duo)
18
Ensemble de Flûtes
16
Quatuor de Flûtes : 4 flûtes
15
Clarinette et Piano
13
3 Saxophones (trio)
11
Flûte traversière et Piano
11
Flûte et Guitare
10
2 Flûtes traversières (duo)
9
Quintette de Saxophone: 5 saxophones
9
Hautbois, Piano (duo)
8
Clarinette, Guitare (duo)
8
Saxophone Alto et Piano
8
Saxophone Tenor et Piano
6
3 Clarinettes (trio)
6
Quintette de Flûte : 5 flûtes
5
Cor anglais, Piano
5
Ensemble de saxophones
5
Trio de Flûtes: 3 flûtes
5
2 Clarinettes (duo)
4
Cor anglais, Guitare (duo)
4
2 Flûte à bec (duo)
4
Saxophone et Guitare
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Baryton, Piano
3
Clarinette, Basson (duo)
2
Clarinette
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone Soprano et Piano
2
3 Flûtes à bec (trio)
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Saxophone Alto
1
Hautbois, Basson (duo)
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Flûte traversière
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2 Hautbois (duo)
1
Flûte, Violoncelle, Piano (trio)
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1
Hautbois, Flûte
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Flûte à Bec
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Hautbois, Violoncelle
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Flute (partie séparée)
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Flûte, Clarinette (duo)
1
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Flûte à bec Alto, Piano
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Flûte, Hautbois (duo)
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Hautbois (partie séparée)
1
Flûte à bec Tenor
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Flute, harpe et violon
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
66
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Ensemble de Trombones
13
Trombone et Piano
11
Quatuor de Cuivres
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de cuivres: 4 trombones
7
Ensemble de Trompettes
7
Trompette, Trombone (duo)
6
Tuba et Piano
5
Trompette
5
Cor anglais, Piano
5
Cor anglais, Guitare (duo)
4
Trompette, Piano
4
3 Trombones (trio)
3
2 Trompettes (duo)
3
Quatuor de cuivres: 4 cors
3
2 Trombones (duo)
3
Ensemble de Cors
2
Trombone
2
Cor et Piano
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trio de Cuivres
2
Cor
1
Euphonium
1
2 Tubas (duo)
1
4 Tubas
1
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
2 Cors (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
66
Violon et Piano
13
Alto, Piano
10
Violoncelle, Piano
10
Trio à Cordes: violon, alto, violoncelle
9
2 Violons (duo)
7
Violoncelle
6
2 Harpes (duo)
6
Violon, Violoncelle (duo)
6
2 Violoncelles (duo)
6
Alto, Violoncelle (duo)
5
Violoncelle , Guitare (duo)
4
Violon, Alto (duo)
4
Violon
4
4 Violoncelles
4
Alto, Guitare (duo)
3
Harpe
3
Trio à Cordes: 3 violoncelles
3
2 Altos (duo)
3
Trio à cordes: 3 altos
3
Quatuor à cordes : 4 altos
3
Trio à Cordes: 2 violons, violoncelle
2
Violon, Guitare (duo)
2
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
Ensemble d'Altos
1
Ensemble de Violons
1
Contrebasse, Piano (duo)
1
Alto seul
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
52
Orchestre d'harmonie
51
Ensemble de cuivres
47
Orchestre
4
Ensemble Jazz
3
Orchestre de chambre
3
Marimba
2
Fanfare
2
Xylophone
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AUTRES
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Was Renaissance
Violoncelle
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
Violoncelle
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by…
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Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.27 €
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Violoncelle
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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jmsgu3
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SheetMusicPlus
Carson Cooman - Actaeon (Clausula IV) (2011) for solo cell
Violoncelle
Cello Solo - Digital Download SKU: A0.775951 Composed by Carson Cooman. Contemporar…
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Cello Solo - Digital Download SKU: A0.775951 Composed by Carson Cooman. Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2033561. Published by Musik Fabrik Music Publishing (A0.775951). Actaeon (Clausula IV) (2011) for solo cello was written for Diana Golden. It is the fourth work in a set of brief solo cello pieces that all explore the same musical material from different perspectives. Clausula (noun, Latin) – an ornamented cadence especially in early Renaissance music The work is flexible and lyric-gradually expanding and contracting its basic musical material within a passionate discourse. The Greek myth of Actaeon has numerous variants. In the most well known version (as told by the poet Kallimachos/Καλλίμαχος), the goddess Artemis was bathing in the forest when the hunter Actaeon mistakenly came across her. Transfixed by her supernal beauty, he gaped, whereupon the goddess transformed him into a stag, lest he speak to anyone of what he had seen. The now-cervine Actaeon was then torn to pieces by his hunting dogs. This piece does not attempt to portray the myth programmatically. Rather, it explores musically the transformed Actaeon’s internal emotional state following his encounter with the goddess.
