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361
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311
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29
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17
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13
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9
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5
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5
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5
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3
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2
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2
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Clavecin
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22
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18
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79
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22
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12
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8
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5
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2
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2
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2
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2
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1
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1
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1
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1
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31
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28
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26
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20
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19
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19
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16
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14
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14
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12
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10
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9
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9
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9
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8
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5
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4
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4
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3
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3
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3
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3
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3
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3
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2
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2
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2
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2
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2
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2
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2
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1
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1
3 Clarinettes (trio)
1
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1
Clarinette, Basson (duo)
1
Saxophone Tenor
1
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1
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1
Saxophone Soprano
1
Clarinette, Guitare (duo)
1
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1
Clarinette Basse, Piano
1
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1
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1
Cor Anglais
1
Hautbois
1
+ 46 instrumentations
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55
Trompette
16
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15
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15
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13
Trombone
12
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11
Cor
9
Quatuor de cuivres: 4 trombones
8
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8
Quatuor de Cuivres
6
Tuba
6
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6
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5
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5
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5
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3
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3
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2
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2
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2
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2
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1
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1
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4 Tubas
1
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1
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1
Trio de Cuivres
1
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79
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25
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16
Violon
15
Violoncelle
12
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8
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7
Alto, Piano
6
Harpe
6
Alto seul
6
Violon, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
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4
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3
Harpe, Flûte (duo)
3
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2
Violoncelle, Contrebasse (duo)
2
Violon, Alto (duo)
2
2 Altos (duo)
1
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1
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1
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1
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1
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1
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1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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1
Violon, Basse continue
1
Violon, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
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1
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82
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31
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26
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24
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19
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16
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10
Jazz combo
9
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8
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6
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4
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Piano Quintette: piano, 2 violons, alto, violoncelle
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"Quincie", Quintet For Two Violins, Viola, Cello And Piano
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Piano Quintette: piano, 2 violons, alto, violoncelle
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AVANCÉ
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Cello - Will Mace, Robert Asto
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"Quincie", Quintet F
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Geraldine
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, and Violins - Mat...
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Piano Quintet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, and Violins - Matthew Chadbond and James Warburton. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary. 222 pages. Geraldine (Denny) Green at Oakmountmusic #901515. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1312666). ALL PURCHASES COME WITH SCORE AND PARTSIn 4 movements – total duration 35 minutes.Quincie was written between July 2018 and January 2019. I had just begun receiving the main ideas for it when a pianist I know locally, Robert Aston, happened to ask me if I had written anything for piano and string quartet. I believe that Quincie “heard†this and that was the trigger and the door unlocking. Because the next thing I knew I was absolutely engulfed in the writing of this work for the next six months.Like all my works, this one is an emotional journey, and my own nickname for it is Quincie, The Comic Healer. Each movement tells a progressive story of the different stages of a journey through a long period of grief, illness, depression and chronic anxiety. The overall mood of the whole piece is extremely energetic, loving, warm, compassionate and audience friendly, and while there is some heart ache in the middle of the first movement, the work is also extremely comical and hilarious in its third and fourth movements. It has a great sense of slapstick humour alongside the deep ache of grief and unfathomable sadness. It is completely tonal and in a highly Romantic style.It has enjoyed the following performances:April 27th 2019 at the Triangle Church, Bolton BL1 5QP 7.30pm by the Pennine QuintetJune 1st 2019 at the Victoria Hall, Knowsley St. Bolton BL1 2AS at 1pm Lunchtime concert, by the Pennine QuintetJuly 7th 2019 at the Horwich Community Centre, Beaumont Rd, BL6 7BG at 2.45pm as part of the Horwich Music Festival.A great start for a brand new work! My gratitude to the Pennine Quintet and concert organizers is immense and not something I will ever forget. Thank you. The following performance was recorded and filmed at the Horwich Music Festival on July 7th 2019 and added to YouTube with permission of the Pennine Ensemble. Many many thanks.Very sadly, in June 2020, the pianist, Robert Aston, passed away from cancer. Without his wonderful support and encouragement this work never would have had even one performance let alone FOUR! Therefore, I have now fully dedicated this piece to Robert as the least I could do to thank him for all the wonderful music he gave so freely to Bolton, UK, over his lifetime. Thank you, Robert. You were FAB!!!
$75.00
Heisenberg was looking for a raison d'être (Parts only)
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Piano Quintette: piano, 2 violons, alto, violoncelle
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AVANCÉ
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Igor Korneitchouk
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Heisenberg was looking for a r
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Studio at the Post
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1129014 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 57 pages. Studio at...
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Piano Quintet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1129014 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 57 pages. Studio at the Post #729537. Published by Studio at the Post (A0.1129014). Parts only (see A729534 for Score) Duration: 8 minutes, 5 Parts (2 violins, viola, cello, piano) with individual directions, parts averaging 5 – 7 pp. Description: When John Cage first invented the concept of prepared piano it was an invention born of necessity. (To realize his ideas Cage needed a percussion ensemble to accompany the dance troupe with which he worked. His solution to the impracticability of this was to create various percussion-like timbres from the studio piano which all dance spaces have.) In Heisenberg... all the instruments are engaged in a music made up of sound effects and unusual timbres; but because all the effects, in the case of the string instruments, must come from a limited number of strings, the preparation of these instruments are mutable — throughout the piece the performers are constantly preparing and un-preparing their instruments. This principle of mutable preparation has been carried over to the piano as well and thus the performance takes on the characteristic of an alien dance as a great deal of the work involves the logistics of setting up each succeeding phrase. Werner Heisenberg's great contribution to modern science is the Uncertainty Principle — the realization, expressed mathematically, that even in the hard sciences of physics and chemistry one could never be sure of anything. (According to The New Columbia Encyclopedia) “Werner Heisenberg — German physicist. One of the founders of the quantum theory, he is best known for his uncertainty principle, or indeterminacy principle, which states that it is impossible to determine with arbitrarily high accuracy both the position and momentum (essentially velocity) of a subatomic particle like the electron. The effect of this principle is to convert the laws of physics into statements about relative probabilities instead of absolute certainties.†(He won the Nobel Prize in Physics in 1932.).
$5.02
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