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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Agnus Dei - Cello
Non classifié
164
Piano & claviers
Piano, Voix
72
Piano seul
58
Piano, Voix et Guitare
27
Instruments en Do
16
Orgue
13
Piano Facile
12
Piano grosses notes
4
1 Piano, 4 mains
3
Orgue, Trompette (duo)
1
Orgue, Piano (duo)
1
+ 5 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
8
Guitare notes et tablatures
6
Guitare
5
Ukulele
3
Paroles et Accords
2
2 Guitares (duo)
2
+ 1 instrumentations
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Voix
Chorale SATB
240
Chorale 3 parties
72
Chorale
26
Pack Instrumental pour Chorale
26
Chorale 2 parties
25
Chorale Unison
17
Voix duo, Piano
9
Chorale TTBB
8
Chorale SSAATTBB
5
Chorale SSAA
4
Voix Soprano, Piano
2
Voix Baryton, Piano
2
Voix duo
2
Voix haute
2
Chorale SSATTB
1
Voix haute, Piano
1
Voix basse, Piano
1
Voix seule
1
Chorale SATBB
1
Voix Mezzo-Soprano, Piano
1
Voix moyenne, Piano
1
+ 16 instrumentations
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Vents
2 Saxophones (duo)
14
Hautbois, Piano (duo)
10
Clarinette et Piano
10
3 Saxophones (trio)
9
Flûte traversière et Piano
9
Saxophone Soprano et Piano
9
2 Clarinettes (duo)
8
Flûte, Hautbois, Clarinette, Basson
7
Flûte traversière
7
Saxophone Tenor et Piano
7
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Alto
6
Hautbois (partie séparée)
5
2 Flûtes traversières (duo)
5
Quatuor de Flûtes : 4 flûtes
5
Flute (partie séparée)
5
Saxophone Alto et Piano
5
Saxophone Tenor
4
Saxophone (partie séparée)
4
Clarinette (partie séparée)
4
Quatuor de Saxophones: 4 saxophones
4
3 Clarinettes (trio)
3
Clarinette
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Hautbois, Basson (duo)
2
Flûte, Clarinette (duo)
2
Flûte et Guitare
2
Quintette de Clarinettes: 5 clarinettes
1
Flûte à Bec
1
Clarinette, Basson (duo)
1
Clarinette, Trompette (duo)
1
2 Hautbois (duo)
1
Ensemble de saxophones
1
Trio de Flûtes: 3 flûtes
1
Ensemble de Clarinettes
1
Ensemble de Flûtes
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois (duo)
1
2 Clarinettes, Piano
1
Hautbois, Clarinette (duo)
1
3 Hautbois
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Basson
1
+ 40 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette, Piano
7
Trio de Cuivres
5
Trombone et Piano
4
Cor
4
Quatuor de Cuivres
4
Trombone
4
2 Trompettes (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Cor et Piano
3
Trompette
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Cor (duo)
2
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
Ensemble de Tubas
1
Euphonium
1
Quatuor de cuivres: 4 trombones
1
2 Cors (duo)
1
Quatuor de cuivres: 4 cors
1
Trombone, Cor (duo)
1
Trompette (partie séparée)
1
Ensemble de Trombones
1
3 Trombones (trio)
1
3 Trompettes (trio)
1
+ 20 instrumentations
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Cordes
Violon et Piano
12
Violon
9
Alto, Piano
8
Trio à cordes
4
Violon (partie séparée)
4
2 Violons (duo)
3
Alto seul
3
Alto (partie séparée)
3
Violon, Alto (duo)
2
Piano Trio: Violon, Alto, Piano
2
Harpe
1
Contrebasse (partie séparée)
1
Trio à cordes: 3 altos
1
Contre Basse
1
Trio à cordes: 3 violins
1
2 Altos (duo)
1
+ 11 instrumentations
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Orchestre & Percussions
Orchestre
11
Ensemble de cuivres
9
Orchestre d'harmonie
7
Orchestre de chambre
5
Orchestre à Cordes
4
Percussion (partie séparée)
3
Ensemble de Percussions
2
Cloches
1
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--INSTRUMENTS--
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AUTOHARPE
BANJO
BASSE
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CLAIRON
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COR
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CORNET
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Agnus Dei - Cello
Quatuor de Flûtes : 4 flûtes
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Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
#
FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. G...
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Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Renaissance Quartets of Progressive Difficulty, Volume 1
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Giovanni Pierluigi de Palestri
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Josh Trentadue
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Renaissance Quartets of Progre
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T.U.X. People's Music
#
SheetMusicPlus
Flute Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1404901 Composed by Giovanni Pierluigi de Palestrina, John Redford, Josquin des Prez, Maddalena Casu...
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Flute Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1404901 Composed by Giovanni Pierluigi de Palestrina, John Redford, Josquin des Prez, Maddalena Casulana, Thomas Tallis, and Vittoria Aleotti. Arranged by Josh Trentadue. Contest,Festival,Instructional,Renaissance. 60 pages. T.U.X. People's Music #987934. Published by T.U.X. People's Music (A0.1404901). Carefully selected, arranged, and engraved for any standard quartet, this selection of Renaissance-era music provides popular and new favorites together in a beautifully lyrical collection of fanfares, hymns, and chorales!Table of Contents:Vive le roy, des Prez (M)In Epiphania Domini, Palestrina (M)In Communi Plurimorum Martyrum, Palestrina (M)In Festo Sanctarum Mulicrum, Palestrina (M)Il vostro dipartir, Casulana (M)Baciai per aver vita, Aleotti (MA)Agnus Dei, Redford (MA)Glorificamus, Redford (MA)O quam glorifica, Redford (MA)Variations on “Why fumeth in sightâ€, Tallis (A).
$25.00
Intermezzo from "L'Arlesienne Suite No. 2" for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Classique
#
Georges Bizet
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Diego Marani
#
Intermezzo from "L'Arlesi
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528040 Composed by Georges Bizet. Arranged by Diego Marani. Baroque,Classical,Instructional...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528040 Composed by Georges Bizet. Arranged by Diego Marani. Baroque,Classical,Instructional,Sacred,Standards. 11 pages. Diego Marani #4608781. Published by Diego Marani (A0.528040). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei.
$12.90
Missa Brevis in F Major
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Antonio Lotti
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Scott Zeplin
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Missa Brevis in F Major
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Scott Zeplin
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.984402 Composed by Antonio Lotti. Arranged by Scott Zeplin. Baroque,Sacred. 19 pages. Scott...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.984402 Composed by Antonio Lotti. Arranged by Scott Zeplin. Baroque,Sacred. 19 pages. Scott Zeplin #4986045. Published by Scott Zeplin (A0.984402). Antonio Lotti composed two Missa Brevi, each under six minutes in length. This is a setting of his F Major Missa Brevis that includes the Kyrie, Sanctus, Benedictus, and Agnus Dei. Originally for four voices, this translates beautifully for 2 C flutes, alto flute, and bass flute. Enjoy!
$10.00
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