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Non classifié
1413
PIANO & CLAVIERS
Piano seul
690
Piano, Voix
136
Piano Facile
124
Orgue
58
Piano, Voix et Guitare
42
1 Piano, 4 mains
31
Instruments en Do
14
Accompagnement Piano
8
Piano (partie séparée)
7
Orgue, Trompette (duo)
7
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Accordéon
1
Clavecin
1
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GUITARES
Guitare
57
Guitare notes et tablatures
16
Ligne De Mélodie, (Paroles) et Accords
16
Guitare (partie séparée)
15
Ukulele
5
Ensemble de guitares
3
Mandoline
3
3 Guitares (trio)
2
Piano, Guitare (duo)
2
Dulcimer
1
2 Guitares (duo)
1
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VOIX
Chorale SATB
212
Chorale 3 parties
76
Chorale 2 parties
40
Chorale Unison
25
Voix haute
19
Voix moyenne, Piano
18
Voix Soprano, Piano
16
Voix duo
15
Chorale TTBB
15
Chorale SSAA
9
Voix Alto, Piano
8
Voix basse, Piano
5
Voix basse
4
Voix duo, Piano
3
Voix Mezzo-Soprano, Piano
3
Voix Soprano
3
Chorale SSAATTBB
2
Voix seule
2
Chorale SAATB A Cappella
1
Voix Tenor
1
Soli, choeur mixte et accompagnement
1
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VENTS
Flûte traversière et Piano
183
Hautbois, Piano (duo)
103
Quintette de Saxophone: 5 saxophones
91
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
83
Saxophone Alto et Piano
74
Ensemble de saxophones
72
Clarinette et Piano
50
Saxophone (partie séparée)
43
Quatuor de Saxophones: 4 saxophones
37
Ensemble de Clarinettes
28
2 Flûtes traversières (duo)
21
Clarinette
19
Ensemble De Flûte à bec
18
Flûte, Hautbois, Clarinette, Basson
18
2 Saxophones (duo)
17
Quatuor de Clarinettes: 4 clarinettes
14
Ensemble de Flûtes
14
Hautbois (partie séparée)
14
Saxophone Tenor et Piano
13
Cor anglais, Piano
12
Quintette de Flûte : 5 flûtes
10
2 Clarinettes (duo)
8
Flute (partie séparée)
8
Flûte traversière
7
Quatuor de Flûtes : 4 flûtes
7
Clarinette (partie séparée)
7
3 Saxophones (trio)
6
2 Flûtes traversières, Piano
6
Saxophone Alto
5
Saxophone Tenor
5
Saxophone Soprano et Piano
5
Flûte à bec Alto
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte à bec Soprano
4
Clarinette, Violon (duo)
4
Hautbois
3
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3
Flûte à Bec
3
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3
2 Flûte à bec (duo)
3
3 Clarinettes (trio)
3
Saxophone Soprano
2
Saxophone Baryton, Piano
2
Hautbois, Basson (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Soprano, Piano
2
Flûte à bec Tenor
2
Flûte, Violon
2
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1
Hautbois, Clarinette (duo)
1
Piccolo, Piano
1
Clarinette, Trompette (duo)
1
Flûte, Trompette (duo)
1
Saxophone
1
2 Hautbois (duo)
1
Flute, harpe et violon
1
2 Cors Anglais Et Pianoforte
1
Flûte et Guitare
1
Flûte, Alto (duo)
1
Flûte traversière, Orgue (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Violoncelle (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, Flûte
1
Clarinette et Alto
1
Quatuor de Flûtes à bec
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
115
Quatuor de Cuivres : 2 trompettes, trombone, tuba
88
Trombone (partie séparée)
37
Trompette (partie séparée)
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Trompette
27
Trombone et Piano
21
Ensemble de Trombones
21
Ensemble de Trompettes
19
Cor et Piano
19
2 Cors (duo)
15
Quatuor de Cuivres
14
Cor (partie séparée)
14
Trompette, Piano
14
Cor anglais, Piano
12
Tuba (partie séparée)
9
Cor
7
Trombone
6
Trio de Cuivres
5
Quatuor de cuivres: 4 trombones
5
Tuba
4
2 Trombones (duo)
4
Ensemble de Cors
4
Euphonium, Piano (duo)
3
Trompette, violon (duo)
3
Tuba et Piano
2
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
Trompette, Trombone (duo)
2
Tuba et Orgue
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 4 cors
1
Trombone, Orgue
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
2 Euphoniums et 2 Tubas
1
2 Trompettes (duo)
1
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CORDES
Violon et Piano
241
Quatuor à cordes: 2 violons, alto, violoncelle
104
Violoncelle, Piano
49
Alto, Piano
34
Trio à Cordes: violon, alto, violoncelle
22
Harpe
21
Violon
