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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Kyrie
Non classifié
199
Piano & claviers
Piano seul
45
Piano, Voix
33
Orgue
24
Piano Facile
22
Piano, Voix et Guitare
13
1 Piano, 4 mains
3
Accompagnement Piano
1
Piano grosses notes
1
+ 3 instrumentations
Retracter
Guitares
Guitare notes et tablatures
5
Ligne De Mélodie, (Paroles) et Accords
3
Guitare
3
3 Guitares (trio)
1
Ukulele
1
Voix
Chorale SATB
299
Chorale 3 parties
78
Chorale
31
Chorale 2 parties
24
Pack Instrumental pour Chorale
20
Chorale Unison
17
Chorale TTBB
10
Chorale SSAA
6
Voix duo, Piano
4
Voix haute
2
Chorale, Orchestre
1
Chorale SSAATTBB
1
Chorale SSATTB
1
+ 8 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
11
Quatuor de Clarinettes: 4 clarinettes
10
Clarinette (partie séparée)
8
Quatuor de Flûtes : 4 flûtes
7
Flûte, Hautbois, Clarinette, Basson
7
Flûte traversière et Piano
5
Saxophone (partie séparée)
4
Flute (partie séparée)
4
Quatuor de Flûtes à bec
3
Quintette de Clarinettes: 5 clarinettes
3
Ensemble de Flûtes
3
Flûte et Guitare
2
Quintette de Saxophone: 5 saxophones
2
Hautbois, Piano (duo)
2
Ensemble de Clarinettes
2
Flûte à Bec
2
Hautbois (partie séparée)
1
Flûte à bec Tenor
1
Ensemble De Flûte à bec
1
Ensemble de saxophones
1
Quintette de Flûte : 5 flûtes
1
Saxophone Alto et Piano
1
Clarinette Basse, Piano
1
Hautbois, Basson (duo)
1
Clarinette et Piano
1
Clarinette
1
2 Clarinettes (duo)
1
Flûte traversière
1
Saxophone Tenor et Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte à bec Alto
1
Clarinette, Basson (duo)
1
+ 27 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Quatuor de Cuivres
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quatuor de cuivres: 4 trombones
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone
3
Cornet A Pistons
3
Trombone (partie séparée)
3
2 Euphoniums et 2 Tubas
2
Trompette (partie séparée)
2
Tuba et Piano
2
Tuba
2
Cor (partie séparée)
2
Ensemble de Cors
2
Cor
1
Trombone et Piano
1
Trompette
1
Tuba (partie séparée)
1
Ensemble de Trombones
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
11
2 Violons (duo)
5
Violoncelle, Piano
5
Violon (partie séparée)
5
Violon et Piano
5
Violoncelle
3
Violoncelle (partie séparée)
3
4 Violoncelles
2
Violon
2
Alto seul
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Orgue
1
Violon, Violoncelle (duo)
1
Harpe
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Contrebasse, Piano (duo)
1
Contrebasse (partie séparée)
1
Alto, Violoncelle (duo)
1
Contre Basse
1
Trio à Cordes: violon, alto, violoncelle
1
Alto (partie séparée)
1
+ 17 instrumentations
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Orchestre & Percussions
Orchestre
22
Orchestre d'harmonie
9
Ensemble de cuivres
8
Orchestre à Cordes
5
Percussion (partie séparée)
4
Cloches
2
Orchestre de chambre
2
Percussion
1
Timbales (partie séparée)
1
Batterie
1
Marimba
1
Fanfare
1
Jazz combo
1
Vibraphone
1
+ 9 instrumentations
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Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
Kyrie
Quatuor de Flûtes : 4 flûtes
Partitions à imprimer
7 partitions trouvées
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Kyrie (Durante) (Flute Quartet)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.1092455 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 7 pages. Re...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.1092455 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 7 pages. Regis Bookshar #696547. Published by Regis Bookshar (A0.1092455). Kyrie - by Francesco Durante; Flute Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Flute Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Flute Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie from Requiem K. 626 for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Diego Marani
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Kyrie from Requiem K. 626 for
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528423 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Ins...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528423 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Sacred,Standards. 10 pages. Diego Marani #6009861. Published by Diego Marani (A0.528423). The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year.In this arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) we have the Kyrie, a double fugue also on a Handelian theme.
$8.99
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. G...
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Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Modal for flute quartet (3 C flutes (or Piccolo, 2 C Flutes) and 1 Alto Flute)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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David Warin Solomons
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Modal for flute quartet
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.580918 Composed by David Warin Solomons. 20th Century,Contemporary. 31 pages. David Warin S...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.580918 Composed by David Warin Solomons. 20th Century,Contemporary. 31 pages. David Warin Solomons #6425467. Published by David Warin Solomons (A0.580918). This is based loosely on my Modal Mass (Kyrie, Gloria, Sanctus, Benedictus, Agnus) and uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes).
$15.00
Missa Brevis in F Major
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Antonio Lotti
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Scott Zeplin
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Missa Brevis in F Major
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Scott Zeplin
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.984402 Composed by Antonio Lotti. Arranged by Scott Zeplin. Baroque,Sacred. 19 pages. Scott...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.984402 Composed by Antonio Lotti. Arranged by Scott Zeplin. Baroque,Sacred. 19 pages. Scott Zeplin #4986045. Published by Scott Zeplin (A0.984402). Antonio Lotti composed two Missa Brevi, each under six minutes in length. This is a setting of his F Major Missa Brevis that includes the Kyrie, Sanctus, Benedictus, and Agnus Dei. Originally for four voices, this translates beautifully for 2 C flutes, alto flute, and bass flute. Enjoy!
$10.00
Kyrie
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Quatuor de Flûtes : 4 flûtes
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Classique
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Franz Schubert
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Eric Vireton
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Kyrie
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Composed by Franz Schubert (1797-1828). Arranged by Eric Vireton. Classical. Score and Set of Parts. 8 pages. Duration 55 seconds. Published by FLEX Editions - ...
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Composed by Franz Schubert (1797-1828). Arranged by Eric Vireton. Classical. Score and Set of Parts. 8 pages. Duration 55 seconds. Published by FLEX Editions - Digital Sheet Music (FX.FX072983). - Score and Set of Parts - Classical - FLEX Editions - Digital Sheet Music
$6.95
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