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Not While I
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Non classifié
401
Piano & claviers
Piano seul
326
Piano Facile
57
Piano, Voix
44
Piano, Voix et Guitare
32
Orgue
22
Instruments en Do
17
Piano Trio: piano, violon, violoncelle
15
1 Piano, 4 mains
6
2 Pianos, 4 mains
5
Accompagnement Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
+ 8 instrumentations
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Guitares
Guitare notes et tablatures
65
Guitare
47
Ukulele
18
Basse electrique
5
Ligne De Mélodie, (Paroles) et Accords
4
Dulcimer
3
Mandoline
1
3 Guitares (trio)
1
2 Ukuleles
1
Ukulele Baryton
1
2 Guitares (duo)
1
Guitare, Orchestre
1
+ 7 instrumentations
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97
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18
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13
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8
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7
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7
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5
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2
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2
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1
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1
Voix haute
1
Voix Alto, Piano
1
Chorale SSATTB
1
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24
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24
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23
Clarinette
21
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16
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15
Clarinette et Piano
14
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12
Ensemble de saxophones
10
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9
Saxophone Alto et Piano
9
Hautbois, Piano (duo)
9
Saxophone Tenor et Piano
8
Ensemble de Clarinettes
8
Ensemble de Flûtes
7
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6
Hautbois (partie séparée)
6
Flute (partie séparée)
4
Saxophone Alto
4
Saxophone (partie séparée)
3
Quintette de Clarinettes: 5 clarinettes
3
3 Clarinettes (trio)
3
2 Saxophones (duo)
3
2 Flûtes traversières (duo)
3
Quintette de Flûte : 5 flûtes
3
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3
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2
Cor Anglais
2
Clarinette, Violoncelle, Piano (trio)
2
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2
Piccolo
2
Saxophone Tenor
2
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2
Trio de Flûtes: 3 flûtes
2
2 Clarinettes (duo)
2
Flûte et Guitare
2
Flûte, Violon, Piano
1
Saxophone et Guitare
1
Saxophone et Orgue
1
Saxophone, Clarinette (duo)
1
Cor anglais, Piano
1
Ensemble à vent
1
Saxophone
1
Flûte, Hautbois (duo)
1
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29
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20
Trompette
19
Trombone
17
Cor
10
Trompette, Piano
8
Ensemble de Trombones
7
Ensemble de Trompettes
5
Trombone et Piano
4
Cor et Piano
3
Trompette (partie séparée)
3
Tuba
3
Cor Anglais
2
2 Trombones (duo)
1
2 Tubas (duo)
1
Trombone, Tuba (duo)
1
Trombone basse
1
Quatuor de cuivres: 4 trombones
1
Cor anglais, Piano
1
Trompette, Trombone (duo)
1
2 Cors (duo)
1
Euphonium, Piano (duo)
1
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1
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1
Trombone (partie séparée)
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3 Trombones (trio)
1
2 Trompettes (duo)
1
Tuba et Piano
1
Quatuor de Cuivres
1
+ 24 instrumentations
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Cordes
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40
Violon et Piano
30
Violon
19
Harpe
16
Violoncelle, Piano
14
Violoncelle
13
Alto, Piano
12
Trio à Cordes: violon, alto, violoncelle
11
Alto seul
7
Violon, Violoncelle (duo)
6
Ensemble de Violons
4
Contre Basse
3
Harpe, Voix
3
Violon, Alto (duo)
3
Ensemble d'Altos
2
Contrebasse, Piano (duo)
2
2 Violoncelles (duo)
2
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Harpe et mandoline
1
2 Altos (duo)
1
Ensemble de Violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto et Harpe
1
+ 19 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
29
Orchestre d'harmonie
28
Orchestre
24
Ensemble de Percussions
19
Marimba
18
Ensemble de cuivres
16
Ensemble Jazz
16
Orchestre de chambre
12
Jazz combo
10
Cloches
10
Batterie
3
Fanfare
2
2 Marimbas
1
Xylophone
1
Piano et Orchestre
1
Percussion
1
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--INSTRUMENTS--
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Vous avez sélectionné:
Not While I
SheetMusicPlus
Partitions à imprimer
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Variations on hélas madame for flute quartet (mp3)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Budapest Scoring
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David Warin Solomons
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Variations on hélas mad
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David Warin Solomons
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SheetMusicPlus
Level 4 - SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. Full Performance....
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Level 4 - SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. Full Performance. Duration 144. David Warin Solomons #736065. Published by David Warin Solomons (A0.1136040). Hélas madame is attributed to King Henry VIII. It is part of a secular collection, found on a manuscript that was used in Henry's court. The originality of the song has been questioned, with various parts of the song allegedly taken from similar pieces in Europe. The song itself is a courtship conversation in Middle French between a man and woman. Hélas madame, celle que j’ayme tant: Souffrez que soye vostre humble servant; Vostre humble servant je serays a toujours Et tant que je viv’ray aultr’ n’aymeray que vous. Hélas, beau sire, vous estez bel et bon, Sage et courtoys et de noble maison, Et aussi bon que l’on scairoit finer, Mais cil que j’ayme, ne scairoye oublier. Hellas, ma dame, pences en vostre cas: Entre nous deulx ne fault point d’avocatz. Certes non pas, et vous le scavez bien. Allez vous en, car vous ne faictez rien. Mon cueur souspire et se plaint tendrement, Quant il ne peult trouver allegement. Ne scay comment on me veult dechasser; S’il est ainsi, j’ayray ailleurs chasser. Hellas, ma dame, et n’en seray-je point? Certes beau sire, je ne le vous dis point. Servez a point: il vous sera mery. Hellas, ma dame, de bon cueur vous mercy. Alas my lady, whom I do so love: Suffer me to be your humble servant; Your humble servant I shall always be. And while I live, I'll love none else but you. Alas, fair sir, you are good and kind, Wise and courteous and from a noble house, And as good as one could find, But I can't forget the one I love. Alas my lady, think upon your case: Between us two, no need for advocate. Certainly not, and you know it well. Be gone, for you are doing nothing. My heart sighs and tenderly complains, When it cannot find relief. I know not how it wants me to woo; If it is so, I'll go wooing elsewhere. Alas my lady, and shall I not? Certainly, fair sir, I have not said so. Behave rightly and you will be rewarded. Alas my lady, from my whole heart, thank you. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
$4.50
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride ...
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Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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