20
2 Violons (duo)
18
Violon (partie séparée)
17
Violon, Violoncelle (duo)
16
Violoncelle
14
Ensemble de Violons
11
Violon, Alto (duo)
11
Contrebasse (partie séparée)
10
2 Violoncelles (duo)
10
Violon, Guitare (duo)
9
Ensemble d'Altos
9
Alto seul
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à Cordes: 2 violons, violoncelle
7
2 Altos (duo)
6
Alto (partie séparée)
5
Harpe, Flûte (duo)
4
4 Violoncelles
3
Violoncelle, Contrebasse (duo)
3
Contre Basse
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto et Harpe
2
Harpe, Violon (duo)
2
Harpe, Violoncelle (duo)
2
Contrebasse, Piano (duo)
2
Trio à Cordes: 3 violoncelles
2
Harpe, Trombone (duo)
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Alto, Violoncelle (duo)
1
Violoncelle, Orchestre
1
Quatuor à cordes: 4 violons
1
4 Harpes
1
Alto, Guitare (duo)
1
Flûte, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Ensemble de Violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
475
Orchestre à Cordes
152
Cloches
120
Orchestre
96
Orchestre de chambre
51
Ensemble Jazz
32
Ensemble de cuivres
25
Jazz combo
17
Percussion (partie séparée)
7
Batterie (partie séparée)
7
Batterie
6
Ensemble de Percussions
4
Marimba
2
Vibraphone
1
Fanfare
1
Ensemble d'École
1
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AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
Composer Lab Music
Quatuor de Flûtes : 4 flûtes
Partitions à imprimer
7 partitions trouvées
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1
Santa Claus - A Christmas Symphony set for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 3 - Digital Download SKU: A0.5818…
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Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 3 - Digital Download SKU: A0.581853 Composed by William H. Fry. Arranged by John Gibson. Christmas,Folk,Romantic Period. 30 pages. JB Linear #2836715. Published by JB Linear (A0.581853). Santa Claus - A Christmas Symphony by William Fry set for flute quartet by John Gibson. William Henry Fry was an American composer and music critic who was one of the few American composers writing large works for orchestra at the time of his Santa Claus piece in 1853. He was also one of the first to use a saxophone in a symphony orchestra, the instrument having been invented just a few years previously. This setting for flute quartet is of selections from the complete work and includes substantial solos for 1st flute along with a jolly tune you will find yourself whistling! It lasts about 4 minutes and includes the score and parts (flute 1-2-3, alto flute with an alternate 4th flute if no alto is available).
$13.00
11.77 €
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Quatuor de Flûtes : 4 flûtes
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William H
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John Gibson
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Santa Claus - A Christmas Symphony set for Flute Quartet
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JB Linear
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SheetMusicPlus
Amy Beach - Fire Flies - set for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute, Woodwind Quartet - Digital Download Composed by Amy Marcy Beach (1867-1944). A…
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Flute, Woodwind Quartet - Digital Download Composed by Amy Marcy Beach (1867-1944). Arranged by John Gibson. 20th Century, Recital. 23 pages. Published by JB Linear
Amy Marcy Beach (1867 - 1944) was a pioneering woman composer at a time when women were barely considered by music publishers. She has been acclaimed to be the first important American woman composer. As a child Amy was allowed rather than encouraged to further her obvious musical talent. She wrote in a mature and virtuosic style for piano with use of chromaticism, fine melodic lines, and Impressionistic styles. This is her "Fire-Flies" set for flute quartet by John Gibson. (3 flutes and alto flute with an alternate 4th flute part for alto). This piece is also a part of a group of pieces called Buggy Delights also available on Sheet Music Press.
