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James Topp
Quatuor de Flûtes : 4 flûtes
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Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Interm…
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Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Classical Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 52 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute quartet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute quartet.<br> <br> Sonata Op. 49 No. 2<br> Arranged from Beethoven’s Piano Sonata No. 20, this isa simple but interesting work in two movements showing the composers sense ofhumor. The first movement “Allegro ma non troppo” and the second movement“Tempo di Menuetto” are both in the key of G. Both Sonatas 19 and 20 (op. 49,No. 1 & 2) are named “Easy Sonatas” because they are technically easierthan the usual Beethoven Sonatas. This makes them very popular among studentsand teachers alike.<br> <br> BeethovenBackground<br> Ludwig vanBeethoven (1770 –1827) was certainly a German pianist. Aboveall, he was probably one of the greatest composers in history. As a result, heis a pivotal character in the progress between the Classical and Romantic periods.He is certainly one of the most famous and hence important of all composers.Seems like his most familiar and noteworthy works include symphonies 1-9; pianoconcertos 1-5; and furthermore, the violin concerto. Also, certainly of extremeimportance are the noteworthy 32 sonatas for the piano; the string quartets1-16; the Missa solemnis; and likewise, his only opera, Fidelio.<br> <br> Beethoven Overview<br> First of all, Beethoven was born andconsequently raised in Bonn. Upon turning 21 he moved to Vienna probablyto study composition with Haydn. That’s when he consequently grew areputation as a brilliant pianist. Furthermore, he probably stayed in Viennathe rest of his life. In his late 20s it seems like his hearing certainly beganto decline. It slowly declined until consequently he was nearly totally deafprobably by the last decade of his life. As a result, he stopped conducting andperforming. Nevertheless, he continued to compose. As a result, some of hisgreatest works probably come from this period.<br> <br> First Period<br> Seems like we often divideBeethoven’s life into three periods. Period 1 begins with Beethoven’s arrivalin Vienna. Hence, during this period, he mastered the Viennese style of Haydn& Mozart. He consequently began increasing the size and scale of his works.Furthermore, he experimented with extreme dynamics, and likewise extreme tempi.He worked similarly with chromatic harmony. His First and Second Symphoniestherefore belong to this period. Other important works also belong here: the firstsix string quartets and the Sonata Pathétique, Op. 13.<br> <br> Second Period<br> His second period probably began assoon as he realized that he was going deaf. During this period, it seems likehe became obsessed with the idea of heroism. His works consequently become evenlarger and more massive. The most noteworthy of these include the symphonies 3– 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas(Waldstein and Appassionata), the Kreutzer violinsonata, the violin concerto and his only opera: Fidelio.<br> <br> Third Period<br> In contrast, Beethoven's thirdperiod is branded above all by works of incredible intellectual depth, formalinnovation, and penetrating expression. It seems like he continued to expandhis works. Consequently, the string quartet Op. 131 spills over into sevenconnected movements. Likewise, in the Ninth Symphony he adds choral forcesto his orchestra probably for the first time in history. Even more, otherworks from this period include his Missa solemnis, the final 5string quartets (including the enormous Große Fuge) and the finalfive sonatas for piano.
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Quatuor de Flûtes : 4 flûtes
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
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SheetMusicPlus
Mirrors
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.507894
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.507894 By Justin Timberlake. By Chris Godbey, Garland Mosley, James Fauntleroy, Jerome Harmon, Justin Timberlake, and Tim Mosley. Arranged by Alison Hall. Dance,Pop. 17 pages. Alison Hall #2837273. Published by Alison Hall (A0.507894). Mirrors by Justin Timberlake Arrangement by Alison Hall for Flute Quartet. Thank you for stopping by and considering purchasing this piece. The pdf file is just the score (Concert Pitch Score). Level: Intermediate The range is from low C (below the staff) to high C (just above the staff). Duration of Work: 3 minutes and 48 seconds Please hear the whole audio by visiting my YouTube channel. That has a link below to it. Performance practice suggestions: Take things slow. Practice makes Permanent. Listen to each other. This is not appropriate for church services. This is appropriate with most schools and students in this century. This version does not have lyrics. Social Media Channels are below and Feel Free to Stop by and say Hi! https://www.facebook.com/musicteacherdoghousesit/ https://www.linkedin.com/in/alisonhall https://www.youtube.com/channel/UChsWIo9k2WfBsMV514npmjw I recommend that you copy and paste the links. Once again, thank you for stopping by and I hope to hear from you! Sincerely, Alison Hall
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Quatuor de Flûtes : 4 flûtes
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Justin Timberlake
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Alison Hall
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Mirrors
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Alison Hall
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