One of the most widely used traditional English Christmas carols of all time has now been freshly arranged with jazz harmonies and also utilizes Johann Pachelbel's "Canon In D" and scored for a String Quartet (Violin (2), Viola, Cello) with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.

Positions by Ariana Grande, arranged for piano & strings (or piano & string quintet) by Dan Edwards. Includes a full score (9 pages) and complete set of parts (piano, violin 1, violin 2, viola, cello - all 2 pages each, bass - 1 page)

Dan Edwards is a prize-winning composer, arranger and producer.

The dynamic Game of Thrones theme, in an arrangement which brings the energy of the original to life. For easy, flexible string ensemble with optional piano. Useful practice for violinists playing parts 1 and 2 in switching between high and low second fingers.

Violin 1: Intermediate
Violin 2: Easy/Intermediate
Violin 3/Viola: Easy (no low 2nd fingers)
Cello: Easy/Intermediate
Bass: Easy

Optional extra parts
Easy Violin: open strings only
Easy Cello: open strings and 1st fingers only
Teacher Guide Piano
Teacher Guide Violin
Teacher Guide Cello

Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.

Item Number: H0.214697-551468

"2017 Chamber Music Contest Entry"
Music By Lalo Schifrin
Concert arrangement for Piano Quintet by Artem Mogylnyk
Duration - 2 minutes 50 seconds.

'Kai' was written in memory of Kai Scheffler, principal cellist and a key member of the Ensemble Modern in Germany, who died tragically young in 1989. . The 18 minute work is in four continuous movements and leads the performers from an aggressive opening through many contrasting sections, often distinctly jazz influenced, to a slow final requiem. . The solo part is almost exclusively lyrical, stretching out long, mournful lines over an accompaniment which, in contrast, can be abrupt and claustrophobic. . This is a challenging and fantastically rewarding work which has established itself in the core of the contemporary cello repertoire.