$12.95
11.73 €
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Quatuor de Flûtes : 4 flûtes
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Amy Marcy Beach (1867-1944)
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John Gibson
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Amy Beach - Fire Flies - set for Flute Quartet
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SheetMusicPlus
Kyrie (Durante) (Flute Quartet)
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1092455 Composed by Fr…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1092455 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 7 pages. Regis Bookshar #696547. Published by Regis Bookshar (A0.1092455). Kyrie - by Francesco Durante; Flute Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Flute Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Flute Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.06 €
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Quatuor de Flûtes : 4 flûtes
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.24 €
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Quatuor de Flûtes : 4 flûtes
#
Guillaume de Machaut, 1300-1377
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James M
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Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download S…
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Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
67.88 €
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Quatuor de Flûtes : 4 flûtes
#
Guillaume de Machaut, 1300-1377
#
James M
#
Machaut: La Messe de Nostre Dame for Flute Quartet
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jmsgu3
#
SheetMusicPlus
Sky Boat Song (flute quartet arrangement)
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU:…
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.1278790 Composed by William Ross (1762-1791). Arranged by James Pybus. Celtic,Chamber,Folk,Irish,Multicultural,Wedding,World. 18 pages. James Pybus #870356. Published by James Pybus (A0.1278790). The Skye Boat Song is a late 19th-century Scottish song adaptation of a Gaelic song composed c.1782 by William Ross, entitled Cuachag nan Craobh (Cuckoo of the Tree). In the original song, the composer laments to a cuckoo that his unrequited love, Lady Marion Ross, is rejecting him. The 19th-century English lyrics instead evoked the journey of Prince Charles Edward Stuart (Bonnie Prince Charlie) from Benbecula to the Isle of Skye as he evaded capture by government soldiers after his defeat at the Battle of Culloden in 1746. It is often played as a slow lullaby or waltz. It entered the modern folk canon in the twentieth century with versions by Paul Robeson, Tom Jones, Rod Stewart, Roger Whittaker, Tori Amos, and many others. Bear McCreary adapted the song as the opening theme music of the 2014 TV series Outlander, sung by Raya Yarbrough, changing the text of Robert Louis Stevenson's poem Sing Me a Song of a Lad That Is Gone (1892) to Lass to fit the story.This arrangement for SSAB or SSSB Flute Quartet is suitable for a wide variety of performance and concert settings. The duration is 4:13. Contact me at james.pybus56@gmail.com.
$21.00
19.02 €
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Quatuor de Flûtes : 4 flûtes
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William Ross
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James Pybus
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Sky Boat Song
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James Pybus
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SheetMusicPlus
SALVE REGINA for flute Quartett
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.887049
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.887049 Composed by Marilena Zlatanou. Contemporary,Standards. 20 pages. Marilena Zlatanou #3030863. Published by Marilena Zlatanou (A0.887049). Flute Quartett for 2 flutes, one Alto flute and one Bass flute, or two Alto flutes (when Bass flute is not available).Suitable for both secular and Church concerts. Duration 5 and a half minutes.The style of writing is contemporary but melodious and tonal.Although this is an instrumental piece, it follows the traditional SALVE REGINA text and therefore can be successfully included in church music concerts. The attached mp3 file is a converted sibelius file.For more information on the composer (member og TONO, the Norwegian copyright org.), please visit website: www.zlatanou.net Â
$7.99
7.24 €
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Quatuor de Flûtes : 4 flûtes
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Marilena Zlatanou
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SALVE REGINA for flute Quartett
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Marilena Zlatanou
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SheetMusicPlus
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