Miss Trombonism by African American composer, trombonist, bandleader, and publisher Nathaniel Cleophas "Shorty" Davis was written in 1918 as a Trombone solo in the American genre of Ragtime featuring the trombone's patented glissando as the "hook". These solos were also called smears or jazzes.

Miss Trombonism is one of five entertaining works of Davis' "Trombone Family" written between 1915 and 1921 with the subtitle - A Slippery Tune. The granddaughter of "Oh Slip It Man" and daughter of Mr. Trombonology.

This arrangement has been wonderfully arranged by Aaron Hettinga for Trombone (the whole section can perform it) and Concert Band and is playable by moderately advanced performers.

Cherry Classics Music will be publishing the complete series of these works by Davis.

Thanks to Douglas Yeo for his research and advice.

Lament for Trombone and String Orchestra by composer Jeremy Niles Kempton is a serious and lyrical work of about 6 minutes in length for advanced performers.

The work was composed and performed within a 2 week period at a memorial concert given for Helen Manheim, a violist in Mr. Kempton's Island Chamber Symphony on Long Island, NY. Ms. Manheim died rather suddenly and her passing left the composer with a deep feeling of regret at having taken her and so many other ICS musicians for granted.

The composition consists of 3 lengthy phrases. The first epitomizes the grief at her passing. The 2nd presents her life and consists of 3 phrases, all starting the same but each striving higher. The final section is her legacy, what she leaves behind.

The live performance features Mr. Kempton as soloist with the Island Chamber Symphony.