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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CITHARE
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HARPE
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OCARINA
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Cor
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2 Trombones (duo)
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Quatuor de cuivres: 4 cors
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2 Trompettes (duo)
1
2 Tubas (duo)
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1
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Cor Anglais
1
Cor (partie séparée)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba et Piano
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3 Euphoniums
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CORDES
Harpe
23
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon et Piano
9
Violoncelle
7
Alto, Piano
6
Violoncelle, Piano
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Violon, Violoncelle (duo)
6
Violon, Alto (duo)
5
2 Violons (duo)
5
Quatuor à cordes: 4 violons
5
2 Violoncelles (duo)
5
4 Violoncelles
5
Alto, Violoncelle (duo)
4
Trio à cordes: 3 altos
4
2 Altos (duo)
4
Quatuor à cordes : 4 altos
4
Trio à Cordes: 3 violoncelles
4
2 Harpes (duo)
3
Trio à cordes: 3 violins
3
Alto seul
2
Contrebasse (partie séparée)
2
Contrebasse, Piano (duo)
2
Trio à Cordes: violon, alto, violoncelle
1
Violon
1
Harpe, Voix
1
Violon (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Cloches
21
Ensemble Jazz
16
Orchestre d'harmonie
15
Orchestre à Cordes
14
Orchestre
9
Ensemble de Percussions
7
Ensemble de cuivres
5
Jazz combo
4
Batterie
3
Orchestre de chambre
2
Fanfare
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Percussion
1
Percussion (partie séparée)
1
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AUTRES
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Keep the Change
Quatuor de Flûtes : 4 flûtes
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Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. I…
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Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.57 €
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Quatuor de Flûtes : 4 flûtes
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
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Slide Ride
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SheetMusicPlus
Turkish March by Beethoven for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.1143525
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Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.1143525 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743841. Published by Woods Only, Arrangements (A0.1143525). This arrangement adapted for flute quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.3 €
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Quatuor de Flûtes : 4 flûtes
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Flute Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Variations on Just as I am for flute quartet (mp3)
Quatuor de Flûtes : 4 flûtes
Level 4 - Digital Download SKU: A0.1136490 By Budapest Scoring. By Charlotte Elliot…
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Level 4 - Digital Download SKU: A0.1136490 By Budapest Scoring. By Charlotte Elliott. Arranged by David Warin Solomons. Classical,Spiritual. Full Performance. Duration 148. David Warin Solomons #736489. Published by David Warin Solomons (A0.1136490). Here we take the hymn gently through variations (decorations), but keeping the harmony mainly in accordance with the first verse. We give each instrument the main melody in turn (1st flute, bass flute, alto flute, 2nd flute). In verse three the mode changes to minor and for verse four the mode returns to major while the 1st flute provides a glorious descant. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
$4.50
4.11 €
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Quatuor de Flûtes : 4 flûtes
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Budapest Scoring
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David Warin Solomons
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Variations on Just as I am for flute quartet
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David Warin Solomons
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SheetMusicPlus
Moonlight Sonata by Beethoven for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.1138451
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Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.1138451 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #738787. Published by Woods Only, Arrangements (A0.1138451). This arrangement adapted for flute quartet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$7.99
7.3 €
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Quatuor de Flûtes : 4 flûtes
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven for Flute Quartet
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Woods Only, Arrangements
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SheetMusicPlus
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