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2
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1
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1
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1
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1
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32
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12
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7
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1
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1
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1
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1
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29
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9
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4
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4
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3
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2
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1
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1
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1
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20
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15
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13
Quatuor de Saxophones: 4 saxophones
13
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11
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11
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11
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10
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9
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9
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7
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6
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5
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5
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5
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5
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4
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4
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4
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3
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3
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3
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3
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3
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3
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3
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2
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2
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2
Clarinette, Basson (duo)
2
3 Clarinettes (trio)
2
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2
Clarinette, Violoncelle (duo)
2
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2
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2
Cor anglais, Piano
2
Trio de Flûtes: 3 flûtes
2
Clarinette Basse, Piano
2
Hautbois, Flûte
1
Flûte, Saxophone (duo)
1
Piccolo, Piano
1
Flûte, Violoncelle
1
Flûte, Alto (duo)
1
Flûte et Guitare
1
Flûte à bec Soprano
1
Harmonica
1
Ensemble de Hautbois
1
Hautbois, Basson (duo)
1
Cor Anglais
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Clarinette et Basson
1
Piccolo
1
Flûte, Violon
1
Hautbois, Violoncelle
1
Clarinette, Guitare (duo)
1
Ensemble de Clarinettes
1
Flûte, Trompette (duo)
1
Quatuor de Flûtes à bec
1
+ 56 instrumentations
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23
Cor
11
Trompette
11
Trombone
8
Tuba
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone et Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette (partie séparée)
5
Cor et Piano
5
2 Trompettes (duo)
3
Trompette, Piano
3
Trombone (partie séparée)
3
Trompette, Basson (duo)
3
Euphonium, Piano (duo)
3
2 Trombones (duo)
2
Quatuor de Cuivres
2
Cor anglais, Piano
2
Trompette, Saxophone (duo)
2
Tuba et Piano
2
Ensemble de Trompettes
1
Trompette, Trombone (duo)
1
Ensemble de Trombones
1
Cor Anglais
1
Euphonium
1
Trompette, Violoncelle (duo)
1
2 Tubas (duo)
1
Bass Clef Instruments
1
2 Euphoniums et 2 Tubas
1
+ 24 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon
13
Violon et Piano
11
Violoncelle, Piano
8
Harpe
8
Alto, Piano
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Alto seul
6
Violoncelle
6
Violon, Violoncelle (duo)
5
Alto (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
3
Trio à Cordes: violon, alto, violoncelle
3
2 Violons (duo)
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Alto (duo)
2
Contre Basse
2
Harpe, Voix
2
Ensemble de Violons
1
2 Altos (duo)
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violoncelles (duo)
1
Contrebasse (partie séparée)
1
+ 20 instrumentations
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Orchestre d'harmonie
35
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28
Orchestre à Cordes
12
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11
Cloches
9
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9
Orchestre de chambre
7
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5
Ensemble de cuivres
5
Ensemble d'École
3
Ensemble de Percussions
3
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2
Piano et Orchestre
1
Vibraphone et Marimba
1
Percussion (partie séparée)
1
Jazz combo
1
Orchestre, Violon
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
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Trompette (partie séparée)
Partitions à imprimer
5 partitions trouvées
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1
Get Happy: 2nd B-flat Trumpet
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Trompette (partie séparée)
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Methodes
#
Harold Arlen and Ted Koehler
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Philip Kern
#
Movement and Staging
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Get Happy: 2nd B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
2nd B-flat Trumpet - SKU: AX.00-PC-0014966_T2 2nd B-flat Trumpet. Composed by Harold Arlen and Ted Koehler. Arranged by Philip Kern. Instructiona...
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2nd B-flat Trumpet - SKU: AX.00-PC-0014966_T2 2nd B-flat Trumpet. Composed by Harold Arlen and Ted Koehler. Arranged by Philip Kern. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014966_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014966_T2). UPC: 038081398945.This was the first of many hits that Harold Arlen and Ted Koehler wrote together. It's most associated with Judy Garland, who performed Get Happy in her last MGM film Summer Stock. This incredible hot and jazzy arrangement really cooks from beginning to end! Parts include Score, Alto Saxophone, Tenor Saxophone, Trumpet 1, Trumpet 2, Trombone 1, Trombone 2, Guitar, Synthesizer, Bass, Mallets, Percussion, Timpani, Drumset. Featured on Showbiz! choral movement DVD (00-35858).Inst. Parts Available (choral); Movement and Staging; Recorded Acc. Available.
$4.00
Get Happy: 1st B-flat Trumpet
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Trompette (partie séparée)
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Methodes
#
Harold Arlen and Ted Koehler
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Philip Kern
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Movement and Staging
#
Get Happy: 1st B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
1st B-flat Trumpet - SKU: AX.00-PC-0014966_T1 1st B-flat Trumpet. Composed by Harold Arlen and Ted Koehler. Arranged by Philip Kern. Instructiona...
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1st B-flat Trumpet - SKU: AX.00-PC-0014966_T1 1st B-flat Trumpet. Composed by Harold Arlen and Ted Koehler. Arranged by Philip Kern. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014966_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014966_T1). UPC: 038081398945.This was the first of many hits that Harold Arlen and Ted Koehler wrote together. It's most associated with Judy Garland, who performed Get Happy in her last MGM film Summer Stock. This incredible hot and jazzy arrangement really cooks from beginning to end! Parts include Score, Alto Saxophone, Tenor Saxophone, Trumpet 1, Trumpet 2, Trombone 1, Trombone 2, Guitar, Synthesizer, Bass, Mallets, Percussion, Timpani, Drumset. Featured on Showbiz! choral movement DVD (00-35858).Inst. Parts Available (choral); Movement and Staging; Recorded Acc. Available.
$4.00
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
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Trompette (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. P...
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Trumpet Solo - Level 4 - SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
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Trompette (partie séparée)
#
INTERMÉDIAIRE/AVANCÉ
#
Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. P...
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Trumpet Solo - Level 4 - SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Trumpet 2 in Bb
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Trompette (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018887 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056103. P...
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Trumpet Solo - Level 5 - SKU: A0.1018887 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056103. Published by Benjamin Sajo (A0.1018887). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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Let's Get It On 