$7.75
6.99 €
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Violoncelle
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Carson Cooman
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Carson Cooman - Actaeon
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Musik Fabrik Music Publishing
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SheetMusicPlus
Here We Come A-Caroling (Cello Solo)
Violoncelle
Cello Solo - Level 2 - Digital Download SKU: A0.1099973 Composed by Traditional. Ar…
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Cello Solo - Level 2 - Digital Download SKU: A0.1099973 Composed by Traditional. Arranged by B. C. Dockery. Christmas,Folk,Holiday,Renaissance,Traditional. Individual part. 1 pages. Ben Dockery #703842. Published by Ben Dockery (A0.1099973). Here We Come A-Caroling, aka Wassail Song, arranged for cello solo. Great for lessons, recitals, caroling, and Christmas and New Year's parties. Easy intermediate level.
$2.99
2.7 €
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Violoncelle
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Traditional
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B
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Here We Come A-Caroling
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Ben Dockery
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SheetMusicPlus
Solo Cello Sonata
Violoncelle
Cello Solo - Level 5 - Digital Download SKU: A0.1191276 By Gonzalo Gimenez. By Gonz…
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Cello Solo - Level 5 - Digital Download SKU: A0.1191276 By Gonzalo Gimenez. By Gonzalo Gimenez. Arranged by Gonzalo Gimenez. Baroque,Classical,Contemporary,Renaissance,Spiritual. Individual part. 6 pages. Gonzalo Gimenez #790795. Published by Gonzalo Gimenez (A0.1191276). Sonata for solo cello in three movements:- recitative- Interlude in the manner of Bach- nostalgic singingYou can listen to it clicking hereThis piece was written after the death of Maria Cristina Fasolo (1950-2019), my mother. And the music was very influenced by the deep feelings about this. My Mother lived in Buenos Aires, Argentina, while I lived in The Hague. We could not see each other during her process and her final departure from her. I dedicate the piece to her.The style of the music whas chosen consciously for this instrument due the effectiveness to express deep feelings and sonorities.
$10.00
9.02 €
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Violoncelle
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Gonzalo Gimenez
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Gonzalo Gimenez
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Solo Cello Sonata
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Gonzalo Gimenez
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SheetMusicPlus
"Lu Rusciu de Lu Mare", (traditional Italian song) - solo Violoncello
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.909136 Composed by Traditional Ital…
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Cello Solo - Level 4 - Digital Download SKU: A0.909136 Composed by Traditional Italian, Traditional Apulian. Arranged by Silvano Pagliuca-Mena. Classical,Folk,Renaissance,World. Individual part. 3 pages. Silvano Pagliuca-Mena #6369367. Published by Silvano Pagliuca-Mena (A0.909136). Lu Rusciu de Lu Mare (The Sound of the Sea) is an ancient song from the Apulia region in Italy. The lyrics, in Salentino dialect, tells of an impossible love story between the king's daughter and a soldier, in an age where no one could escape their roles. This arrangement for solo Violoncello was made and recorded by Silvano Pagliuca-Mena in April 2021.
$5.00
4.51 €
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Violoncelle
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Traditional Italian, Traditional Apulian
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Silvano Pagliuca-Mena
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"Lu Rusciu de Lu Mare",
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Silvano Pagliuca-Mena
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SheetMusicPlus
Cello Suite No.1 by Bach - Cello Solo - Original Version (Prelude)
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.1178120 Composed by Johann Sebastia…
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Cello Solo - Level 3 - Digital Download SKU: A0.1178120 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Renaissance. Individual part. 3 pages. Sheet Music To Play Editions #778082. Published by Sheet Music To Play Editions (A0.1178120). Cello Suite No.1 (BWV 1007) by Bach for Cello Solo. The Original Version of the Prelude. With Full Score. Enjoy it!Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
5.41 €
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Violoncelle
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Johann Sebastian Bach
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César Madeira
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Cello Suite No.1 by Bach - Cello Solo - Original Version
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Sheet Music To Play Editions
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SheetMusicPlus
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